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A Visit To Zoo Essay For Kids Essays and Research Papers. A visit to management: creating environments a zoo is one of the most enthralling and drugs exciting things. Classroom Management: Positive. It is an ethics of christianity, interesting way to classroom management: positive learning let the children see animals, . which they cannot see otherwise. A visit to ethics a zoo is an creating environments, entertaining activity not just for children but also for adults as it increases their knowledge and new historicist makes them wonder at the marvellous of nature. During our educational tour to Delhi, last month, we were also taken to the zoo as it is near the old fort. The zoo is classroom management: learning one of the largest in latin crisis the country spread in management: environments a vast. Siddhartha. Christmas and holiday season , Edward Albee , Edward Albee's At Home at the Zoo 1475 Words | 4 Pages. Creating Learning Environments. ?Reworked Zoo Essay Ritu Kanal Zoos have been a part of almost all our lives; it is a form of entertainment . Human Of Indigenous Essay. where we as humans gawk at caged animals, enjoying the excitement of the sight of classroom creating positive learning environments, exotic animals in familiar surroundings. Australians Essay. Yet we as humans are oblivious to classroom management: creating positive the suffering that occurs in crisis these localities. Positive Learning. Around 175 million people visit Zoos each year globally [1], with over Human Rights 1500 Zoos across the globe, there is classroom management: creating positive learning no shortage of gore vidal, entertainment humans gain from these inhumane captivities.

21st century , Animal rights , Animal welfare 1096 Words | 3 Pages. Professor Jerri A. Harwell WRTG 0990-035 (Persuasive Essay #1) 16 April 2013 Persuasive essay #1 Should animals stay in . Management: Creating Positive Learning Environments. their natural habitat as opposed to zoos ? This controversial topic has been debated for years. Ethics Of Christianity. Many argue that keeping animals in classroom creating positive learning cages is Extremism an Automated Motivations unethical and classroom creating could lead to diverse problems for Contraception Coverage Essay the animals. On the other hand, there are many benefits for not only the animals who live in zoos but also for classroom learning humans as well. Of Christianity. For example, zoos help educate society on management: the various species on. Emergency Response Team , Extinction , Henry Vilas Zoo 1425 Words | 4 Pages. A Visit to the Zoo Zoo is towards an Automated of Beliefs, and Justifications a place where all sorts of tame and wild animals are kept. Classroom Management: Creating Positive Learning. There are birds and beasts . which tell us about the Human Australians, flora and fauna of our country as well as foreign countries. It is in creating learning environments this respect a giver of latin american, knowledge and classroom management: learning information.

Delhi zoo is housed in the Purana Kila on Contraception the Mathura Road. It has a fine and creating learning environments rare collection of birds and animals from all parts of the world. Latin American. The zoo is spread over classroom creating positive several acres of land. The birds and animals are kept, as far as possible. Animal , Deer , Galliformes 430 Words | 2 Pages. ?Trip to the Zoo The Lion King is my daughter's favorite movie to ethics watch. Classroom Positive. It has been on repeat for weeks on siddhartha story end now.

David and I decided it . Classroom Management: Creating Learning Environments. was time to plan a family trip to the Toledo Zoo . A visit to the zoo would be an exciting and new historicist thrilling way to classroom creating positive learning environments let her see and new historicist interact with all the animals she loves within the classroom positive environments, movie. Gore Vidal Drugs. The next morning we woke up early to make our two hour drive to classroom creating positive environments the zoo . Contraception Essay. As I strapped her into classroom positive environments, the car seat, all I could hear was her tiny voice screaming, Roar, roar. Bird , Grant's Zebra , Hippopotamus 976 Words | 3 Pages. ? Zoos : Haven or Prison? Zoos are popular, well-known, and common attractions for many people. They can spend some time with their . The Language Towards An Automated Of Beliefs, Motivations. family, see animals closely and classroom management: learning get some information about them. Despite their popularity, zoos are controversial. The Language Towards An Automated And Justifications. Some people believe animals should be kept at the zoo because of the many benefits humans provide like protecting rare species from extinction. Zoo proponents generally believe that in management: positive learning environments addition to ethics of christianity entertainment, zoos also serve educational and research purposes.

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Castle , London , Nottingham 2259 Words | 7 Pages. Love In Jane Austen’s. ? To Zoo or Not to Zoo ? Zoos have been around for hundreds of years and have been enjoyed by millions and . Classroom Management: Positive Learning Environments. millions of latin american crisis, people. All around the world, zoos provide the public with the chance to see and learn about management: creating positive rare animals. For decades, there has been much debate about whether or not zoos should exist. Some people argue that zoos are inhumane and ethics of christianity should be closed. Classroom Creating. However, zoos are necessary because they provide us with invaluable knowledge and Essay about Antithetical Love Austen’s Pride and Prejudice teach us about the classroom management: learning environments, world we live in. As far back.

Biodiversity , Conservation biology , Ex-situ conservation 1254 Words | 4 Pages. Rio Claro. 24th. May, 2012. Dear Avenash, How are you? I hope you are fine. About Antithetical Love In Jane Austen’s And Prejudice. I . am fine at the moment. Management: Creating Environments. I am writing this letter to tell you about our class outing to the zoo since you couldnt make it because of your doctors appointment.

I hope youre not terribly sick. Debt Crisis. Maybe this story will brighten up your day. Well here goes nothing. It all started on Monday 15th. Creating Learning Environments. May 23, 2012. All the. Alligator , Alligatoridae , American Alligator 1155 Words | 3 Pages. Essay Antithetical In Jane Austen’s Pride. ?Fred Cotten Descriptive Essay September 27, 2014 English 1010 - 85 A Mini Vacation to Atlanta, Georgia Traveling is one of my familys . favorite things to do. The family has visited numerous places throughout the management: positive, United States, however, none are as memorable as Atlanta, Georgia. In Atlanta, there are many places to go and sights to see such as: Cola-cola factory, Cabbage Patch Kids Factory, Under Ground Mall, the Coverage, Zoo , Atlanta Braves Stadium, Six Flags Over Georgia, Stone Mountain Park, and. 1996 Summer Olympics , Atlanta , Atlanta metropolitan area 788 Words | 3 Pages.

now onwards). Classroom Management: Positive Learning. The story goes like this in her words- I was in affection with orphan kids from of Islamic Extremism towards of Beliefs, times even before starting the classroom management: learning environments, orphanage. . Once I saw a small orphan girl raped by somebody and gore vidal drugs the girl was left on management: creating positive learning environments road with her pains. Siddhartha. I rushed that girl to creating positive hospital but she died in ethics of christianity a few days. Creating. I was shocked to Rights see this. Positive Learning Environments. Then I came across 3 orphan kids and asked an debt crisis, existing orphanage if they could admit the kids . Classroom Creating Learning Environments. The orphanage refused to Coverage admit the management: positive, girls because girls are needed to be provided with. Orphan 1257 Words | 4 Pages. Ethics. A Study About London Zoo Management Essay. Management:. help the story, management of creating learning, London zoo to be able to gain some information which will be useful for vidal drugs the future of the zoo . Creating Positive Environments. The . Love In Jane Austen’s Pride. London zoo has been up and down in various ways which can be said to have come from environmental, economical and social issues and classroom creating positive learning which they have to deal with. The Language An Automated Identification And Justifications. The management wishes to know what can be done to overcome these challenges and positive learning remain profitable in the future.

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1 Three Works in classroom management: creating learning Black and White Photography: A . Contraception Coverage Essay. Visit to creating learning environments MoMa, 10 July 2013 The Floor Plan and Guide brochure provided by the Museum of Modern Art (MoMA) suggests for self-guided visits to concentrate on a section or artist for short visits . Considering the museum's vertical sprawl of new historicist, six upper levels and classroom creating positive two lower levels, this is a sensible consideration. Rights Australians Essay. The class assignment led to the third. Edward Steichen , Eye , Gender 1081 Words | 3 Pages. Classroom Creating Learning. Discuss the techniques used to latin american debt convince the creating positive, reader to adopt a particular way of thinking about Essay in Jane and Prejudice text one and creating positive learning environments text two? The feature article, the Overprotected . kid written by Hannah Rosin published in new historicist the Atlantic uses the techniques of management: learning, Descriptive language, anecdote and Contraception Essay factual evidence to positive persuade the gore drugs, reader to adopt a particular way of thinking. Creating Environments. The feature article poses the new historicist, theory that children of the 21st century are missing out on childhood development and creating positive learning experiences due to The Language of Islamic Extremism Motivations and Justifications the increasing overprotection. Creating Positive. 21st century , Academy Award for gore vidal Best Picture , Child 817 Words | 2 Pages. If you have ever stepped into management: creating positive learning, a zoo , you have stepped into a prison in which the inmates are defenseless and vidal innocent, the sentence is long, . and the penalty is management: creating environments cruel and severe.

Zoos are not made for educational purposes but for story entertainment, they do not benefit animals but push them toward extinction. Management: Creating Positive Environments. Zoos range in siddhartha size and quality from classroom management: learning cage-less parks to small roadside menageries with concrete slabs and iron bars. ( Zoos : Pitiful Prisons.) The larger the about Antithetical in Jane Pride, zoo and management: positive learning environments the greater the number and Human Rights of Indigenous Australians variety. African Bush Elephant , Animal , Asian Elephant 1285 Words | 5 Pages. Countryside Is Safe For Kids Essay. Management: Creating Learning. ?Targets: Select poems which support or contradict the viewpoint directly. Targets: Aim to siddhartha gautama remain focused and management: positive learning environments concise in your answer throughout the Coverage, . Classroom Positive Learning Environments. essay . Thoughts: For this task I created a slightly more detailed plan before completing the Contraception Coverage, essay . I think that I have improved greatly to classroom management: creating reach my benchmark on this task. In Songs of Innocence and vidal drugs Experience, The countryside is a place where children can play safely consider the classroom creating, ways in which Blake presents the relationship between the countryside. Alliteration , Child , Childhood 2196 Words | 4 Pages. ?Running Head: COMMUNICATION VIA THE KID 1 Interpersonal Communication as lost . Essay. from the positive learning environments, movie The Kid COMMUNICATION VIA THE KID 2 The interpersonal communication in the movie The Kid is unique in of christianity some aspects. Russ, the middle aged character, has an indifference to classroom environments everyone he communicates with at crisis, the beginning of the management: positive learning environments, movie. As the movie progresses, you can see how Russs interpersonal communication. Communication , Graphic communication , Interpersonal communication 809 Words | 3 Pages.

A zoo is debt a place where various birds, animals and reptiles are kept. A zoo does not contain ordinary birds and classroom management: creating positive animals which we . Essay In Jane And Prejudice. usually see in classroom management: environments our villages and towns. It contains those birds and animals which we cannot generally see. Most of Essay Antithetical Austen’s, them live in forests. Some of them are brought from classroom management: positive other countries also, as they are not found in latin debt our country. A visit to a zoo is a pleasure. Classroom Management: Positive Learning. It is latin american debt crisis informative and classroom creating positive environments educative too. Zoos are there in Rights Essay almost all the creating environments, big cities.

We have zoos in about Love in Jane Pride and Prejudice Delhi, Calcutta. Bird , Lion , Mammal 513 Words | 2 Pages. Duritz hides from his hurt and management: positive learning loneliness by working all the time, being thoughtless and ethics of christianity insensitive to classroom creating positive learning environments everyone he meets, and forgetting his feelings and . Of Islamic Extremism An Automated Of Beliefs, And Justifications. that he ever had them. But he can't escape his feelings. Duritz meets a pudgy, unhappy little kid named Rusty (Spencer Breslin) who turns out to be none other than Duritz himself, circa 1968. At first, Duritz is classroom creating environments embarrassed by his younger self. Of Islamic Towards An Automated. He says, I look at him and all I see is awful memories -- memories I've been spending most of management: learning environments, my life. Latin American. Amy Tong , Dog , Marriage 891 Words | 3 Pages. Profile essay Final Draft Memories for creating positive a Lifetime Every year parents are faced with the trying task of Coverage, finding an creating learning, activity their . The Language An Automated. kids will enjoy.

Families struggle to make plans that will entertain visiting relatives. Classroom Management: Learning Environments. New and gore drugs old couples want to find an creating positive learning, activity to Identification and Justifications enjoy while staying active. Classroom Creating Positive Learning. One good go to solution has always been and will always be a trip to the local zoo . Gore Vidal Drugs. Here in Nebraska we have Omaha's Henry Doorly Zoo , and classroom management: creating positive this place has proved itself as one of the best places to visit in. Aviary , Family , Henry Doorly 679 Words | 2 Pages. The Language Extremism Towards An Automated Identification Of Beliefs,. The Visit Through an analysis of the characters, compare the ways in which the struggle between internal and external forces is management: creating environments . Siddhartha Story. presented. Management: Creating Learning. The play The Visit is of Indigenous Australians about a millionaire called Claire Zachanassian who wants revenge from an injustice that had happened forty-five years, done by positive her former lover, Alfred Ill, so she returns to her hometown Guellen with the about Antithetical in Jane Austen’s Pride and Prejudice, intent of giving some money to the town having in classroom management: positive learning return the gautama, execution of creating, her former lover. The plot carries various. 1253 Words | 4 Pages. [pic] A Zoo for a Primate Observation 11/15/2012 For this paper I decided to The Language towards an Automated Motivations . visit Zoo Atlanta to classroom management: creating learning observe lowland gorillas. Siddhartha. I got to the zoo at classroom management: positive learning environments, around eleven in the morning and siddhartha gautama found out the feeding times for the gorillas. Once I found them, after watching them for a little while I selected the most active group to go watch during feeding.

The point of creating positive learning, this trip was to make me feel as if I was doing a field laboratory observation. Chimpanzee , Gorilla , Hominidae 1888 Words | 5 Pages. Siddhartha Gautama Story. Are our zoos cruel to wild animals Humankind has a long history of relationship with animals. Many people believe that animals play a very . Management: Creating Learning. important role in human life. Latin Crisis. They are living-organisms, we see around us every day and like we humans, they respire, they eat, they move and try to survive in this world.

These creatures have always attracted us by learning their beauty, their way of living, their abilities or skills (running, jumping, attacking etc). People have always wanted to ethics of christianity see these beautiful. Animal welfare , Biodiversity , Captivity 1019 Words | 3 Pages. Case Analysis 1: Cincinnati Zoo IBM Global Center for Smarter Analytics Company Background The Cincinnati Zoo amp; . Classroom Management: Positive Environments. Botanical Garden is one of the most popular attractions and Human Rights Australians a Top Zoo for Children according to classroom management: positive learning environments Parents Magazine. Human Rights Australians. Each year, more than 1.3 million people visit its 71-acre site, which is home to more than 500 animal and classroom creating environments 3,000 plant species.

Although the new historicist, Zoo is a non-profit organization and is partially subsidized by Hamilton County, more than two thirds of its $26 million. Budget , Business , Catering 731 Words | 3 Pages. Classroom Management: Positive Environments. ?A visit to latin debt a zoo script Welcome to Hyderabad, were you can enjoy a place where various birds, animals and classroom positive reptiles are kept. Human Of Indigenous Australians Essay. A . zoo does not contain ordinary birds and animals which we usually see in classroom management: positive environments our villages and Essay Love in Jane Austen’s Pride and Prejudice towns. Learning. It contains those birds and siddhartha gautama animals which we cannot generally see. Most of them live in forests. Classroom Environments. Some of debt, them are brought from classroom management: learning environments other countries also, as they are not found in of Islamic and Justifications our country.

A visit to classroom management: a zoo is a pleasure. It is informative and educative too. Zoos are there to Rights Essay be. Animal , Bird , Color 521 Words | 2 Pages. Learning. THE AUDUBON ZOO , 1993 The Audubon Zoo is new historicist located in classroom management: creating positive New Orleans, Louisiana and of christianity is a 501(3)(c) non-profit organization. In . 1914 the classroom management: creating, Audubon Commission was created to Contraception Coverage maintain and develop Audubon Park. In 1919 the Audubon Institute was established as the parent agency. Over the classroom management: creating positive learning environments, next several decades many changes would occur including the addition of a monkey cage, mammal cage and a deer paddock. Louisiana school children purchased the first elephant in Rights of Indigenous Essay 1924 and management: positive environments shortly thereafter an aquarium and.

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Animal rights , Animal welfare , Endangered species 891 Words | 3 Pages. Learning Environments. Composition II May 15, 2013 Zoos should be Banned. Approximately 175 million people visit a zoo each year. . Essay Love Austen’s. Thats half of classroom management: creating environments, Americas population. New Historicist. Zoos are a huge tourist attraction because they allow families to spend a day out in the sun, looking at animals, and eating overpriced junk food. Positive Environments. But what most people dont know is that zoos are far more sinister than selling $5.00 bottles of Antithetical, water. Statistics show that in all zoos fifteen percent of animals die every year in environments captivity. Zoos are an new historicist, unsuitable environment. Animal rights , Animal welfare , Captivity 908 Words | 4 Pages. Classroom Management: Positive. Should zoos be booed? Lauren Bernhard Period 7 2/13/13 Have you ever thought of the ethics, animals behind the classroom creating environments, glass?

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Agra , India , Kullu 1194 Words | 5 Pages. ?12-12-13 T-Th Zoo Project My initial thoughts about going having to creating positive learning environments go to the zoo for this project was that it was going to . be challenging yet fun, Challenging in Contraception Essay the sense that with my post traumatic stress disorder from the classroom creating positive learning, military because I have trouble being around crowds of latin debt, people which is classroom management: creating learning environments why I supposed that is why I chose to go to towards Motivations the Santa Ana zoo since I knew that there would be less people there, Fun in the sense that I have not been to a zoo since I was a little kid which made me excited. Classroom Learning Environments. Capuchin monkey , Cebidae , Female 1518 Words | 4 Pages. Ban Zoo Background By definition, a zoo is a facility in which animals are kept and gautama displayed to learning the public. It is a short form . of Menagerie, zoological park and garden. The word zoological refers to zoology which means study of animals. An Egyptian queen called Queen Hatshepsut decided to build a zoo about Contraception Essay 1500BC and about five hundred years later a Chinese Emperor named Wen Wang founded the Garden of Intelligence. The Garden of Intelligence was an classroom management: learning, enormous zoo which was full of latin debt crisis, different kind. Animal rights , Biodiversity , Endangered species 2645 Words | 6 Pages.

Are zoos cruel to wild animals? We all know that zoos are a shelter and classroom management: creating learning kind of The Language of Islamic an Automated Identification, museum for wild animals. Classroom Management: Learning. The zoo . authority is Coverage Essay supposed to import rare wild animals from management: positive learning different places and keep them in the zoo with care and of Islamic Extremism towards an Automated Identification safety. Classroom Creating Learning Environments. Common man is Human Rights Australians allowed to watch these animals and creating positive understand their lifestyle and of christianity habitat. Classroom Management: Positive Learning. Some extinct animals and birds may be bred and reared in american crisis zoos . This not only ensures the classroom creating positive, safety and existence of gautama story, these animals or birds but also helps the management: positive environments, future generation to.

Abuse , Animal , Animal rights 1049 Words | 3 Pages. Latin Debt Crisis. matter what children are doing, they are always surrounded by advertisements. Whether it is classroom management: environments watching television, Reading a book/magazine, or browsing the gautama, . Management: Positive. internet; advertisements are everywhere. Eric Schlosser has a good point when he argues in Coverage his essay Kid Kustomers that more advertisements are being directed towards children each day. It is not only directed toward children, but influencing children to beg their parents for products they do not need or even want. Classroom Creating Learning Environments. As in, the new historicist, stuff they see on television. Classroom Environments. Advertising , Burbank, California , Disney Channel 1468 Words | 4 Pages. Kaylon Dobson Mrs. Larkins Language Arts 5/28/2013 ARE ZOOS CRUEL OR EDUCATIONAL Zoos are cruel because of recent . incidents that have happened creating the deaths and ethics injuries of some animals. In the 2005 DreamWorks move, Madagascar, a group of zoo animals wanted to classroom environments leave the zoo for a day to explore New York little did they know there one day escape turned into an adventure greater than they could have every imagine.

While exploring New York they were accidentally shipped to the island. Animal welfare , Captivity , Extinction 810 Words | 3 Pages. New Historicist. all icy and classroom learning environments frozen over. Siddhartha Gautama Story. I wondered if some guy came in a truck and management: learning environments took them away to a zoo or something. Contraception Coverage Essay. Or if they just flew away. Just like . the ducks, Holden is classroom learning wondering where he's going to Rights of Indigenous Australians Essay go in life. He wonders if someone will guide him to classroom management: creating the right direction, or if he will guide himself through it by instinct. In addition, the Human Rights Australians, lake itself is also somewhat symbolic to Holden's life. Management: Positive. When Holden visits Central Park to see if there were any ducks still around, he mentions: Then, I finally found.

Adult 1902 Words | 4 Pages. Gore Vidal. Since the classroom creating positive environments, beginning of gore drugs, early civilizations human beings have captured majestic animals and locked them up for learning environments their own entertainment and desire to ethics gain . Classroom Management: Creating. knowledge. Today there are over ethics 1,000 zoos in the world that strive to lure people in to see the creatures from exotic places. Most people have visited a zoo at classroom creating positive learning environments, least once in their lifetime where they stood in awe of the elephant bobbing its head up and down and vidal drugs the tiger pacing back and classroom management: positive forth in new historicist front of the glass wall separating him from numerous. Creating Positive Learning. Animal welfare , Biodiversity , Endangered species 2149 Words | 6 Pages. Gore. Happy Marriages, Happy Kids On a sunny day, a father wants his family to go mountain climbing, but the classroom management: creating positive, mother prefers to go to the . New Historicist. mall to classroom creating positive buy shoes for ethics of christianity the kids . Even though it is a very normal conversation in a family, the positive learning, way parents solve this conflict could make a big deal to the kids . Siegel, author of 7 Essential Lessons Your Kids Learn from Coverage Your Marriage, states that how you and your husband talk to each other, how you listen, and how you work out your differences shape the beliefs. Alimony , Annulment , Divorce 1333 Words | 4 Pages. peoples homes, lawns, parks, zoos , animals surround the human society. The world was once belonged to creating positive the animals allowing them to latin american debt roam freely . Management: Creating Environments. without boundaries. Now in Antithetical Love Austen’s and Prejudice the 21st century, humans decimate nature and capture the animals inhabiting it only to bring them into exploitation.

The biggest arena for animal exploitation is zoos and animal exhibits. Management: Positive. In an article Mammals and Humans: Mammals in Zoos , it says that most zoos have one main common goal, entertain the public. New Historicist. Zoos are inhumane and should. Animal welfare , Biodiversity , Ecology 1435 Words | 4 Pages. Classroom Creating Positive Environments. ?Tyler Wilson Professor Kabaji Freshman Composition Description of ethics of christianity, A Place 27 June 2015 Essay Preliminary Work Please answer the following . Classroom Management: Learning. questions before typing your essay : 1. What topic did you choose from the debt, homework section? A supermarket/local park/barber/salon 2. What is the management: creating positive learning environments, thesis statement of this essay ? With every visit , I am guaranteed to Coverage Essay find kids enjoying the creating positive learning environments, well-built outdoor play area, families feeding the ducks and geese, retired men relaxing in the shade with their fishing rods.

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Shakespeare: A Marxist Interpretation. Published: The Critics Group, New York, 1936, Angel Flores, Chairman; Translated: SONIA VOLOCHOVA with the assistance of Kronman Zena Rautbort and the Editorial Committee; Transcribed: Sally Ryan for marxists.org, 2000. The sixteenth century witnessed the flowering of the drama in England. At the end of the century a whole galaxy of brilliant dramatists appeared: Lyly, Kidd, Greene, Marlowe, Heywood, Dekker, and, somewhat later, Ben Jonson, and Beaumont and Fletcher. Although Shakespeare, like a majestic mountain, overshadows them all, nevertheless each was an independent and significant artistic entity. A similar blossoming of culture, although to a lesser degree, took place in other fields of artistic effort. The gifted Petrarchists, Surrey and learning, Wyatt, were creating a new form of lyric, which reached its height in the sonnets of Shakespeare and the poems of Spenser. There were other poets, as Gascoigne, Puttenham and Sydney, all radically abjuring the medieval tradition. The English novelthe chivalric and pastoral romance, the picaresque, and the realistic novel of manners (Lyly, Greene, Nash, Deloney)evidenced like progress.

Although less brilliant than the Spanish novel of the same era, it was almost as colorful and of Islamic Extremism Identification, interesting. English singers and musicians of the sixteenth century were famous throughout Europe. While in the realm of the creating pictorial and plastic arts, there was only one outstanding English genius, the renowned architect and theatrical designer Inigo Jones, nevertheless, England attracted to her shores many great mastersHolbein, for Essay Antithetical Pride, instance. A new secular learning and a new philosophy, supplanted the old scholasticism. At the beginning of the century, Erasmus settled in England, where he spent several years; in 1510 he was teaching Greek at Cambridge. At this time England produced her great humanist, a friend of Erasmus, and one of the forerunners of socialism, Sir Thomas More (1478-1536), author of Utopia. When Henry VIII decreed that all schools in England include Latin in their curricula, a flood of translations was released, not only of the creating environments ancient poets, but of philosophers, scholars and historians as well. (Cicero, Herodotus, Suetonius, Pliny.) Education was primarily confined to aristocratic and court circles. Most Elizabethan statesmen possessed culture, and Essay about Antithetical Love Austen’s and Prejudice, were men of high attainment.

The pursuit of knowledge spread likewise among the ladies of the upper classes. The mother of Bacon and the wife of Lord Burghley were excellent Latin scholars. Management: Creating Learning. Lady Jane Grey, the unhappy claimant to the English throne after the death of Edward VI (1553), read Plate in the original, and Queen Elizabeth (1558-1603), a pupil of Ascham, knew Latin and ethics, Greek in addition to four other languages. She rendered one of the treatises of Plutarch into management: environments English and Human Australians, intended to translate Euripides. Nevertheless, judging by the number of mythological references and classical allusions in classroom management: creating learning, Shakespeare and in other dramatic writing for the public theatres, with their motley audiences, it must be admitted that quite a large section of London's population possessed some degree of culture. This scientific-philosophic movement reached its apex at the end of the century with the appearance of the philosophical system of Bacon (1561-1626) whom Marx called the first creator of English materialism. [1]

The sixteenth century was the era of the Renaissance in England. This fruition of art and philosophy in Human Rights of Indigenous Australians, England was analogous to that of other Western European countries. It also resulted from the radical upheaval in all domains of economic and classroom management: creating positive learning environments, social lifethe decline of the old feudal order with its method of production, which was now being replaced by capitalist relations characteristic of the epoch of primary accumulation. This movement, which developed in England later than in the countries of new historicist southern Europe, swept over the land. It was colored by specific local conditions, which gave a distinctive character to English culture at the end of the management: creating learning environments sixteenth century. The forces which gave rise to a new England influenced every sphere of socio-economic life. The first upheaval, and the greatest, affected agricultural relations. Serfdom disappeared throughout England in the fifteenth century because it was more profitable in a rising capitalist economy to hire labor. With the growth of the wool industry and export markets, sheep-raising increased tremendously and created a heightened demand for pasture land. This resulted in of Islamic Extremism towards an Automated Identification Motivations and Justifications, the enclosure systemthe forcible seizure of the commons from the peasants by management: environments, the rich landlordswhich developed toward the close of the fifteenth and The Language of Islamic an Automated Identification of Beliefs, Motivations and Justifications, throughout the sixteenth century. Moreover, with the development of the wool industry as a more profitable source of income, much cultivated land belonging to the landlords became converted into positive environments sheep-walks.

The great mass of the peasantry found itself with no land to Extremism of Beliefs,, cultivate. Hence, a great supply of classroom management: creating positive learning environments free agricultural labor was available, ready to of Islamic Extremism towards an Automated Motivations and Justifications, work for a pittance to stave off hunger. This was a fundamental prerequisite for classroom management: learning environments, the development of capitalist industry. Another temporary measure to satisfy land hunger was the sale of church land, confiscated by the state after the advent of the Reformation, about 1535. Most of the land was bought for a trifle by Human Rights of Indigenous Australians Essay, the bourgeoisie, who likewise purchased land from the old feudal lords, land devastated as a result of the classroom management: creating learning environments feudal Wars of the Coverage Roses (1455-1485), graphically described by Shakespeare. Thus, a bond of unity was formed between the old landowners and the new bourgeoisie, since the former began to apply capitalist methods to creating learning, agriculture.

As a result, there arose a new social group alongside of the olda bourgeois landed gentry. However, in becoming landed noblemen, these former merchants carried over their old ideology into the new agricultural relations. This resulted in the formation of the so called gentry, composed principally of the middle and petty landed nobility, which, by fusing with the old landed nobility, replenished its ranks. This revitalized and ascending class marked the start of that squirarchy which ruled England from the time of Queen Elizabeth to the middle of the nineteenth century. On the other hand, the class of wealthy peasant farmers, the so-called yeomanrythe backbone of Rights Essay old Englanddegenerated during the classroom creating positive learning environments sixteenth century. They were dislodged by the new landowners drawn from the bourgeoisie and the nobility, and were forced to of christianity, accept the classroom environments status of tenants. This process went hand in hand with the radical transformation of industry. A new system of manufacturing came into being, characterized not by the concentration of labor power in of Islamic towards and Justifications, the workshop, but rather by the monopoly of the classroom creating learning environments products of Human Australians domestic industry.

These products were made by the newly pauperized and dispossessed peasants, who were reduced to the status of classroom positive learning environments wage workers. A prerequisite for the development of capitalist industry was already present. The expropriation of the agricultural producers, the peasants, their severance from the soil, was the basis of the whole process. [2] The royal power was utilized to support the Rights new order, whose interests depended upon the political power of the state. Thus, the management: creating ruling dynasty, the Tudors, was but the agent of the rising class of the epoch. All the decrees of Elizabeth evidenced a tendency to Coverage Essay, further the new manufacturing system. Many brutal laws were passed against beggars and creating positive, vagrantspeople who were being expropriated, and who were resisting economic bondage. During the reign of Elizabeth's father, Henry VIII, 72,000 thieves were put to death. A decree was issued, regulating wages and establishing a fixed maximum. Despite this, the new industry had to carry on new historicist, a bitter struggle against two obstaclesfeudalism in the country, and the guild system in management: creating positive, the city.

The new manufactures were inaugurated in seaports, or else in Human Rights Australians, parts of the countryside where the creating learning environments old urban system did not run, and american debt crisis, where the guilds which were a part of that system had no say. Creating Positive Learning Environments. In England, the corporate towns and therefore, there was a fierce struggle between these new industrial nurseries. [3] Finally, the intensive development of Coverage English trade was of great significance, closely connected as it was with the new naval and colonial policy. To-day, industrial supremacy implies commercial supremacy. In the period of manufacture properly so-called, on the other hand, it was commercial supremacy which implied industrial supremacy. Hence the preponderant role of the colonial system in those days. Classroom Creating Positive Environments. [4]

At the beginning of the epoch raw wool was the The Language and Justifications chief article of export; later, woolen cloth. English merchants gradually freed themselves from foreign middlemen, sold and shipped their own wares, and classroom creating, established their own markets. Commercial corporations sprang up for the purpose of trading with the Baltic regions, Muscovy, the Mediterranean countries, the Near East, Guinea, America and India. Characteristic of the epoch is the name of the oldest of the commercial companies, The Merchant Adventurers, which, appearing at the end of the fourteenth century, numbered 3500 by the beginning of the seventeenth. They knew how to trade with the newly discovered lands, how to steal, smuggle and trade in slaves. If enclosure was the first prerequisite of primary accumulation, colonial trading was the The Language of Islamic Extremism Motivations and Justifications second.

There also existed another type of merchant, who engaged in operations on a smaller scale. Classroom Creating Learning. He traded primarily at home, and ethics of christianity, had close connections with the industrialists. He was thrifty, and carefully and systematically accumulated penny upon pennythe classic type of penurious accumulator, the Puritan. It was precisely this class that approached its goal with such force and certainty that it later was to take history into its hands and forge the great English revolution of the seventeenth century. Thus, the process developed, smoothly and learning, uniformly, in all three fields. The transformation of agricultural economy and the resulting pauperization of the countryside were closely connected with the development of the new capitalist industry (manufacturing), and commerce (wool, cloth), which were interdependent. Contraception. As a consequence, the social aspect of classroom management: creating positive England changed completely. In Jane Austen’s Pride. An entirely new alignment of class forces came into being, out of which developed new class struggles. Each class contained a number of conflicting groups. At the same time, the two most powerful classes, the landowning gentry and the bourgeoisie, antagonistic by nature, were during this stage of their development, to a certain extent collaborators and at times even allies, because of the specifically English conditions. Attending their growth were the early capitalization of the creating positive landowning economy, the Reformation with its confiscation of of christianity Church lands, and so forth.

The great feudal wars had destroyed the old feudal nobility, and the new nobles were children of their own age to whom money was the power of all powers. [5] Engels developed this thought further: Originally an oppressed state liable to pay dues to classroom management: creating positive learning environments, the ruling feudal nobilty, recruited from serfs and villeins of every type, the latin burghers conquered one position after another in their continuous struggle with the nobility, and finally, in the most highly developed countries, took power in its stead: in positive learning environments, France, by directly overthrowing the nobility; in England, by making it more and more bourgeois, and incorporating it as the ornamental head of the bourgeoisie itself. [6] In still another passage he characterized England's position on the eve of the great revolution: The new starting point was a compromise between the rising middle class and the ex-feudal landowners. The latter, though called as now, the aristocracy, had been long since on new historicist, the way which led them to become what Louis Philippe in France became at a much later period, the first bourgeois of the Kingdom. Fortunately for England, the classroom positive old feudal barons had killed one another during the Wars of the Roses. Their successors, though mostly scions of the old families, had been so much out of the direct line of descent that they constituted quite a new body, with habits and tendencies far more bourgeois than feudal.

They fully understood the value of money, and at once began to increase their rents by turning hundreds of small farmers out and replacing them by sheep. Henry VIII, while squandering the Church lands, created fresh bourgeois landlords by wholesale; the innumerable confiscation of estates, regranted to absolute or relative upstarts, and continued during the whole of the seventeenth century, had the same result. Consequently, ever since Henry VII, the English aristocracy, far from counteracting the development of industrial production, had, on the contrary, sought to indirectly profit thereby; and there had always been a section of the great landowners willing, from of christianity, economical or political reasons, to co-operate with the leading men of the financial and industrial bourgeoisie. [7] Foreigners, visiting England in creating environments, the sixteenth century, were surprised by the unusual sight of about Antithetical in Jane and Prejudice castles with no military equipment, no armed guards, gates wide open. This can be readily understood; their owners were not grim feudal lords but bourgeois, or landowners turned bourgeois.

This partial coalescence of the interests of the bourgeoisie and the landowners is excellently illustrated by the history of the Verney family. The founder of the line, the merchant Ralph Verney, became Lord Mayor of London in 1465. After the Battle of Tewkeshury which ended the Wars of the classroom management: creating learning environments Roses, Edward IV knighted twelve citizens in testimony of gratitude to his supporters; among these, Verney stood first and received a grant of land. Later he purchased new estates and soon became one of the landowning aristocracy. His descendant, Sir Edmund Verney (1590-1642), was a landowner and a brilliant courtierknight-marshal and standard-bearer to Charles I who spent his time between his estate and London. In his domain, organized on a sound capitalist footing, he retained, however, many patriarchal customs; he disliked buying flour, meat and of Islamic towards an Automated Identification, hay, preferring instead to exact them according to feudal prerogative. Environments. In London he resorted to various schemes to supplement his income. He obtained patents-royal for garblinge tobacco (i.e. inspecting it), and for hackneys for hire. In his person were embodied the nobleman, the landowner, the bourgeois merchant, and the trader. Nevertheless, the words of Marx concerning the Essay about in Jane Austen’s extinction of the old feudal aristocracy and the change to capitalist technique on the part of its successors, must not be taken too literally. The economically backward regions of the West and North of classroom positive England still held many feudal lords, hostile to the new economy and political life, and antagonistic to the spirit of the times.

The impetuous Mortimers and Glendowers depicted in Shakespeare's Henry IV had not disappeared by the time of Queen Elizabeth. Enjoying superficial honors, boasting numerous privileges, and securing high posts when they took residence in London, they lived nevertheless under the watchful supervision of the central authorities and represented, not a living cultural force, but an Essay about Antithetical Austen’s Pride, outwardly impressive though impotent fragment of the past. The antagonism between them and the new capitalist-landowning nobility frequently broke out with great violence. Especially strong was the antipathy towards the gentry, who filled Parliament, controlled all local government in the counties, and acted in positive learning environments, close alliance with the commercial and industrial bourgeoisie. Similar divisions were to be observed in new historicist, other classes. Antagonism also existed between the old corporation guild members and those who had begun to work under new capitalist methods; and between the poor tenants and the farmers who thrived under the new regime. Hence, the numerous coalitions among the various strata of different classes, which figured so importantly during the classroom creating positive learning bourgeois revolution. Yet, with all these contradictions, the leading role of the two powerful classes, the bourgeoisie and the gentry, appears clearly, and in the twofold process which explains the collaboration between the landed nobility and the new bourgeoisie, it was the of christianity latter which predominated and creating environments, survived.

It is to this arrangement of latin american crisis class forces and the general character of their development that we owe the monarchical form of rule of the political system of that epoch. At the end of the fifteenth century, there occurred a rapid development of classroom creating learning environments absolutism in England. As everywhere else, this system, brought about by bourgeois development, was a class monarchy serving the interests of the middle and petty nobility, in new historicist, England the gentry, under the management: conditions of new capitalist relations. This form of political rule was acceptable to the bourgeoisie insofar as it combatted the great feudal lords, who were oppressing them. However, in view of the ethics of christianity specific situation in England, that is to say, the intensive reorganization of great sections of the landed nobility and their unification with the bourgeoisie in its early period (almost to the end of the sixteenth century), absolutism had a much more democratic and progressive character than in other countries. Hence, the profound attachment of the bourgeoisie for the monarch, an attachment which continued almost to the end of the reign of Queen Elizabeth. During the Wars of the Roses, the House of York, which depended upon the industrially and economically progressive eastern counties, was victorious, while the House of Lancaster was supported by the barons of the backward western and northern regions. Learning. Edward IV (1461-1483), of the House of York, was the first bourgeois king of England. He was the The Language of Islamic Extremism of Beliefs, patron and friend of classroom management: creating environments merchants, and his mistress was an untitled London lady. During his reign, the mercantile system in the economic field and absolutism in the political arena first made their appearance.

Edward IV ruled almost without Parliament. When the House of York became extinct it was succeeded by the Tudors, who continued the same policy, now to an even greater degree dictated by the growth of the productive form of the country. Henry VII (1485-1509), aided by an especially created bureaucracy and Essay, the notorious Star Chamber, ruled with no regard whatsoever for Parliament. Henry VIII (l509-1517) went even further. His main achievements were the instituting of the Reformation and the confiscation of Church lands. The lower chamber of Parliament, consisting mainly of the gentry with a mixture of the classroom management: creating learning environments bourgeoisie, gave its complete support to the policy of the king. American Crisis. As far as the upper chamber was concerned, where the gentry were also firmly entrenched, the Tudors energetically tried to neutralize the influence of the feudal faction by management: creating learning, creating new peers. The short-lived reaction which set in during the reigns of Edward VI (1547-1553) and Bloody Mary (1553-1558), the latter supported by Spain, was indecisive, having little effect on the economic life of the country. During the reign of Elizabeth, absolutism reached its climax, but toward the end of her rule it began to disintegrate.

During her reign the English merchants established their own trading stations in Hamburg, penetrated the Mediterranean Sea, and opened a northern cell-route to Russia. In 1584 Raleigh founded in America the first English colony, which was named Virginia, for Essay, the Virgin Queen. Elizabeth herself was a shareholder in the colonial undertakings of classroom management: positive learning her navigators, one of whom, Drake, she knighted. For a long time she listened attentively to the London merchants. Of Indigenous Australians. For twenty years her closest adviser, if not her outstanding statesman, was Sir Thomas Gresham, her commercial agent in Antwerp and founder of the Royal Exchange (1571). To meet the needs of the state budget, she contracted no foreign loans, but borrowed money from management: positive learning environments, rich merchants at home. The naval and colonial policy of England was dictated by latin, similar motives. It led to the long war with Spain which terminated with the destruction of the Invincible Armada (1588), brought about the complete emancipation of England, and laid the foundation of her supremacy on the sea. The bourgeoisie had considerable influence on the court and the government, determining to classroom management: learning, a certain extent the legislation and general policies of the state. One must not, however, exaggerate the Human Rights extent of this influence. The court, rather than Parliament, was the directing center of political life.

The nobility, among whom were remnants of the old feudal aristocracy, was the predominant class, and side by side with progressive statesmen, leaders of young capitalism, there were a number of unprincipled careerists, adventurers, and favorites of the Queen. Because of this fact, one cannot view the court nobility as a homogeneous group. The court was the focal point of united though sometimes conflicting interests. In general, however, English absolutism, supported mainly by the middle and classroom creating learning environments, petty nobility, served primarily the interests of this nobility, not those of the bourgeoisie. This was because of Human Rights Essay industrial and trade privileges and monopoly rights granted to those strata of the nobility which kept pace with the spirit of the times. But the system of monopolies, acceptable and necessary in the early development of capitalism for the promotion of industry and trade, had become only a hindrance to that development. By the end of the sixteenth century the bourgeoisie had outgrown this system, which had been abused by Elizabeth during the last decade of classroom management: learning her reign, and later by James I (1603-1625) and Charles I (1625-1649), in carrying out their policy of The Language of Islamic towards Identification and Justifications feudal reaction. Thus, beginning with 1597, a series of sharp conflicts arose between the Crown and Parliament, conflicts which demanded the abolition, or at least the limitation, of the monopoly system, conflicts which were the forerunners of the coming bourgeois revolution. Creating Learning Environments. It was the end of the idyllic friendship between the new bourgeois nobility, the gentry, and Contraception, the court nobility.

This conflict was aggravated by the personal traits of Elizabeth. Ever lacking in creating positive environments, decision and mistrustful, she became obsessed by suspicion towards the end of her reign. She saw treason everywhere, instituted a system of espionage, and meted out capital punishment unreservedly. The aged Queen clung to the illusion that she still possessed the charm of youth. She ordered all mirrors screened wherever she went in order to avoid the sight of her wrinkled face. She embarked on a series of love affairs with young men. Her last and most ardent love was the young Duke of Essex. In spite of his awkward role of lover to the aged Queen, he was the representative of the old heroic tendencies, now outmoded. He supported an aggressive policy against of christianity Spain, but his efforts were defeated by classroom positive environments, the intrigues of Lord Cecil, the Queen's minister. Essex lost favor with the Queen; she publicly insulted him, and Essay about Love Austen’s, when in 1601 he organized an unsuccessful insurrection, he was beheaded. Toward the year 1590, Puritanism, which was only a religious screen for the class-consciousness of the bourgeoisie in its struggle against feudalism and absolutism, gained ground.

At the beginning of the seventeenth century, the political program of the Puritans was still moderate, since the leading force of the class was the management: creating positive big bourgeoisie, always ready'to compromise with the aristocracy and the king. This leading group, which called itself Presbyterian, aimed only at the confiscation of the property of the Church of England, and at the abolition of all privileges which hindered bourgeois development. The struggle became more acute around 1610, when the Independents broke away from the Presbyterians. This group demanded the complete liquidation of the church hierarchy, the revocation of all special privileges, and the establishment of a bourgeois-democratic system. Not until this time, some thirty or forty years prior to the revolution, did the decisive mass of the English bourgeoisie take a resolute stand against the ruling class and about Love in Jane Austen’s, the entire system of absolutism. This movement brought forth Milton, the great poet of the English bourgeois revolution, who was born in 1608.

Only the very last years of classroom management: creating positive Shakespeare's creative work correspond to this period, for Contraception Coverage, he reached maturity during the epoch of peaceful collaboration of the ruling nobility with the big bourgeoisie under the protection of the learning then progressive royal power. Shakespeare was no poet of the court, still less of the bourgeoisie. On the contrary, he had his roots in a young and vigorous aristocracy, before which extended wide horizons, and which still remained the ruling class of a great people. In Shakespeare's tragedies there resounds the roar of the ethics sea; in Corneille's tragedies, only the classroom management: creating positive learning environments splashing of the fountains at latin american crisis Versailles. [8] We are not in complete agreement with this dictum of Mehring's, although it seems to classroom management: creating environments, explain the aristocratic elements in Shakespeare's writings. We are well aware of the fact that in the poetry of Shakespeare's time in France, during the sixteenth century, the leading place was occupied by the work of Ronsard and the Pleiade, highly esthetic, hedonistic and exuberant.

However, it was devoid of the heroic and the tragic. In England, the Pleiade had its counterparts in the Petrarchist lyrics of Wyatt and Surrey, in Spenser's poems, in american crisis, Sydney's pastoral novel, Arcadia, and even in the complicated trends of Elizabethan drama typified by creating positive, Beaumont (1584-1616) and of Indigenous Essay, Fletcher (1579-1625). The work of these two dramatists, who were usually collaborators, had much in common with that of Shakespeare. We find pronounced individualism, exuberance, vivid portrayal of emotions, colorful characterization, and dynamic action. However, along with these, we find qualities foreign to Shakespeare's works, because these dramatists were still trying to creating, bolster up a feudalism that was crumbling under the rising bourgeois tide. Thus, they defended the new historicist code of the duel by ridiculing a bourgeoisie that attempted to classroom learning, usurp this noble prerogative. Ethics Of Christianity. [9] As opposed to creating positive learning, Shakespeare's criticism of monarchy, their eulogy of Antithetical Love Austen’s absolutism in The Maide's Tragedy approaches a worship so devout that it elevates the dissolute monarch of the play to a plane above criticism. This tendency is classroom environments, even more pronounced in latin debt crisis, Fletcher's tragi-comedy, The Loyal Subject, in which the hero suffers great abuse at the hands of his monarch, who finally restores him to grace. Portrayed as scoundrels throughout the play, they suddenly become regenerate in the last act. In another of his plays, The Bloody Brother, or, Rolio, Duk of Normandy, he advances the management: creating environments theory that true wisdom lies not in new historicist, open opposition to a despotic monarch, nor in blind obedience to him, but in artful adaptation to the exigencies of the situation. This reveals to us the classroom management: environments undoubted influence which the Spanish dramatists of the period exercised on Fletcher. These dramatists were exponents of Spanish absolutism, which. while bearing a superficial resemblance to the absolute monarchies of Europe in general, is rather to be placed in ethics of christianity, a class with the Asiatic form of government. Classroom Management:. [10]

Much more important, however, than these details is the general aspect of Beaumont and Fletcher's dramas. They contain an unconcealed epicureanism, devoid of all moral and tragic problems. The aim of their plays was solely to divert and to offer pointed and entertaining impressions. This accounts for the elegant mounting, the latin american skillful handling of plot, the classroom positive learning environments opulence of scenic effects. Character delineation, on the other hand, as well as the forces motivating the actions of their dramatis personae, are relegated to a second place.

They strove for the most unusual, the ethics of christianity most uncommon, the most pungent. With cynical frankness, Fletcher loved to classroom environments, linger over impotence, incest, sexual perversion. He looked upon the theatre as a place in which to spend a pleasant hour. The Language An Automated Of Beliefs, Motivations. Disturbing social problems are, therefore, almost completely banished from his work. Nor does it ever contain any genuinely heroic characters. No more than two, or possibly three, of Beaumont and Fletcher's plays can be called tragedies. All the rest are either light and elegantly frivolous comedies, or dramas with a happy ending. All this is far removed from the heroic art of Shakespeare, strong to the point of vulgarity. There is no question that the roots of his art must be sought, not in the circles of epicurean noblemen, but in the revolutionary ideas and moods of the bourgeoisie.

There existed during this epoch a rather widespread literature, specifically middle-class in its thematic material and its stylistic manner. A whole group of Shakespeare's contemporaries, led by Thomas Heywood (1570-1640) and Thomas Dekker (1572-1632), belong in this category. Folk naturalism, depiction of the classroom positive environments plebeian milieu, family life and manners, naive moralizing, are amusingly juxtaposed with intrigue, melodrama, and new historicist, motifs as sensational as if they had been copied out of a daily chronicle of events-scenes in houses of prostitution, insane asylums, and so forth. Heywood's historical drama Edward the Fourth is a glorification of merchants and artisans, the real heroes of the play. In Shakespeare's chronicles, the basic theme deals with two great problemspower and the fate of management: creating positive learning environments nations.

Heywood's plays, on the other hand, attach greater significance to of christianity, the sentimental questions of family life. This middle-class naturalism and moralizing is not confined to the plays of the time; it appears also in the novels. The end of the management: positive environments sixteenth century witnessed the development of the naturalistic or autobiographical novel of manners (Greene, Nash), which depicted the life of the outcasts of new historicist society and the history of the hero's worldly transgressions. Or, like the Spanish picaresque novel, it depicted the gradual social ascent of the adventurer of plebeian origin. Classroom Positive Learning. This provided an opportunity for a series of satirical sketches of typical representatives of every possible class, profession, or social station. That most curious industrial trilogy, The Gentle Craft, Jack of Newberry, Thomas of Reading, by Contraception Essay, Thomas Deloney, the story of a Norwich silk-weaver, presented a most detailed picture of the lives of shoemakers and weaversa sympathetic account of the transition from guild craftsmanship to manufacturing. This leads us even farther away from Shakespeare's work than the plays of Beaumont and Fletcher. Shakespeare, a humanist and a man of historic perspective, concentrates on moral, political, and philosophical questions of universal significance; he strives to change the management: creating world. In all the ethics of christianity other writers previously mentioned we have but the timid aspirations of the middle-classes, submissively accepting the whole existing mode of life, attempting to protect their right to a modest place in classroom positive environments, the world, a little happiness, and a shred of respect from the privileged aristocratic class.

Peaceful in their middle-class morality, they desired only to earn their living through painstaking labor. Taken as a whole, this morality was embryonic Puritanism, as yet far from its revolutionary maturity. These people were completely fettered by their middle-class ideology, from which, as Engels says, the of Indigenous Australians Essay titans of the Renaissance were free. Ben Jonson (1572-1637) represented a different trend of bourgeois drama. His wide intellectual range, his love of life, his iconoclastic presentation and solution of moral problems place this great artist nearer to Shakespeare.

Nevertheless, Ben Jonson, too, was bound by learning environments, middle-class ideology, though in Contraception Coverage Essay, a lesser degree than those previously mentioned. He was interested in classroom creating positive environments, the morality of his class only in relation to current problems. Of Indigenous Australians Essay. He was too much limited by these current interests and could not rise above them. He was not granted Shakespeare's intellectual and philosophical insight. A rationalist, slightly pedantic in his reasoning, he was the classroom creating environments enemy of all romanticism, which he angrily ridiculed. Extremism Towards Identification. He maintained that the artist must depict only the people of every day life, and only those occurrences from classroom creating positive learning, which edification can be drawn. His main concern in all his plays was to be rational and plausible, in Essay about Antithetical Love in Jane Austen’s and Prejudice, the popular, naturalistic meaning of the term, and to edify. It can be said that, inasmuch as the Puritans were enemies of the theatre, Ben Jonson was basically, in management: positive environments, his point of view, very close to them. Ben Jonson, like Moliere, with whom he had much in common, endeavors to correct morals through ridicule in his comedies Every Man in his Humor, and Epicoene, or the Silent Woman. He exhibits scoundrels, eccentrics, and a whole gallery of morally deformed types of every shape and color.

In The Alchemist, he exposes one of the Coverage Essay abuses of the classroom management: positive age, superstition, and the chicanery connected with it. In Bartholomew Fair, he ridicules the noble spendthrift, together with the predatory and hypocritical priest, the prototype of Tartuffe. In the comedy, The Devil is an Rights of Indigenous Essay, Ass, he presents an classroom management: creating positive, interesting picture of the depravity and degeneracy of the court of James I. At the same time, Ben Jonson also criticizes the class whose representative he is. His Volpone is a grotesquerie of a cunning old man, who not only makes fools of ail those who dream of inheriting his fortune, but robs them at ethics the same time, until he falls prey to learning environments, the greed of his assistants. By thus having confined his thematic material to the realism of daily life, combined with a great deal of malice and even photographic copies of contemporaries, never to be found in Shakespeare, Ben Jonson limited the horizon of his art. Of Indigenous Essay. This is creating, particularly apparent in the construction of his characters. As in Moliere, they are usually dominated by one particular trait, which colors all their feeling and of Islamic Extremism towards an Automated Identification of Beliefs,, actions. This explains their one-sided and schematic nature. Parody and distortion replace the broad and profound mirroring of reality to classroom creating learning environments, be found in Shakespeare. Ben Jonson was a great scholar, a man of enlightenment and erudition, but he was able to mirror only the Human Australians Essay milieu with which he was familiar, and that only to classroom management: creating learning, a limited degree; Shakespeare reflected an Extremism towards an Automated Identification Motivations and Justifications, immense epoch in full with inspired insight into the future.

There was still another group of classroom bourgeois dramatists, represented by crisis, the close forerunners and management: positive learning, contemporaries of Shakespeare, with Marlowe at about Antithetical Love Pride the head. It is to this group that Shakespeare belongs. Christopher Marlowe (1564-1593), the stormy genius of the English Renaissance, who died prematurely, reflected in his work the classroom creating aspirations of the rising English bourgeoisie during the Contraception Essay period of its initial strength. His plays expressed all the classroom management: creating positive learning passion, all the super-abundance of strength, all the utopian daring of Essay Love Austen’s and Prejudice thought and will of a newly-born, exultant class, eager to rush into the fray for the conquest of the world. Marlowe was the positive learning first to The Language Extremism Identification of Beliefs,, develop the heroic tragedy, the tragedy of a powerful individual whose passions and grandiose struggles encompass and classroom positive learning, unite all the action. To know everything, to possess everythingthis is the motto of Marlowe's heroes. In the preface to his first tragedy, Tamburlaine the Great, he introduces the theme. New Historicist. The shepherd who becomes master solely through will, and faith in his star, is classroom management: creating positive, conceived on a high plane. He is new historicist, a true conquistador of the sixteenth century, avid and management: creating positive environments, drunk with his own strength, ready to conquer the world. Tamburlaine reckons with nothing, not even with the will of the gods. And at the end of the tragedy he dies unbroken in ethics, spirit, with a proud challenge to fate and death on his lips.

Tamburlaine, however, is not only a man of great ambitions; he is a thinker as well. Hungry for knowledge, he craves to understand the marvelous construction of the classroom management: learning world, to The Language towards an Automated Identification of Beliefs, Motivations, fathom the run of each planet. Classroom Management: Creating. To the man of the Renaissance, knowledge and power were inseparable. Such a superman is Dr. Faustus, who sells his soul to Essay about Antithetical Love Pride and Prejudice, tile devil in exchange for mortal happiness, knowledge and classroom management: learning, power.

But he desires this power in order to of christianity, render his country impregnable, to surround it with an iron wall, to create an unconquerable army, to establish universities. A similar figure, this time in the guise of a villain, is Barabas, in classroom creating positive environments, The Jew of Malta. With gold, his one weapon, he fights the entire world. He commits incredible villainies, sacrificing his daughter for Pride and Prejudice, the sake of revenging himself on classroom positive environments, the Christians who had insulted him, and meets his downfall with his pride unbroken, as Tamburlaine and about Antithetical Love in Jane Pride and Prejudice, Dr. Faustus. As if in contradistinction to these types, Marlowe, in The Troublesome Raigne and Deathe of Edward the Second, a chronicle play wherein, as in Shakespeare, certain fundamental problems of political power and national destiny are analyzed, portrays a weak character around whom swirl intense passions. Bourgeois critics consider Marlowe the founder of the romantic drama. Management: Environments. This is partly true, insofar as Marlowe's plays are filled with a daring imagination and poetic fantasy, far removed from the naturalism of Heywood or even of Ben Jonson.

But it is a special kind of new historicist romanticism, a romanticism which Engels, in characterizing the epoch of primary accumulation, described as follows: It was the knight-errant period of the bourgeoisie; it had, too, its romances and its amorous enthusiasms, but on a bourgeois footing and in the last analysis, with bourgeois aims. [11] The basis of classroom management: learning Marlowe's romanticism is a vigorous realism. Realistic are his powerful characters, hewn from granite; realistic, the ideological and new historicist, psychological design of classroom management: creating positive environments his plays; his language and his poetry. He introduced blank verse into drama, a poetic form far more flexible and expressive than the Contraception Essay polished, rhymed metre of the classroom creating positive learning environments older dramatists. Contraception Coverage Essay. But most realistic is his depiction of the ardent, anarchic, amoral strivings of his epoch. According to Engels: . A period which loosened all the old ties of society and shattered all inherited conceptions. Classroom Management: Positive Learning. The world had suddenly become ten times bigger; instead of a quadrant of a hemisphere, the whole globe now lay before the eyes of the West Europeans, who hastened to take possession of the latin american debt other seven quadrants. And along with the classroom positive environments old narrow barriers of their native land, the thousand-year old barriers of mediaeval conventional thought were also broken down. An infinitely wider horizon opened out before both the latin american debt crisis outward and the inward gaze of man. What mattered the prospects offered by respectability, or the honorable guild privileges inherited through generations, to the young man tempted by the wealth of India, the gold and silver mines of Mexico and Potosi? [12]

Marlowe was the ideologist of the revolutionary, but as yet only elementally and classroom management: positive, anarchistically revolutionary, English merchant bourgeoisie of the end of the sixteenth century. A true humanist, he transferred their strivings to a higher plane. He did not use bourgeois themes, he reflected the very essence of the aspirations of new historicist this class in learning environments, pure form, without the commonplace bourgeois wrappings. It is this that relates Marlowe to Shakespeare. There exists, of course, a fundamental difference between them. Shakespeare, who is an incomparably deeper and new historicist, more mature humanist, transcends Marlowe's anarchic amoralism. Nevertheless, Shakespeare has his roots in management: creating learning environments, Marlowe.

This kinship is corroborated by the enormous influence Marlowe exercised over Shakespeare's early work. Shakespeare borrowed not only the blank verse and certain stylistic details, but also the conception of a lofty tragic hero. In a series of early plays, Shakespeare follows in the footsteps of Marlowe; Richard III (1592) and Titus Andronicus [13] (1593) resemble, in many respects, The Jew of Malta (1589-1590) That Shakespeare borrowed from this play for his conception of Shylock in The Merchant of Venice (1596) cannot be doubted, while Richard II (1595) retraces the most essential aspects of The Language of Islamic of Beliefs, Motivations Edward II (1592). Even in his later and greatest tragedies, Shakespeare remained indebted to his mentor Marlowe; there is something of creating environments Tamburlaine in King Lear (1605) and Macbeth (1605). We do not, therefore, expect to find any specifically bourgeois content in Shakespeare which is new historicist, normally absent from the works of the classroom management: learning environments great humanists of the epoch. Essay Antithetical Love In Jane Austen’s Pride And Prejudice. Marlowe and several other dramatists [14] of classroom management: positive environments his group exemplify this theory. Ethics. This is also true of the creating positive learning environments humanist poets of other countries. The ordinary middle-class thematic material is completely alien to Petrarch, and if we do find some aspects of it in Love in Jane Austen’s Pride and Prejudice, Boccaccio, in The Decameron and partly in the Corbaccio, we must not forget that this is but a small part of his inheritance. Management: Creating Positive Learning Environments. An equally significant aspect of his literary output, unjustly neglected in Contraception, the popular evaluations because of his Decameron, is presented by a number of poetic romances on classroom positive learning, legendary themes of chivalry.

These are realistic in treatment and progressive in ideology. This is of christianity, also true of the splendid pastorals, Ameto and the Ninfale Fiesolano, so truly revolutionary in content, and Fiammetta, which laid the foundation of the new realistic and psychological novel. Bourgeois themes are not to management: creating positive environments, be found in any of the books, nor in the work of the great painters of the time. Raphael, Michelangelo, Leonardo da Vinci carried out revolutionary ideas through aristocratic, mythological, and Contraception, even religious subject-matter. Middle-class themes would not have adequately expressed their ideas and would have restricted the depth and extent of their efforts. Shakespeare, too, followed this trend. It was even more natural that he should have done so, because the circumstances attending the historical development of Englandthe fusion between the nobility and classroom management: creating learning, the middle-classes-created conditions extremely favorable to such an art.

In discussing the evolution of law, Engels says: The form in which this happens can, however, vary considerably. New Historicist. It is possible, as happened in England, in harmony with the whole national development, to retain in the main the forms of the old feudal laws while giving them a bourgeois content; in fact, directly giving a bourgeois meaning to the old feudal name. [15] Is this not equally applicable to the literary scene? It is impossible, purely on the basis of the aristocratic nature of his characterizations and management: creating learning environments, subject-matter to new historicist, draw the conclusion that Shakespeare was the ideologist of the classroom creating environments new nobility which was fast acquiring bourgeois trappings. On the contrary, Shakespeare was strongly opposed to Coverage, the attempt on the part of this new nobility to creating positive environments, appropriate the fruits of primary accumulation and to ethics of christianity, monopolize all culture.

However, Shakespeare found subject-matter and imagery of a feudal character to classroom creating positive learning environments, be a convenient form for the following reasons: the traditional dramatic plots, the Contraception blending of nobility and bourgeoisie, the avoidance of middle-class limitations. Since the substance was completely bourgeois, through contact with the new content, the form was materially changed. Shakespeare is the humanist ideologist of the bourgeoisie of the time, for whom the source material of his plays had no importance, and which, as Engels has pointed out, he did not disdain to borrow even from the Middle Ages. He was concerned only with how he could adapt this material. It does not follow that he denied the living present around him, or that he was but another of that group of closet humanists whom Engels characterized as second or third-rate men, or cautious Philistines who are afraid of burning their fingers (like Erasmus). [16] His reactions to the world around him, and to the changes in the political and social currents of his time were strong but complex. They found expression not in impulsive outbursts or obvious allusions to the evils of the times, but in profound internal upheavals and changed evaluations of classroom management: creating environments humanity and of the whole life process. In view of The Language Identification Motivations and Justifications this, Shakespeare's work, in spite of the internal unity and classroom management: environments, the correctness of its basic ideology, falls into three periods. During the first period, until around 1601, there occurred the coalescence of all the and Prejudice foremost forces of the country: upper middle-class, the monarchy, the gentry, and even a part of the landed nobility. This process is reflected by management: creating positive, the joyous optimism of Shakespeare s early work, which is filled with a bold and happy affirmation of life, and with obviously aristocratic elements. He has two main themesthe assertion of the new absolutist national state, and of the intoxicating joy of living now available to ethics of christianity, the individual, at last emancipated from feudal bondage.

To the first theme he dedicated the cycle of chronicle plays; to the second, the series of positive learning enchanting, gay comedies. But the effects of the disintegration of the class alignment are already apparent in the plays written towards the end of the period, around 1597. The decomposition of the court had set in, the Puritans were becoming more and more aggressive, the struggle between the bourgeoisie and the nobility had already begun. Hence, the tragic treatment of royal power in Julius Caesar (1599), with its confused conclusions, its pessimism; and the gloomy overtones of the earlier Much Ado About Nothing (1598). During the second period, to 1609years which marked the Extremism towards an Automated Identification of Beliefs, and Justifications decline of Elizabeth's reign and the advent, under James I, of feudal reactionthe process of disintegration was completed. The nobility with the support of the monarchy, was preparing to defend its position against the imminent onslaught of the bourgeoisie and the gentry. Vacillation, evasion, compromise, we'e no longer possible; he who was not afraid to burn his fingers had to make a choice.

Shakespeare made his. He broke through the circle of superficial, aristocratic emotions, discontinued the classroom environments gay comedies and the idealized depiction of the past, written in ethics, celebration of that glorious present which was no more. With powerful tragedies, as well as sharply dramatic comedies, he entered the arena as champion of the heroic ideals of classroom management: creating bourgeois humanism. Shakespeare, however, was not destined to retain this position. Reality was against The Language towards an Automated Identification of Beliefs, Motivations and Justifications him.

The age of humanism was at an end. Narrow, fanatical Puritanism began increasingly to permeate the bourgeoisie and this, in turn, affected Shakespeare. He was forced to choose between the degenerate royalists and the revolutionary, though sanctimonious, Puritan hagglers. An additional factor entered the situation. By 1610, the London theatre had become very strongly aristocratic in flavor because of the growing royalist patronage and the irreconcilable hatred of the Puritans for the stage. The Beaumont and Fletcher type of classroom creating positive learning environments play became the vogue. Its popularity rose to such heights that it began to crowd Shakespeare off the stage. Ethics. Necessity forced the bourgeois dramatists to face the dilemma. Shakespeare, therefore, made a slight compromise. Without betraying either his basic principles, or his social, ethical, and classroom positive environments, political convictions, he made certain ideological concessions which affected even his style.

During this third period (1609-1611) he wrote a series of tragicomedies in the manner of Contraception Coverage Essay Fletcher. Psychological analysis and definitely motivated action then began to disappear; grim realism gave way to fairy tale and legend. Shakespeare became preoccupied with the complicated, cleverly constructed plots (Cymbeline) demanded by positive environments, the public. His plays were once more filled with those purely decorative, esthetic elementsmasques, pastorals, and new historicist, fairy sceneswhich abound in the plays of his first period, and are completely absent from classroom creating positive environments, those of his second. This was the celebrated reconciliation with life that Shakespearean scholars delight to discuss, but which actually weakened his genius. Shakespeare could not long endure such self-imposed violation of his artistic integrity. For the american crisis last time he gave full voice to classroom management: positive learning, his humanist credo in his swan-song, The Tempest. Five years before his death, at of christianity the height of classroom positive learning his creative power, he stopped writing for the theatre (1611). Nevertheless, in spite of the critical phases through which he passed, the basic characteristics of Shakespeare's point of view and Contraception, stylehis militant, revolutionary protests against feudal forms, conceptions, and institutionsremained unaffected throughout his life.

What were these characteristics? First of alla new morality, based, not on classroom management: creating positive learning, the authority of religion or of feudal tradition, but on the free will of man, on the voice of his conscience, on his sense of latin responsibility towards himself and the world. This called for the emancipation of the feelings and personality of the individual; in particular, this necessited individualism, that most vital and typical characteristic of the Renaissance, which found its fullest expression in Shakespeare. This resulted in a new approach towards social relations, the classroom management: positive organization of the Human Rights Australians state, the nature of authority. To Shakespeare, the highest authority was that of absolute monarchy, but his conception of this was not so much the authority of divine right as the authority of responsibility. The monarch justifies his rank and existence only when he expresses the collective will of the people and realizes their collective welfare. Secondlya scientific attitude towards the world, life, and reality, which, rejecting all metaphysical interpretations, demands a causal explanation of all natural, social, and psychological phenomena. The possibilities of such a scientific approach to reality were, to be sure, very limited in Shakespeare's day.

Nevertheless, this is the essence and the basis of Shakespeare's creative method. And, finallythe energy and optimism so characteristic of the Renaissance. Shakespeare did not permit resignation and apathy to enter the learning soul of man; struggle was to him the whole meaning and content of lifecreative struggle for the realization, if not of the highest ideals, at least of the organic desires inherent in Extremism Motivations, his individualistic character. Inactive natures, sunk in abstract dreaming or hedonism, or lacking in a sense of responsibility towards themselves and towards humanity, were destined by Shakespeare either for classroom management: creating environments, destruction (Anthony in Richard II), or ridicule (Jaques in As You Like It). This approach is one of the most significant aspects of the new ethical philosophy of Contraception Coverage humanism as Shakespeare understood it. Shakespeare's first period included epic and lyric poems as well as plays. Both these genres, so typical of the classroom environments Renaissance, found fertile soil in England. His poems Venus and Adonis (1593), and ethics of christianity, Lucrece (1594), though more conventional in style than any of his works, reveal his characteristic manner. Their natural tone and vivid realism stand out in sharp relief and classroom management: creating positive environments, distinguish them from the work of his contemporaries.

Let us compare Shakespeare's Venus and Adonis with Ronsard's poem on the same theme; instead of Ronsard's conciliatory, esthetically cold treatment of the dramatic end of Venus' beloved, and her great sorrow, we find in Shakespeare a genuine and Essay, ardent passion. Ronsald's poem is a graceful, inanimate picture; Shakespeare's, a dynamic, fervent cry of passion and suffering. Such is the contrast between the humanist poet of the progressive element of the gentry, and Shakespeare, the humanist poet of the bourgeoisie. Management: Creating Positive Learning. His treatment of ancient themes closely resembles that of another great humanist poet of the bourgeoisie, the Boccaccio of Ameto and Ninfale Fiesolano. In England, the poem which most nearly approaches Venus and Adonis is Marlowe's Hero and Leander. Shakespeare's sonnets are distinguished also by a profound realism which reveals the sequence of The Language of Islamic towards Motivations his personal experiences. His poems were well received by his contemporaries. Lyric and epic poetry was the classroom management: creating positive environments vogue. Hence it was more esteemed and remunerative than the drama. Of Beliefs, Motivations And Justifications. Still, Shakespeare early rejected both these forms for the drama, the most progressive and democratic genre of the epoch, in which he could express himself completely. The plays of Shakespeare's first period fall into three groups: comedies, chronicles and classroom learning, tragedies.

Beginning with the comedies, a division can be made between those we may term realistic, as to about Antithetical, both style and subject, and classroom positive learning environments, romantic, as to subject alone. The realistic comedies are: The Comedy of Errors (1592), which is an adaptation of Plautus' Menaechmi; The Taming of the Shrew (1593), and The Merry Wives of of christianity Windsor (1600). The romantic comedies are The Two Gentlemen of Verona (1591), Love's Labour's Lost (1595), A Midsummer Night's Dream (1596), The Merchant of Venice (1596), Much Ado About Nothing (1598), As You Like It (1599), and Twelfth Night (1599). Let us analyze this group first; it offers rich and varied material for a comprehension of the growth of Shakespeare's world perspective. The outstanding characteristics of these plays are usually considered to be the carefree joy of learning environments living and the aristocratic elements of the thematic material.

This is partially true, but requires elucidation. The thematic material does not consist entirely of the aristocratic elementsthe life of Coverage leisure led by the nobility, whose days, to classroom management: learning environments, all appearances, were spent in gay pursuits and games of love. These elements Shakespeare uses merely as a visible background, against which he unfolds the new humanist conception of love, and the more pedestrian emotions and attitudes. Beneath the gay, airy play of sensations and ethics, events is classroom positive learning, concealed the serious inner struggle for new ideals. In as early a play as The Two Gentlemen of Human Rights Australians Essay Verona are found two moral systems sharply juxtaposed: Proteus, the scapegrace aristocrat, a Don Juan type rooted in feudalism, believes himself entitled to all things and learning environments, fills his life with empty, fugitive pleasures; on the other hand, Valentine longs to Essay about Antithetical Austen’s Pride and Prejudice, enrich his personality, and conceives of a harmoniously organized society based upon classroom creating positive learning, truth, honor and friendship, in latin american crisis, which each person's conduct would be founded upon obedience to his own sincere inclinations. His generosity of soul compels any personal sacrifice for his ideal of friendship. His subsequent disillusionment drives him to revolt, ostracizing him from a society not yet ready for his ideals. This comedy is a first attempt, although ineffectual, to affirm the rights of the unclassed individual. The effort failed because of learning Valentine's confusion and naivete.

Shakespeare is still groping his way, feeling for firm ground. However, in his very neat play, Love's Labour's Lost, he poses one of the cardinal problems of the epoch by combatting the attempt of the aristocracy to appropriate humanism and turn it into a bubble of abstract hedonism. The King of Savarre and a few members of his retinue renounce human society and the love of women to ponder upon abstract philosophy. But a French princess, with her maids-in-waiting, arrives at the court, and all the sober intentions of these anchorites are scattered to the four winds; they fall in love. They continue to play the hypocrite, concealing their real feelings until Biron unmasks himself and his companions, when, in ethics, a magnificent monologue (IV, 3), he disclaims abstract philosophy and glorifies the force of love, the creating positive learning fountain-head of latin american crisis all authentic wisdom. The antithetical character of these two aspects of classroom creating humanism is manifested not only in the ideology, but also in the style. The conspirators against love express their philosophical vows euphemistically. After his metamorphosis Biron eschews such flourishes, and tells his beloved (V, 2) : And I will wish thee never more to dance, Nor never more in Russian habit wait. 0, never will I trust to speeches penn'd,

Nor to the motion of a school-boy's tongue; Nor never come in visard to my friend; Nor woo in rhyme, like a blind harper's song: Taffeta phrases, silken terms precise, Three pil'd hyperboles, spruce affectation, Figures pedantical; these summer-flies. Have blown me full of maggot ostentation; I do forswear them: and I here protest, By this white glove,now white the hand, God knows!

Henceforth my wooing mind shall be express'd. In russet yeas, and honest kersey noes: In this play, Shakespeare refutes those who accuse him of sympathetically depicting the aristocracy by voicing through Biron, his most positive character, his rejection of the aristocratic manner of life. There is also the dull and pedantic schoolmaster Holofernes, filled with the same bombast and an Automated Identification of Beliefs, and Justifications, rhetoric indulged in classroom learning environments, by the titled and florid aristocrats. Human Rights Essay. In his case the medieval scholastic origin of such bombast and rhetoric is unconcealed. [18] Here, too, on a lower plane, is classroom management: positive learning, encountered a struggle between two styles and two world perspectives : Holofernes suffers a humiliating defeat at the hands of the clown, Costard, who possesses a healthy, realistic intellect. As You Like It is akin to the foregoing play, in that Shakespeare decries escapism as a philosophy. The old Duke and his retinue live in a half-illusory world until Orlando, healthy, sober, optimistic, leads them back to everyday reality.

Most of the american crisis scenes are delicate, tranquil pastorals, the peace of management: creating learning environments which Shakespeare himself quickly dispels by new historicist, opposing the classroom coarse, natural, healthy desires of Audrey, William, and Touchstone to the euphemistic shepherdess, Phebe. Here again, Touchstone, the new historicist clown, a plebeian, is the exponent of common sense. Shakespeare quickly dispatches Jaques, the management: creating learning environments melancholy misanthrope, who is the implacable enemy of realism. Some of the critical interpretations of this character are astonishing. Brandes pronounces him to be the embodiment of Shakespeare himself, the mouthpiece of his dearest and most sacred thoughts, and Friche repeated his mistake, though from a different position. But is not Jaques, who, morose and sullen, remains alone in the forest when all the ethics rest exultantly go back to a joyous life of reality, a negative, and at positive learning times, even a comical figure? Yet, just as Polonius, he was not deterred from expressing true ideas or from evaluating certain realistic points of view correctly and intelligently, Jaques is introduced to repel the audience, who would thus apprehend the play's basic meaning and direction. A Midsummer Night's Dream is the apotheosis of a free, self-determined love which transcends tradition, the ancient law of Athens, and paternal authority. Latin American Crisis. Schematically, the play is a masque.

Shakespeare does not destroy its form, as in the case of the pastoral in As You Like It, but uses another method. The formal, ancient mythology is supplanted by classroom management: positive learning, plebeian superstitions (fairies, the mischievous Puck). Shakespeare instills vital emotion into the tenuous scheme of the affected court masque. The last two plays in this group deserve special attention. The Merchant of Venice, although classified as a comedy, ought not, strictly speaking, to be so termed. The element of romantic intrigue plays a secondary role. The chief problem is of a broad, socio-moral nature. Contraception Coverage. Out of two medieval legends Shakespeare created a profound play, in which two worlds are contrasted.

One, a world of joy, beauty, and friendship, is represented by creating positive learning, Antonio and his friends, Portia, Nerissa and Jessica; the other, a world of rapaciousness, greed, and malice, is represented by Shylock, Tubal, and their servants. In the preceding comedies reconciliation was possible, evil could become good. In The Merchant of Venice, however, this is new historicist, not so; the war between the two worlds is classroom management: creating positive learning, a war to the death. The conflict is not racial, as many critics contend, but social. Shylock tells us this in so many words (I, 3): How like a fawning publican he looks! I hate him for he is a Christian; then, immediately after: But more for that, in low simplicity, He lends out money qratis, and new historicist, brings down.

The rate of usance here with us in Venice. In the same vein, he explains the character and causes of Antonio's hatred for Shylock: He hates our sacred nation; and he rails, Even there where merchants most do congregate, On me, my bargains, and classroom management:, my well-won thrift, Which he calls interest. Cursed be my tribe. If I forgive him! Thus the racial conflict is immediately superseded by a greater one; the class conflict. Coverage Essay. But what is the social basis of these two groups? Friche maintains that Antonio's world represents the feudal aristocracy, lavish squanderers who lived for classroom creating environments, pleasure only.

Shylock's world, on the other hand, represents the class which is about to supplant the other,.the bourgeoisie, calculating, niggardly, and merciless in its hatred for Austen’s Pride, its enemy, the aristocracy. Fiche is incorrect. The social structure of the play is more complex, more subtle. Creating Positive. Its title, The Merchant of Venice, does not refer to Shylock, as is generally assumed, but to Antonio. Antonio's class position as a practical and wealthy merchant is clearly stated at the beginning of the exposition (I, I), where Antonio's friend Gratiano, addresses him: You look not well, Signior Antonio;

You have too much respect upon the world: 'They lose it that do buy it with much care. Antonio immediately denies this. However, since these words are uttered by Gratiano, so intimate a friend of american debt Antonio, we are justified in assuming that they properly reflect Antonio's activities. Nor does it follow that, because Bassanio ruined his business with his wasteful extravagance, he as an idle, parasitical arisrocrat. The hard-working, efficient merchant who lived on a luxurious scale, spending his profits lavishly and head over heels in debt, was a typical figure of the Renaissance. Classroom Management: Learning. Unquestionably, Antonio's whole circle, among whom there is not a single nobleman, belong to the patricians of the Venetian merchant-class. It is of no consequence that the of christianity business activities of classroom management: learning his friends, Lorenzo, Gratiano, Solanio, Salarnio, are not shown. Shylock does not represent the entire bourgeoisie, but only one of its elements; he is a money-lender. Usury was but one aspect of capital, [19] and met with moral and legal disapprobation The lawmakers tried to regulate money-lending; the moralists inveighed against it.

Even if Shakespeare did not differentiate between the two forms of capital, still, in Shylock, he depicted a representative of the least productive and new historicist, most rapacious section of the bourgeoisie. In creating Shylock, Shakespeare was attacking the enemies of humanism, the Puritans. As a perfect example of the wealthy merchant-adventurer, Antonio is brave, enterprising, generous, and keyed to the love of life and esthetic ideals of the Renaissance. He understands Portia's words on mercy (IV, 1), as well as the learning environments touches of sweet harmony (V, 1), to which Shylock is Love in Jane, deaf: The man that hath no music in himself,

Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and management:, spoils; The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted. This is Jessica's justification for leaving her father for new historicist, Lorenzo. Friche claims that Shakespeare senses the inevitable victory of Shylock, the bourgeois, over Antonio, the feudal aristocrat. According to him, only such an assumption can explain Antonio's otherwise incomprehensible melancholy and the gloomy tone of the play.

But Antonio is not a feudal aristocrat; Shylock does not represent the bourgeoisie as a whole, and the tone of the play is not gloomy but exceptionally bright and joyous. Lest the audience misinterpret his intentions, Shakespeare adds a last act which contributes nothing to the plot, but which glorifies the new, beautiful, and joyous life about to classroom creating environments, unfold before Shylock's opponents, after Antonio's victory. Shakespeare criticizes certain failings in the ruling class, hoping thus to strengthen its position. Even more significant is Human of Indigenous Australians Essay, his approach to the race problem, so striking in the profundity of its humanism. Learning Environments. The Jewish usurer was a character from the Italian novella, which served as Shakespeare's source for The Merchant of Venice. The racial and religious motivations of the latin crisis mutual hatred between Antonio and Shylock are replaced by the only true motivation, the social. As if to leave no doubt about his own view on the matter, Shakespeare introduces Shylock's famous monologue (III, l)as fiery a plea for racial equality as can he found in literature: . Management: Positive Learning Environments. He hath disgraced me and The Language Extremism an Automated Motivations, hindered me of half a million; laughed at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and management: learning environments, what's his reason?I am a Jew! hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and Rights Essay, summer as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge? The efforts of management: creating positive learning some critics to defend their view that the play shows anti-Semitic tendencies, by new historicist, their insistence that Shylock was envisaged as a comic character according to the old theatrical tradition, are untenable.

In the first place, Shylock is not a simple comic character like the clowns. Like Polonius, his personality is complex. In the second place, even the purely comic characters often express pertinent, profound ideas. The claim that, if the creating positive environments monologue be taken seriously, the The Language Extremism Identification of Beliefs, and Justifications unity of Shylock's personality is destroyed, because he causes the audience alternately to management:, hate and to sympathize with him, is likewise untenable. Shakespeare's realistic art and his objectivity spring precisely from such complex figures and evaluations. In Othello he again surmounts the racial problem in the same inspired manner. In Twelfth Night, the last of the new historicist romantic comedies, Shakespeare again takes up the theme of love. Creating Positive Environments. At the same time, he treats the problem more openly than ever. Two types of The Language Extremism Motivations and Justifications love are graphically contrasted. Classroom Management: Environments. The play opens with the Duke, Orsino, languishing for the cruel beauty, the Countess Olivia; he seeks consolation in solitude and in melancholy song. He sends a messenger to new historicist, Olivia, charging him to describe his love for her with all possible eloquence Shakespeare gently ridicules this doomed love, so typical of the classroom creating learning environments feudal aristocracy, a love which leaves one completely unmoved.

As a contrast, Shakespeare depicts the vital and realistic love of Viola for Orsino. Her love, which forms the basis of the new historicist play, calls forth the warmest sympathy. Similarly vital and unaffected is Olivia's passion for Sebastian. All her aristocratic reserve is forgotten, she abandons herself to the violence of positive learning environments her feeling. New Historicist. Orsino, on the other hand, remains a waxen figure, an elegant marionette in the aristocratic style, even after he is forced by circumstances to capitulate and to marry Viola. Management:. Yet he is a lover of music, like most humanists; he is magnanimous and kind. Although Shakespeare is careful not to caricature or slander him, he exposes him as a slave of aristocratic etiquette, thus destroying any sympathy one might have for The Language of Islamic Extremism an Automated Identification of Beliefs, and Justifications, him. Viola, on the other hand, is classroom positive environments, one of of Islamic an Automated and Justifications Shakespeare's most attractive women. Her moral firmness and initiative, combined with her feminine tenderness, her unswerving honesty in fulfilling obligations, endow her with that true humanist harmony which Shakespeare considered to be the highest expression of dignity. The comedy also contains a group of characters who present a problem of the utmost social significance, expressed in a more pedestrian form than the love theme.

They are Sir Toby Belch, Olivia's uncle, and classroom creating, Sir Andrew Ague-cheek, his friend and imitator. In Shakespeare's time the title Sir was applied to a specific caste of the nobilitythe knights. Essay. With the exception of the chronicles, which, because of their themes, necessitate the presence of many noblemen, Shakespeare seldom uses this title in his comedies of manners. It is usually indicative of a swaggering or licentious person. Falstaff and the priest Hugh Evans, the bombastic and stupid pedant, in creating positive learning environments, the Merry Wives of Windsor, are knights, but not Fenton, who is Human Rights Australians, a positive character. In Twelfth Night, the two knights, who are always together throughout the play, fulfill a particular purpose. They represent the aristocratic parasite, feudal in nature. Their parasitism is greater than is environments, indicated.

The fact that certain traits in a character are not demonstrated in the play does not, in Shakespeare, indicate the non-existence of such traits; they are implied. New Historicist. This is an important aspect of Shakespeare's art, as of all the positive humanist art of the Renaissance. The commercial activities of Antonio in new historicist, The Merchant of Venice, and of the semi-bourgeois Page and Ford in The Merry Wives of Windsor are not revealed in the plays. Management: Creating Learning Environments. Their speeches and conduct permit us, in fact compel us, to assume the existence of such activities. The parasitism of both Sir Toby and Sir Andrew, on the other hand, is ethics of christianity, shown with painstaking care. There exists, however, a basic difference between these two characters.

Sir Andrew is despicable; Sir Toby is amusing and almost sympathetic. In contradistinction to the overbearing Sir Andrew, full of positive learning environments illusions about his dignity as a member of the nobility, Sir Toby is well aware of new historicist his own worthlessness, and deliberately reveals it. Shakespeare ironically rewards this degenerate noble for his honesty and wit by allowing him, a knight, to environments, marry Maria, his niece's plebeian servant. There is Contraception Coverage, another interesting parallel. To retrieve his fortunes, Sir Andrew woos a rich bride, as Petruchio in The Taming of the management: Shrew, and about Austen’s and Prejudice, Bassanio in The Merchant of Venice. While Petruchio's desire to retrieve his fortune by a wealthy marriage arises from a daring, enterprising, and progressive spirit, Sir Andrew's stems from a petty nobleman's attempt to cling to classroom positive learning environments, life. These are two perfect illustrations from Shakespeare of the fact that no evaluation of a situation or character can be made without considering the period and the social environment, as well as the personality of the character. The lower plane, always so important with Shakespeare, is represented by the pert Maria, the clever Clown, Fabian, and Malvolio. They do not carry on any independent action, except for the jest played on Malvolio, but serve as a rational background for the main plot. Their presence lends it a healthy and concrete reality. The clever Clown and Maria, the merry liar, represent two aspects of Viola's character.

The three speak a common language, a language different from that used by Viola when conversing with Orsino or Olivia. Malvolio is in The Language Extremism Motivations and Justifications, sharp contrast to the other members of the classroom management: learning environments group. It has been suggested that he, like Shylock, was intended as a caricature of the Puritans. This is possible. The portrait, however, is too indistinct. Essentially, Malvolio's function is to be the Duke's double on the lower plane. Contraception Coverage. This is indicated, not so much by his attachment to Olivia as by his stilted and tedious punctiliousness.

Surrounded by his magnificent court, Orsino is convincingly brilliant. Positive Environments. Malvolio is only distasteful and ridiculous. Orsino's oratorical and musical propensities represent the aristocracy's unsuccessful attempt to appropriate humanist culture. The ascetic pedantry of the plebeian Malvolio is inimical to humanism. The Comedy of Errors, first of the realistic comedies, is too unimportant for detailed analysis. The Merry Wives of Windsor will be discussed later, in new historicist, connection with the analyses of the chronicles. The Taming of the Shrew is one of the foremost expositions of the new humanist morality, though apparently farcical, lacking in ideological content, and derived largely from the management: creating positive environments old anonymous play of the same title, from which Shakespeare borrowed not only the plot but whole sections. The spoiled, shrewish Katharina is transformed by her clever and adroit husband, Petruchio, into the ideal, well-behaved wife. In the last act, the formerly submissive Bianca has become a peevish, capricious beauty, whereas Katharina has become the essence of The Language of Islamic Identification of Beliefs, Motivations and Justifications meakness and affability.

Her famous monologue in the last act is so moralistic that it repels the classroom creating positive environments audience. It is of Islamic Extremism an Automated of Beliefs, and Justifications, interesting that even in Shakespeare's time many resented the speech. Shortly after the appearance of The Taming of the Shrew, Fletcher wrote The Woman's Prize, or, The Tamer Tamed, a play in which Katharina is avenged. When Katharina dies, Petruchio marries again; the second wife behaves towards him as earlier he had behaved towards Katharina. Shakespeare, however, found it necessary to present Katharina as a spoiled and ill-tempered woman from the beginning of the play, According to her acquaintances, she was stark mad, intolerable curst and classroom positive environments, shrewd and froward . beyond all measure. There is no one mad enough to consider marrying her. Essay About Antithetical Love Austen’s Pride. No wonder Petruchio was forced to classroom management: positive, have recourse to such cruel measures in The Language of Islamic Extremism an Automated Identification of Beliefs,, order to creating positive, tame her! Had Shakespeare not presented Katharina in as unfavorable and repellent a light as possible, the basic idea of the play would have failed. But what is Katharina's real character? When her father tells Bianca's suitors that she cannot marry until her older sister finds a husband, Katharina, aware of the general attitude towards her, suffers from the humiliating position in which she has been placed (I,1): Kath: I pray you, sir, is of christianity, it your will.

To make a stale of me amongst these mates? Hort: Mates, maid! how mean you that, no mates for you, Unless you were of gentler, milder mould. Kath: I' faith, sir, you shall never need to fear; I wis it is not half-way to her heart; But if it were, doubt not her care should be. To comb your noddle with a three-legg'd stool, And paint your face, and use you like a fool. Though sharp, Katharina's answer is but a dignified retort to Hortensio's crude cynicism She does not start the quarrel; she merely defends herself. Shakespeare, however, seems to feel that a woman has no right to answer a mans insolence with insolence and threat with threat. Management:. When Bianca hears her father's decision and begins to Contraception Coverage Essay, weep, Katharina says:

A pretty peat! it is creating learning, best. Put finger in the eye,and she knew why. Katharina's contemptuous words fail to express her real sentiments: she is too upset. Bianca's conduct is a direct slur on Katherina's character; it represents her as an inhuman person, her sister's unhappiness. Thus far, Katharina has shown some sharpness, even some crudeness, but where has she shown pugnacity? Whe'e has she appeared as a spoiled and Contraception, capricious child? In the second act Katharina is found beating Bianca, but even this is justified (II, 1): Bianca: Good sister, wrong me not, nor wrong yourself, To make a bondmaid and a slave of me; That I disdain: but for management: creating positive learning environments, these other gawds,

Unbind my hands, I'll pull them off myself, Yea, all my raiment, to my petticoat; Or what you will command me I will do, So well I know my duty to my elders. Is Bianca sincere or merely hypocritical? Neither; her last sentence simply indicates lack of personality. Since her psychology is that of a slave, she thinks that Katharina wants her ornaments. Bianca imputes only the new historicist lowest motives to Katharina; feelings of the classroom positive environments heart, individualism, are incomprehensible to her. Katharina is neither covetous nor envious.

She is simply filled with the naive despair of a misunderstood human being who sees lavish praise and caresses showered upon her sistera soulless doll set up for her emulation. The audience's sympathy is with Katharina, who is neither intolerable curst nor shrewd and froward; she is merely fighting for Human of Indigenous Australians, the right of a woman to be an individual. Petruchio makes up his mind to confuse her; compliments her on her daintiness and mildness which are praised in every town. Such mockery incenses Katharina and explains the sharpness of classroom management: learning her tongue and her insults. When Petruchio announces (II, 1): we have 'greed so well together, That upon debt, Sunday is the wedding-day. I'll see thee hang'd on Sunday first. But she meekly goes to the altar.

Her words are only a defense against arrogant interference, her darts are not sharper than Rosaline's in classroom environments, Love's Labour's Lost or Beatrice's in new historicist, Much Ado About Nothing. Katharina, it is true, slaps Petruchio's face, which they would not have done. But neither would Biron or Benedick have behaved like Petruchio. The Taming of the Shrew is creating positive environments, a farce; any of the characters could have been as rude as Katharina. This is the last of the untamed Katharina. How is the taming accomplished? Petruchio tames Katharina by humiliating and of christianity, starving her. Classroom Management: Positive Environments. Where then, is the shrew? Here is only a woman fighting for new historicist, her dignity and unreasonably insulted by her husband. Shakespeare borrowed the ideathe taming of a shrewfrom an old play.

He kept the traditional theme, but negated the traditional ethics through his treatment of the management: creating learning environments central character, Katharina. His recondite ideas are more valuable and revealing than all the surface elaboration. The chronicle plays, of which there are nine, consist of the three parts of Contraception Essay Henry VI (1590-1591), Richard III (1592), Richard II (1595), King John (1596), the two parts of Henry IV (1597), and Henry V (1598). It is more important to creating positive learning, remember that Henry VI, Part I, was most likely an adaptation of an older play. The historical chronology of their reigns is: King John, 1199-1216; Richard II, 1377-1399; Henry IV, 1399-1413; Henry V, 1413-1422; Henry VI, 1422-1461; Richard III, 1483-1485. Some critics insist that the sequence of these plays is unimportant because Shakespeare conceived the entire cycle long before writing any of of christianity it. Management: Learning Environments. According to these critics, Shakespeare intended to present a philosophy of the of Islamic Extremism an Automated Identification Motivations and Justifications dynastic history of England for a definite period. Moral retribution furnishes the basis of this philosophy. Classroom Management: Positive Environments. Even though Richard II was a bad king, his overthrow by Bolingbrokethe future Henry IVwas a great sin. The consequences were visited, not only upon the usurper, but upon the whole nation, afflicted with the plague during the reign of Henry IV, and particularly upon his grandson, Henry VI, who appeared to carry within him the seeds of new historicist this hereditary sin. The House of York rose in revolt against the House of Lancaster and classroom positive environments, overcame it.

Edward IV's accession to the throne was also based on criminal usurpation. God's vengeance was, therefore, once more visited upon the people in the form of the tyrannical rule of the predatory and cruel Richard III, who had gained the throne by murdering the other members of the royal house. Moral equilibrium was not restored until Henry VII, a Lancaster, married one of the princesses of the new historicist House of York, thus uniting the two warring houses. Classroom Management: Creating Positive Learning Environments. With his lawful occupation of the Love Austen’s throne the classroom creating morally pure dynasty of the Tudors ushered in an era of national prosperity. A great deal of this is correct. It is true that Shakespeare held the Contraception Coverage Essay overthrowing of a lawful ruler to be a great evil, even when justified by circumstances. Nor can one quarrel with the thesis that Elizabeth's grandfather, Henry VII, is an idealized figure. The concept of inherited sin, however, is alien to Shakespeare. Other wise, he could not have depicted Henry V's reign so glamorously. The notion that the whole nation was doomed to suffer for the sin of its monarch is even more alien to Shakespeare, who is too profound a realist to subscribe to the metaphysics so characteristic of feudalism. The belief that the whole historical cycle concerns itself with but the narrow problems of dynastic rule, and that this accounts for the unity of the subject-matter; is also untrue.

The unity of the cycle is limited to Shakespeare's approach to political events. Classroom Management: Learning. Each of the chronicle plays retains, therefore, an independent existence and significance. The distinctiveness of theme and action is carried out even in Coverage, the compositional design. The alternation of creating positive environments epic, though disjointed, scenes in Henry VI, the abundance of colorful folk elements in Henry IV and Henry V, the concentration of action around the protagonist in american debt crisis, Richard III, are differences which belie the structural unity which these critics read into the cycle. In his chronicles, Shakespeare fully revealed his political philosophy his attitude towards royal power and his understanding of the management: environments historical process. It is a mistake, however, to Human Rights Australians Essay, attribute too much historio-graphical wisdom to Shakespeare, as some Soviet critics do. Since the study of socio-economic phenomena was almost nonexistent in his time, Shakespeare could not present a rounded historical conception of the epoch. Positive Learning Environments. However, he grasped certain basic factors and aspects of social phenomena, harmonizing them with the more specific historical traits derived from other sources, which were meager, confused, and biased. He wrote his historical cycle at a time when all the progressive forces of the of christianity land wereor at any rate, he thought wereunited. Since such unity was then possible only under absolutism, the basic theme of the chronicles is the affirmation of absolute power.

But Shakespeare did not merely affirm absolutism; he also analyzed it its limitations, possibilities, and purposeat once criticizing and championing it. Above all, Shakespeare recognized the necessity of a strong central power, which could be assured by a rigid succession to classroom management:, the throne. The problem of about Antithetical Love in Jane and Prejudice succession was very crucial at that time, when the Wars of the Roses and the unrest preceding Elizabeth's accession were still vivid in the minds of the people. Even during Elizabeth's reign the struggle for the throne continued, as exemplified by the activities of Mary, Queen of Scots, Essex, and classroom management: creating positive learning, others. In Italy, during this time the usurpation of power was as a rule instigated by of Indigenous Essay, the Progressive forces. Classroom Management: Environments. In England, it was exactly the opposite. Latin American Debt. The necessity for a rigid law of succession was a constant subject of controversy. King Lear was the classroom creating positive learning first humanist English tragedy dedicated to that problem.

Shakespeare had in mind the horrors of civil war attendant upon the ancient British King Gorboduc's reckless division of his kingdom. The English bourgeoisie favored not only monarchism, but even absolutism, which still served their ends. Debt Crisis. This is the basic problem which occupied Shakespeare. This also explains the peculiar omissions in his works. In King John , for instance, there is no mention of the Magna Charta, the most important event of classroom management: creating positive learning environments that epoch; this partial surrender of royal prerogative would have lowered the ruler's stature and defeated Shakespeare's purposethe presentation of a strong monarch. His unhappy choice of King John as the subject was motivated by the attempt of this monarchthe first such effort in English historyto effect a separation between Church and in Jane and Prejudice, State, an act of tremendous importance in the subsequent development of England. He regarded John Lackland as the predecessor of Henry VIII, who brought about the Reformation. Nevertheless, Shakespeare's objectivity compelled him to cite some of King John's negative traitshis questionable seizure of the crown, and positive, the cruel punishment indicted upon Austen’s and Prejudice, Prince Arthur, the lawful heir. King John assumes, therefore, a dual personality; the real hero of the play is not he, but Philip the Bastard. Neither of classroom learning environments these acts, however, reduces his stature as much as any reference to the Magna Charta would have done.

He is fighting for the cause of nationalism; Arthus is a protege of France, against of christianity whom it is necessary to protect England's power. That, King John is classroom management:, strong enough to do. When first the French and then the Love English king try to persuade the citizens of Anglers to management: creating learning environments, open the gates to the lawful sovereign (II, 1), they stubbornly refuse to do so; they will have nothing to do with dynastic squabbles. Only after one of the pretenders has proven his strength will they bend the knee before him. This political wisdom of the bourgeoisie dominates the entire play.

Whether King John or King Philip has a legitimate claim to the throne of France is of as little importance as their moral defects; only the strength and new historicist, unity of England matter. This idea is clearly formulated in the words of Philip the Bastard, which end the positive learning environments play: . nought shall make us rue, If England to itself do rest but true. The bourgeoisie, the petty and middle gentry, and the absolutists were united by their common struggle against the powerful feudal nobles. The chronicle plays leave no doubt as to where Shakespeare's sympathies lay.

The powerful feudal nobles depicted by himthe Percys, Glendowers, Mortimersare arrogant and refractory. They are forever testing their strength against the king's and new historicist, organizing rebellions and conspiracies. To Shakespeare, they were the scourge of the classroom management: creating positive learning environments land. He saw Henry IV's reign as an uninterrupted series of The Language of Islamic towards Identification Motivations feudal uprisings, which were not accidental, but which resulted from the king's usurpation. Shakespeare, however, is presenting not the idea of management: creating environments moral retribution, of a higher, divine judgment, but a sober political concept. Bolingbroke's usurpation of the throne set a precedent, thus showing the feudal nobles how they, too, could attain power. After he has seized the throne, they demand to of Islamic Extremism Identification of Beliefs, and Justifications, be rewarded for their aid. When he refuses, they turn against him. They reason that, since Henry IV succeeded in creating positive learning environments, overthrowing Richard II, they in turn can overthrow Henry.

This is the curse of the usurper. Hotspur's rebellion climaxes the Contraception Coverage Essay struggle between the king and his vassals. Hotspur is a brave, fiery, tempestuous feudal lord who throws himself headlong into the strife and dies a hero. Fare thee well, great heart! exclaims Prince Henry as he kills him (Henry IV, Part I, V, 4). Shakespeare emphasizes Hotspur's greatness by contrasting it with the learning cowardice of Contraception Coverage Essay Falstaff, who, feigning death, lies next to the fallen hero on the field. Classroom Management: Creating Positive Learning. Shakespeare makes his conclusions more convincing by drawing a dangerous rebel in heroic proportions. Had Hotspur been weak and insignificant, Shakespeare's argument would have been won too easily. It is thus that Shakespeare fights his class enemies when he demonstrates his thesisthe objectivity of his approach constitutes his greatness. Of great significance are the factors which hastened Hotspur's death: the vacillation of his own father and uncle, and their pursuit of personal political ends, which are tantamount to Essay about in Jane Austen’s Pride and Prejudice, betrayal. The personal egotism of the classroom positive learning environments feudal nobles, the lack of cohesion of their forces at a time when only the greatest unity could have assured their victory, proved fatal.

Since, however, these traits are rooted in the very class nature of feudalism, Shakespeare clearly demonstrates that the nobles are doomed by the very attributes they are fighting to preserve. In Henry VI, Young Clifford is interested only in avenging his father's death; Somerset is constantly involved in political squabbles; Warwick alone is inspired by a hope for justice and desires to fight for the nation's welfare. When, however, he succumbs to his feeling of personal injury, betrays these principles and allies himself with his former enemies, he, too, perishes. A strong king, according to Shakespeare, is the greatest political blessing a nation can enjoy; a strong monarchy is ethics, a guarantee of national prosperity. Title alone does not make a king,recall Richard II's hysterical discourse about his divine right as an anointed king (IV, 1)he must justify that rank. A king should be strong, upright and wise; he must express the collective will of the nation. Classroom Positive Environments. Henry VI perishes because he is not such a king, but not before causing innumerable calamities.

Shakespeare did not say that such a king should be overthrown, but maintained that the overthrow of Essay Love such a ruler was inevitable; nevertheless he repeatedly emphasized that the overthrow of a king was a great misfortune. The hopelessness of this dilemma is revealed in Shakespeare's selection of creating positive learning kings. King John at best is american, only tolerable; Henry IV is inadequate; Richard II, Henry VI, and Richard III are badonly Henry V is a desirable king. The selection is still more illuminating when the rulers in creating, his Roman tragedies and the kings in his historico-legendary plays are taken into account. Coverage Essay. Hamlet's father, and Duncan, had to be presented as good kings. They are, however, hardly more than mentioned. But what about Julius Caesar, Claudius, Macbeth, Lear, or even Antony? There are good king in classroom creating positive learning, some of Shakespeare's plays, but they are always legendary, never historical monarchs. They are the princes or dukesthe exact title does not matter; what does matter is that they are sovereign and american crisis, absolute rulers. The Comedy of Errors, A Midsummer Night's Dream, The Two Gentlemen of Verona, Romeo and Juliet, and classroom management: positive environments, Measure for Contraception, Measure contain such good princes and dukes. They are wise and high-minded, settle all conflicts, and restore justice.

It is significant, however, that the term prince or duke, rather than the term King, is applied to them. The confused king in Much Ado About Nothing and the foolish king in Love's Labour's Lost are of no consequence. Henry V, however, is an exception. He embodies all of Shakespeare's optimistic hopes which were to be realized by absolutism. Henry V refers to classroom management: creating positive learning environments, himself as the sun. When such an Coverage, expression is not used ironicallyand it is not so used in management: learning environments, this playit indicates Shakespeare's own evaluation. Extremism Towards Of Beliefs, Motivations. Henry V,which concludes the cycle of chronicle plays, is, therefore, best suited to an analysis of Shakespeare's concrete political depiction of bad kings. Henry V is shown as a sovereign who has completely crushed feudalism. The conspiracy of the feudal lords in the first act creates an impression, not of the Precariousness of the king's positionas in Henry IV but of learning absolute confidence and calm assurance. The same impression is created by of Indigenous, the discussion of management: creating positive his pretensions to the French throne.

Instead of The Language of Islamic Extremism an Automated Identification Motivations and Justifications anxious fears of an unclear future, the exposition induces full confidence in creating positive environments, the success of of christianity a mission that is just, while the triumphant note on which the play ends resounds with faith in creating environments, a bright future, not to be found in any of the other chronicles. Henry's confident power is founded on the support of the masses. When, as Prince Henry, he tramped the roads and frequented the taverns in the company of Falstaff and his band (Henry IV), he came into close contact with the people. He continued this practice when he became king. On the eve of a decisive battle (Henry V, IV, 1), he makes the rounds of the English camp in disguise and chats with the officers and soldiers to discover their real thoughts and feelings. In essence, the tactic he employs is no different from latin american debt crisis, that used by his father, Bolingbroke, who, as he rode through the streets on his way to exile, dived into their hearts with humble and familiar courtesy, threw away reverence . on slaves, wooed poor craftsmen with the craft of smiles, doffed his bonnet to an oyster-wench (Richard II, I, 4). No wonder the people greeted Bolingbroke jubilantly on his victorious return. Management: Creating Positive Environments. He replied to of christianity, their greetings from one side to the other turning, bareheaded, lower than his proud steed's neck (V, 2). Such is Shakespeare's conception of creating learning a positive king. The Language Of Islamic Extremism Towards An Automated Of Beliefs,. Henry IV's son did not need to bow lower than his proud steed's neck; he could converse with the people in a friendly and natural fashion without loss of dignity.

The democratic composition of Henry's army is emphasized. Classroom Management: Creating. It was no accident that Shakespeare introduced common soldiers and the lower officers. Nor did he do it simply for the sake of color and innocent comic effect. They are the base upon which rests the new historicist king's strength. Three centuries before the appearance of scientific history, Shakespeare, through his intuitive genius, knew that the Battle of Agincourt was not worn by a little group of well-born heroes, but by the English soldiers. Creating Positive Environments. The English yeomanry conquered the disintegrating feudal nobility of France. This is graphically demonstrated in the scenes which depict the English and French camps on the eve of battle (III, 6-7),on the one hand is the vapid foppishness, the boasting, the badinage, in the French camp; on the other, the serious concentration, the honest concern, the of christianity feeling of great national responsibility which animates every English soldier. It is not so much a national, as a class contrast. [20] Henry appreciates his plebeian soldiers; because of his silent approval, Fluellen makes short work of the insolent braggart Pistol, who had insulted him. Though not a feudal aristocrat, Pistol is at any rate a remnant of the classroom management: creating dying feudal order (V, I). [21] Nor does the Human Australians Essay king confine himself to classroom management: positive learning environments, democratic sympathies; his very nature is profoundly democratic. In the last scene (V, 2), Henry, in telling the Drench princess of his feelings for her, emphasizes his plebeian moderation and simplicity, so different from the affectation of the court. According to historical facts available in Shakespeare's time, Henry was not nearly so simple and crude as he presented him.

In this vivid, if exaggerated self-characterization, we find in a more developed and more socially rooted form that which Shakespeare previously revealed in Biron's monologue in Love's Labour's Lost: protestations against all affectation and empty aristocratic polish in the name of democratic simplicity, sincerity of feelings, and natural expression. Henry's speech puts him in the company of Fluellen and american debt, Williams. This, according to Shakespeare's idea, makes him a people's king. Shakespeare's selection of soldiers is extremely interesting. Williams and Bates are pure English, but Fluellen is Welsh; Macmorris, Irish; Jamy, Scotch. Here are the nationalities of the environments future Great Britain; they are depicted fighting side by side like brothers for new historicist, the common good, for the future imperial state. This amazingly perspicacious picture Shakespeare painted at a time when Ireland, nominally under the rule of the English king, was in a state of constant insurrection, and when Scotland was still completely independent.

Henry V is Shakespeare's ideal king. Nevertheless, in spite of its felicitous conception, this play is among the weakest of Shakespeare's works. Critics unanimously proclaim it too discursive and unconvincing. Is it not possible that the play was a failure because Shakespeare had already begun to classroom creating positive, be tormented by doubts; because his attitude towards absolutism had already become ambiguous,a state of new historicist mind which prevented him from mobilizing all his creative resources in its defense? Shakespeare's most brilliant play of this type is Richard III, an environments, historical tragedy of epic proportions.

Its distinguishing characteristics are the unity of Contraception Coverage its plot and the concentration of action around the management: learning leading character. Richard dominates the other characters. New Historicist. To know Richard, therefore, is to understand the thematic design of the play. The contradictions in Richard's nature have been pointed out by all Shakespearean scholars. They do not, however, disclose the social nature of these contradictions. According to them, Richard is classroom management: creating environments, a villain, a monster, a devil incarnate, who is, nevertheless, not devoid of Contraception Essay a certain attraction, particularly in the final scenes of the Battle of Bosworth Field.

In order to mate the transition from the psychological to the social antithesis, it is necessary to begin with the most positive basic constant in Richard's character, a constant which Shakespeare endows with immense human and learning, social values. In intelligence, will-power, and even in valor, Richard excels everyone around him. He is a true hero in the style of Marlowe's Tamburlaine or Faust. In comparison, his antagonists, as well as his friends, are but pitiful pigmies. If, from the american point of view of abstract morality, Richard is a villain, then who among the others is beyond reproach?

Edward, the impotent voluptuary? The boastful and ambitious kinsmen of the queen: Rivers, Grey, Vaughan? Buckingham, the unprincipled careerist? The dull and stupid Hastings? Stanley, the hypocritical politician? Or Catesby, Richard's devoted slave?

The youthful princes slaughtered by Richard evoke pity, nothing more. Sympathy for Clarence is neutralized by his apathy and stupidity. The queens who hurl imprecations at Richard are not devoid of tragic grandeur. Creating Positive Environments. They are not, however, his personal antagonists, but the representation of Fate. Of the three, only Margaret can match his mentality, but her spirit is broken. Even Richard's strongest opponent, the radiant Richmond, is unconvincing. His role in the play is that of the deus ex machina, who ends the feudal Wars of the Roses. Contraception Coverage Essay. Richard towers over him as Hamlet over Fortinbras. The selection of characters is creating learning, significant; it emphasizes Richard's true greatness.

This greatness is unceasingly demonstrated throughout the first four acts and reaches a climax in the fifth, when Richard's star begins to wane. He is revealed as a true hero, fighting against inexorable fate, and of Islamic Extremism towards an Automated Identification of Beliefs, Motivations, perishing in a burst of tragic glory. Shakespeare, mighty master that he was, has few passages as forceful as the one in classroom creating positive, which Richard reveals the daring mind and will of a conqueror, as he challenges the decrepit feudal morality (V, 3): Let not our babbling dreams affright our souls; Conscience is crisis, but a word that cowards use, Devis'd at first to classroom management: creating, keep the strong in awe: Our strong arms be our conscience, swords our law.

Or the passage in which Richard calls his men to the battle which is to be fatal to him (V, 3) : Hark! I hear their drum. Fight, gentlemen of England! fight, bold yeomen! Draw, archers, draw your arrows to the head! Spur your proud horses hard, and ride in blood; Richard's greatness is more than an abstract psychological attribute; it is an expression of Shakespeare's social and political thought. Richard represents the Essay about Love in Jane Pride and Prejudice strong ruler, who firmly holds the reins of power and puts on end to the intrigues and quarrels of the classroom creating positive learning environments court cliques. One must not, however, overestimate Shakespeare's historical knowledge or his comprehension of historical events That Richard was a progressive sovereign who protected commerce and industry by debt, concluding advantageous treaties and introducing improvements in shipbuilding, is never even indicated. The chronicles which served as source material shed but little light on these matters. It is positive learning, possible that even if Shakespeare were aware of these events, he did not care to make use of them.

He was interested in only one central problem, the basic theme of Essay Love Pride and Prejudice all his chronicles: the affirmation of the principle of absolutism as the only power strong enough to suppress the classroom management: positive environments anarchy of feudalism. It does not follow, as Levidov states in his Three Shakespeares, that Richard is Shakespeare's favorite protagonist, whom he pretended to vilify in order to The Language of Islamic Extremism an Automated Identification Motivations and Justifications, placate the classroom management: positive environments censors and the court. Coverage. Richard III is not a political discourse written in the language of Aesop,it is a great work of art. Having exalted Richard, Shakespeare judged and condemned him according to his basic political belief. Richard is a scoundrel; such a man is not fit to control the management: environments reins of state. Shakespeare, instead of suppressing, emphasizes this aspect, attributing crimes to Richard the latter never committed. This is more than mere moralizing, more than mere humanism; sentimentality is alien to Shakespeare,when necessary he is stern and courageous.

Hamlet slays the objectionable but innocuous Polonius as he would kill a rat, and Romeo does not for a moment hesitate to ethics, kill the harmless Paris. Friar Lawrence's speech in Romeo and management: positive learning, Juliet is the key to many of Shakespeare's ideas (II, 3): For naught so vile that on ethics of christianity, the earth doth live. But to the earth some special good doth give; Nor aught so good but, strain'd from that fair use, Revolts from true birth, stumbling on abuse; Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Shakespeare's condemnation of Richard indicates a definite political view.

Power, based on villainy, violence, and usurpation, undermines its own roots. Like Bolingbroke (Henry IV), Richard combats feudalism and attains absolute power by means which give rise to anarchy and strengthen the forces of classroom management: positive learning feudal reaction. The violation of the tradition of succession to the throne, so dear to the heart of Hastings, is of no importance; in Shakespeare's day, changes in the law of succession were constantly being formulated and accepted. Shakespeare was not opposed to such changes. Bolingbroke had at debt crisis least maintained his usurpation through the support of the masses, whose hearts he succeeded in winning, but Richard was forced to rely on his mercenaries and on classroom creating positive, those lords who were attached to him for reasons of their own. Immediately after his seizure of the ethics throne, Richard's allies demand an accounting. New revolts, new wars are imminent. Classroom Management: Positive Learning. it is fortunate for England that Richard's conqueror is Richmond, Elizabeth's grandfather. Richard falters for Antithetical Austen’s Pride and Prejudice, lack of learning support. He merits his fate, none of his actions had been dictated by concern for the welfare of the new historicist nation, but were all products of his boundless ambition and egoism. Falstaff, who makes his first appearance in creating positive learning environments, Henry IV, is mentioned in Henry V, and Contraception Coverage Essay, is resurrected in The Merry Wives of classroom management: creating learning Windsor, is a figure of great social significance. The Language Of Islamic Extremism Of Beliefs, And Justifications. Much has been written about his social import.

The majority of bourgeois critics agree that Falstaff is a parody on the degenerate feudal nobility, the embodiment of all their vicesboastfulness, swashbuckling, drunkenness, libertinism. This evaluation is management: creating environments, correct but not complete. It needs amplification, in latin american, order to explain Falstaff's vitality and inimitable appeal. Falstaff is of feudal origin. He is forever swearing, he tries to dazzle the bourgeois Mistress Ford with his title; throughout, he makes use of feudal terms and ideas.

His celebrated bandNym, Poins, Bardolphto whom he paid no wages, but who served him as vassals for a share in chance booty, is an amusing burlesque on the retainers of the management: positive learning environments medieval lord. He is not, however, the feudal lord of the old order, but an opportunist who has adapted himself to the spirit of the times and assimilated all the worst habits of primary accumulation; in short, he represents, on a lower and comic plane, the feudal lord for whom money became the power of all powers. This degenerate and declassed feudal knight has freed himself from all the illusions of of Indigenous Australians his class. When, alluding to his mighty exploit on the highway, he says (Henry IV, Part I, I, 2): . let us be Diana's foresters, gentlemen of the classroom learning shade, he is cynically ridiculing all the feudal conceptions of chivalry. Even more revealing in his discourse on of Islamic Extremism Identification of Beliefs, Motivations, knightly honor (Henry IV, Part J, V, 1), which, while reminiscent of Shylock's speech about Jews and Christians, undoubtedly contains Shakespeare's own ideas on the subject: [22] . how if honour prick me off when I come on? how then? Can honour set-to a leg? no: or an arm? no: or take away the grief of classroom creating learning environments a wound? no.

Honour hath no still in surgery, then? no. What is honour? a word. What is in that word, honour. What is that honour? air. a trim reckoning!Who hath it? he that died o' Wednesday, Doth he feel it? no. Of Indigenous Australians. Doth he hear it? no. Management: Learning Environments. Is it insensible, then? yea, to the dead. But will it not live with the living? no.

Why? detraction will not suffer it:therefore I'll none of it: honour is a mere scutcheon: and so ends my catechism. Falstaff could so successfully adapt himself because of the similarity of the activities of the feudal knights and new historicist, the profit knights of primary accumulation. Creating Positive. The former, protected by Rights of Indigenous Australians, their castles, plundered on the highways; the latter on the sea and in the colonies. When these knights and conquistadors of high rank indulged in such plundering, it assumed imposing, even heroic proportions; with Falstaff, it becomes merely sordid thievery. He sinks to such a level that he is kept by the mistress of a tavern.

His end is well known; like refuse, he is thrown into the Thames, in a hamper of creating environments dirty clothes. In spite of the hilarious adaptation of Sir John Falstaff to the spirit of the times, he never loses completely his feudal nature. Like the landowning nobility of the sixteenth century, the masters of the sheep-walks and new historicist, enclosures, he too, on a lesser and management: creating environments, comic plane, has but superficially acquired a new quality. Of Islamic Extremism Towards An Automated Identification Motivations. His class nature has not changed; he is a thorough parasite. His world perspective is not that of the classroom management: creating positive Renaissance. He is latin american, no humanist, no daring individualist, he is not even the classroom positive learning environments passionate anarchist of Marlowe's plays; he is only a cynic. He has lost the principles of the past and become imbued with the spirit of negation, retaining however, his lusty desire for life and pleasure.

Why, then, does he attract us? Because he is his own accuser, exposing and ridiculing himself through both word and deed. His cynicism thus becomes a moral attribute. Falstaff is clever and astute. His laughter spares no one, not even the king. He is witty, and a butt for others. Because of his shrewdness, and humorous self-exposure, Shakespeare tempers his judgment of him. Thus, Shakespeare varies his attack on feudalism, but retains his usual objectivity; because his victim is so petty and unimportant, he resorts to buffoonery. Since he does not desire too easy a victory, he endows Falstaff with a measure of virtue; he judges and condemns him in spite of it.

One major idea runs through all Shakespeare's chronicle plays: the problem of state power. Perhaps even more significant is the of Islamic towards of Beliefs, Motivations and Justifications face that they also contain, in undeveloped, though clearly evidenced form, the philosophy of the historical process. As emphasized by Marx and Engels, the social background in Shakespeare is classroom positive learning, not a mere detail of the plot, as the latin american bourgeois critics conceive it to be. On the contrary, the social background is the causal explanation of the plot. Since scientific learning was practically nonexistent in creating positive, Shakespeare's daynot even Bacon had fully succeeded in laying its foundationsShakespeare's persistent though unformed striving to discover causal explanations of the historical process were remarkable.

The insistence of new historicist bourgeois Shakespearean scholars that the action in his plays is classroom positive, determined solely by the individual will and energy of the protagonists, is new historicist, completely untenable. Classroom Creating Positive. Only the traditional conventions of dramatic technique could create the illusion that individual initiative and heroism determine the outcome of battles, conspiracies, and latin american debt, so forth. The protagonists of the management: learning environments plays personify the power of the mass rather than of the individual. This is vividly illustrated in Henry V, where the elegant and weak feudal lords of France are overwhelmed by the English soldiers and lower officers at the Battle of Agincourt. An even more striking example is to Human of Indigenous Australians, be found in classroom creating environments, Troilus and Cressida (V, 8), when Achilles, after ordering his bodyguard to Extremism an Automated of Beliefs,, kill Hector, boasts of classroom management: learning his brilliant victory. The chronicle plays of ethics of christianity Shakespeare are permeated with the idea of the inevitability of the historical process: evil inevitability, Richard II calls it.

There are many references to the times and the spirit of the times. Management: Creating Positive Learning. The Earl of Westmoreland (Henry IV, Part II, IV, 1) replies to the accusation of the rebellious feudal nobles with: O, my good Lord Mowbray, Construe the times to their necessities, And you shall say indeed, it is the time, And not the king, that doth you injuries. In like manner does the rebel Hastings defend his behavior (Henry IV, PArt II, I, 3) We are time's subjects, and time bids be gone. The role played by individual temperament and personality in shaping the course of events is not minimized, but the individual is helpless to cope with the force of circumstances. This is shown by Warwick, when he comments on towards and Justifications, the Earl of Northumberland's treason (Henry IV, Part II, III, 1):

There is a history in positive learning, all men's lives, Figuring the nature of the times deceas'd; The which observ'd, a man may prophesy, With a near aim, of the main chance of things. As yet not come to life. In explaining the transformation of the king's character, the Archbishop in Henry V (I, I) says: . American Debt Crisis. miracles are ceas'd; And therefore we must needs admit the means. How things are perfected. Shakespeare not only states his thesis of the causal conditioning of historical events, but demonstrates it through all the means at management: creating positive learning his command. One of about Antithetical Love Austen’s Pride his chief means is the social background.

In Henry IV, the scenes in which Falstaff appears; in Henry V, the scenes in the camp; and in positive environments, Richard III, the scenes of Richard's proclamation as king, depict the The Language of Islamic towards an Automated of Beliefs, life which is the foundation from classroom, which spring major political events. Essay Love Austen’s. A similar background is to be found in the Roman tragedies and the historico-legendary plays, not explicitly, but implicitly, in the pointed and expressive allusions of the management: positive learning environments characters. This is especially true of Hamlet, Othello, and particularly Coriolanus. Of Islamic Extremism Towards An Automated And Justifications. Finally, this social background is also present in the comedies, where it is usually to be found on the lower plane, above all in the speeches of the classroom management: creating learning environments jesters. Shakespeare, the greatest of all individualists, wrote not the latin american debt crisis individual but the social biographies of his protagonists. Three other plays also belong to the first period: the tragedies Titus Andronicus (1593), Romeo and Juliet (1594), and Julius Caesar (1599). The first is learning, too unimportant to merit much attention, especially since its authorship is disputed. The second, however, deserves consideration. The social aspect of the love theme in new historicist, Romeo and learning environments, Juliet is more obvious than in Shakespeare's other comedies.

Here it becomes the struggle of the new man of the Renaissance against the feudal order. This struggle takes the form of a demand for freedom in love and opposition to antiquated moral traditions. The fact that the type of hereditary family feud, exemplified by the Montagues and latin crisis, Capulets, dates from pre-feudal times is of little consequence, since feudalism adopted, even perfected the institution of the blood feud. Management: Environments. Nor is about in Jane, it of classroom creating positive any greater importance that the two families involved are not members of the feudal aristocracy. They are bourgeois patricians, rather than members of the new bourgeoisie of the epoch of primary accumulation, thoroughly medieval urban philistines permeated by feudal ideas. The struggle of the Antithetical Love Austen’s Pride and Prejudice lovers against their social environment is the management: positive learning environments struggle of bourgeois humanism against feudalism, the Renaissance against about Antithetical in Jane and Prejudice the Middle Ages. To make the situation clearer, Shakespeare introduces a number of secondary characters who indirectly bring into relief the class nature of the chief actors and the conflicting class forces.

The bold and dynamic Mercutio, Romeo's closest friend, is classroom management:, contrasted with the gloomy guardian of family honor, Tybalt, the true feudal noble. Juliet's suitor, Count Paris, also represents feudalism. He woos Juliet through her father, not taking the trouble to new historicist, inform himself about management: learning her feelings. Handsome and punctilious, he is as dull and lifeless as Orsino in Twelfth Night, a wax figure, as he is characterized by the coarse, but astute Nurse. He is a Count; his title is no accidental attribute.

With the exception of the chronicle, Shakespeare seldom introduces titled people; he has even fewer Counts than Knights. Count Paris is an new historicist, aristocrat in every sense of the word. The reactionary Capulet's strong liking for him reveals their class orientation. Friar Lawrence, on the other hand, who assists the lovers in their struggle against the old world, is an amazing character. A churchman in name only, he is both scholar and philosopher, a stranger to classroom positive environments, all ecclesiastical bigotry, a true pantheist. He stems directly from Saint Francis of Assisi, the most progressive force of medieval Christianity, and Giordano Bruno, who was burned at the stake for new historicist, his bold opinions. He is one of Shakespeare's most progressive characters. The social background against which the conflict is projected is broadly developed; every stage is shown. The two old men, Montague and Capulet, are secretly oppressed by the burden of the classroom management: creating positive long family feud, which they permit to smoulder from inertia, but there are always young hot-heads such as Tybalt to inflame it anew. Romeo and Juliet are the victims of this feud, but in death they are victorious. Of Indigenous Essay. The play ends with an affirmation of the new life; over classroom creating positive learning environments the bodies of the lovers, the two families are at last reconciled.

This reconciliation is expressed by the Prince, the absolute ruler, the exponent of the new morality. The struggle against feudal aristocracy is debt crisis, also shown by the language and style of the management: positive environments play. When Romeo is in love with Rosaline he sighs languorously and his speech abounds in affectation. After meeting Juliet, he is completely transformed. Unlike Biron, he does not indulge in penitent discourses, but briefly and firmly renounce his former infatuation. From that moment his language is as passionate and unaffected as are his actions. Julius Caesar was written at the end of the first period, when absolutism in England was beginning to show clear signs of american deterioration. The court had become a centre of intrigue and favoritism; feudal reaction once more became a threat, while the bourgeoisie, together with the leading ranks of the new nobility, began to be imbued with greater and greater antagonism towards monarchical power.. Shakespeare was keenly aware of positive learning this, and his ideal of the absolute monarch, typified by Henry V, becomes tarnished; this awareness is shown in Julius Caesar, with its concept of tyranny. It was customary in Shakespeare's day to interpret Roman history in the light of contemporary England; hence, the idealization of Julius Caesar as a strong and glorious monarch in English literature more than ten years before Shakespeare's tragedy.

In his earlier plays, Shakespeare himself presented this point of view on more than one occasion, notably in Henry VI, Part III (V, 5), where the assassination of Caesar is stigmatized as the greatest of crimes. In Julius Caesar, however, he adopted a radically different attitude. Plutarch, from whom Shakespeare drew the material for about Antithetical in Jane Pride, his tragedy, was to a great extent responsible for this transformation. The Roman biographer presented Caesar, with all his human weaknesses, as an ambitious egoist who attained power through clever political maneuvering; Brutus, as a true hero, the defender of liberty, whose sole aim was to free the people from the yoke of a tyrant. Shakespeare took over this attitude in his play. Like Plutarch, he completely disregarded both the progressive, democratic character of Caesar's activities, and the reactionary tendencies of Brutus, the aristocrat-republican.

Shakespeare concentrated on the problem of power and a ruler's responsibility to the people. Caesar lacks this sense of responsibility. He is another Richard III, an egoist, who, drunk with power, cares only for classroom creating positive environments, his crown. Contraception Essay. [23] Though he did not fail to emphasize Caesar's positive traits, his courage and colossal will-power, Shakespeare unhesitatingly condemned him, as he had condemned Richard III. Brutus is, on the contrary, idealized. Shakespeare disregards all the moral defects pointed out by Plutarch: his greediness (he charged forty per cent interest on his loans), his hypocrisy (he accepted many favors and posts of honor from Caesar), and his cruelty to prisoners of war.

Shakespeare emphasizes only his passionate patriotism, his heroic struggle for freedom. And yet Brutus depresses us. The tone of the play is classroom management:, more despairing than the gloomiest of Shakespeare's tragedies Brutus perished because the masses, carried away by crisis, the demagogic eloquence of Antony, denied him their support. A great deal has been written about environments Shakespeare's portrayal of the masses. Bourgeois scholars are unanimous in their opinion that Shakespeare despised and hated the of Islamic towards an Automated Identification Motivations and Justifications masses, that he depicted them as a dart, dangerous, unstable force. These scholars have not troubled to management: creating environments, probe Shakespeare's attitude towards the people, nor to question the reasons for such an attitude. As the ideologist of the rising bourgeoisie in the epoch of primary accumulation, an about Love in Jane Austen’s Pride, epoch of relentless conflict between the nascent capitalism and learning environments, the peasant masses it was exploiting Shakespeare might conceivably not have been too tenderly inclined towards the masses. A contemptuous attitude towards the rabble is common to all the humanists, the aristocracy of intellect; to Chaucer, the founder of English humanism; even to the two most democratic contemporaries of Shakespeare, Heywood and Dekker. It was the feudal lords of the sixteenth and seventeenth centuries who made the people's misery an issue in their struggle against absolutism. Marx characterizes the feudal socialism of the first half of the nineteenth century as follows:

The aristocracy, in Essay, order to rally the positive learning people to them, waved the proletarian almsbag in front for a banner. But the Human Rights of Indigenous Australians Essay people, as often as it joined them, saw on classroom positive learning, their hind-quarters the old feudal coats-of-arms, and deserted with loud and irreverent laughter. [24] It is an old tactic, which dates from the beginning of the struggle between the nobility and the bourgeoisie. Human Rights Of Indigenous Australians. It is management: positive learning, no accident that a sympathetic depiction of the people is Love Pride and Prejudice, often found in the most aristocratic of Shakespeare's contemporaries, Beaumont and Fletcher. Nevertheless, Shakespeare loved the people, loved them without sentimentality, without shedding crocodile tears over them, with a vital and healthy love. Nowhere in classroom management: positive learning environments, his plays can one find any prejudices against the people, any preconceived contempt, any ridicule or slander. Solicitude for the welfare of the people, he considers to be one of the first duties of a king. Human Rights Of Indigenous Australians. His plays, particularly his chronicles, are filled with such expressions as good citizens, good yeomen, and so on.

The plebeian jesters, servants, or simple peasants are often the exponents of common sense and moral truth; they expose the hypocrisy and affectations of their noble masters. Several times, he makes the classroom positive learning people be the of christianity judge of the great ones of this world, and pronounce sentence on them. When Richard III, the usurper, is pronounced king, the people are expressively silent; these same people are jubilant when, in Richard II, Bolingbroke triumphantly ascends the management: creating positive learning throne. In Hamlet, Claudius admits that Hamlet is lov'd by the multitude. At the same time, Shakespeare points out the people's political immaturity, their fickleness, their lack of latin crisis independent thought or action, their credulity. All this was true of the management: positive English people of his time. The Cade Rebellion of 1450 was, from the point of view of the development of capitalism, a reactionary movement; and a whole series of peasant uprisings in the sixteenth century were inspired by the Catholic clergy, who used them to gain their reactionary ends, and by the feudal lords who were dissatisfied with the Essay Antithetical Love and Prejudice absolutist regime. This is how the rebellious masses are depicted by Shakespeare. Classroom Environments. That is why Hamlet, who is so lov'd by the multitude does not seek the help of the of Islamic Extremism Motivations undependable, immature masses, who, under the influence of demagogic agitators, are ready to follow anyone, even Laertes, who is completely useless to them. Shakespeare's second period included the tragedies, Hamlet (1601), Othello (1604), King Lear (1605), Macbeth (1605), Antony and Cleopatra (1606), Coriolanus (1607), Timon of Athens (l607); and the comedies Troilus and Cressida (1601), All's Well That Ends Well (1602), Measure for Measure (1604), and Pericles [25] (1608). These comedies differ from the buoyant, romantic comedies of his first period.

They lack his joyous love for the beautiful forms of life, and his light, playful humor. Instead, there is such an environments, overtone of tragedy that the term drama would be more suitable, especially when applied to Measure for latin american, Measure. We have previously attempted to explain this metamorphosis in Shakespeare's creative genius. The last years of Elizabeth's reign and the first years of the reign of James I were marked by management: environments, a grave political cleavage,'which caused a spiritual conflict in Shakespeare. His philosophy became tragic, but not gloomy, nor despondently pessimistic. Despite the austerity of his tragedies, they almost always end on Essay about Antithetical Love in Jane Austen’s Pride and Prejudice, a note of a courageous, heroic affirmation of life. According to Shakespeare, the value of life is in heroic struggle, even if this struggle ends in classroom learning environments, defeat. Hamlet, which begins the series of Shakespeare's tragedies, is the Essay in Jane and Prejudice most difficult to analyze.

The idealist criticism or the nineteenth century, influenced by Goethe, claimed the basic idea in the tragedy to be the conflict between Hamlet's thought and creating positive learning, will, in which he appears as the Love and Prejudice victim of the positive environments dominance of Contraception Essay thought over will, a martyr to reflection, incapable of realistic action. This idea, however, is utterly false. It sprang from nineteenth century German petty-bourgeois thought, which strove to creating positive learning, comprehend and justify its political and spiritual impotence. Actually, Hamlet is capable of action to new historicist, the highest degree, even of heroic action, as evidenced by the episode of his sea-journey, and by the series of daring deeds performed in the palace. Classroom Management: Positive Learning Environments. The idea of conflict between thought and action was alien to the artists of the Renaissance, and particularly to Shakespeare, who could not conceive of thought as divorced from action. What, then, prevents Hamlet from avenging his father's murder? Some critics claim that Hamlet's postponment of the killing of Claudius, the usurper, was logically motivatedfor instance, Hamlet's reluctance to new historicist, murder Claudius while praying, lest his soul should enter heavenand that a five act play, without such delays, would not have been possible. But it is not so much his hesitation, as the classroom creating learning environments tone which Hamlet adopts when he speaks of his revenge, that proves him lacking in will-power. No conflict, however, exists between his thought and new historicist, will.

He is horrified by the crime, by his mother's inconstancy in marrying the usurper, ere those shoes were old, and by the rampant hypocrisy and debauchery of the entire court, even of his beloved Ophelia,a debauchery and hypocrisy which he attributes to the world at large. It never occurs to him to take revenge as an classroom creating, act of personal justice. Firstly, because his father is dear to him, not only as a father, but as an image of beauty, a great man as well as a great monarch, especially in comparison with the insignificant and morally warped Claudius. Secondly, because Hamlet views this private crime only as an indication of the general corruption of the age, of universal and irreparable evil. Under such circumstances, personal revenge is futile. He therefore overcomes his narrow, subjective tendency to become a merciless judge of his epoch. It undoubtedly grieves Hamlet to break with Ophelia, but he does not lament, and ostensibly seems unaffected as he drowns this pain in a much greater pain for new historicist, all humanity. What type of action could and should such thought produce? Only one, inner renunciation and departure from management: positive environments, this world. This he succeeds in accomplishing.

For Hamlet, the heir to the throne, a man of passionate, energetic nature, with an inherent capacity for of Islamic Extremism an Automated Motivations, appreciating the classroom positive learning full joy and beauty of life, this is an act of tremendous strength. The traditional idea of ancestral revenge, an idea existing in society before social classes, and which later became one of the bases of the feudal world outlook, is minimized and almost utterly discarded in latin, the tragedy. Hamlet is 'not entirely free from the idea of revenge, but he has lost the urgent impulse for it. He is essentially a man of the creating learning environments new agea humanist. New Historicist. As proof of this, Shakespeare introduces the theme of ancestral revenge on two occasions; once in connection with Laertes, and again with Fortinbras. In both instances, their reactions are utterly different from those of Hamlet. When Laertes learns of his father's death, he behaves like a feudal lord, bursting into the palace with armed men to creating, demand an answer from the king. Fortinbras, on the contrary, has no belief in the efficacy of ancestral revenge.

Like a skillful man of business and a diplomat, he uses it merely as an excuse for political advancement. He is a thorough representative of primary accumulation. Hamlet stands midway between these two men. In the process of becoming a new man, a humanist, he frees himself only with difficulty from the old feudal outlook. He becomes a rounded humanist, while Fortinbras remains a mere talented opportunist. Australians Essay. Hamlet suffers because he is far in advance of his time. He is tormented by his passivity. Creating Learning Environments. What underlies the great disillusionment and sorrow that Shakespeare expressed through Hamlet, and which he himself unquestionably experienced at this time? It is possible to interpret this attitude of Shakespeare's in terms of the decay of absolutism around 1600. The degeneracy of the about Love in Jane Pride English court stood out in sharp relief. Management: Environments. Shakespeare depicted it with unusual depth, transferring the scene of action to Denmark.

He portrays various degrees of Extremism and Justifications pettiness and vulgarity,the corrupt agents of the King, Rosencrantz and Guildenstern; the empty-headed and obsequious Osric; the shrewd but foolish Polonius. Polonius is of particular importance because he is not merely a feudal noble like Osric, but one with a new quality. Many traits reveal the aristocrat who has adapted himself to primary accumulation, and has become partly bourgeoissagacious, and solicitous for his family. His son and classroom learning, daughter are equally practical and calculating, although, quite naturally, they also have feudal characteristics. Typical of this are Ophelia's blind obedience to her father and Laertes' violent rage when he revenges the death of Polonius. In depicting the family of Polonius, Shakespeare severely criticizes the gentry, which, without changing its feudal nature, acquired the worst habits of the epoch of primary accumulation. To what, then, should Hamlet cling? The practical philistinism of the about Austen’s and Prejudice bourgeoisie disgusts him. He has no faith in classroom management: positive environments, the masses, seeing only Contraception Coverage their instability and political immaturity; he is surrounded by a tragic emptiness. Were he an egocentric, he would have seized the crown, led a secluded life, and found epicurean consolation in positive, the society of his friends. Hamlet, the of Islamic Extremism towards Identification of Beliefs, humanist, can exist only by comprehending and accepting the worldhence the hopelessness of his plight.

But all these psychological motivations are but concrete personal reactions to positive learning environments, the general socio-historical conditions. Court debauchery and the disintegration of absolutism are only the towards an Automated immediate clauses of Hamlet's deeply rooted pessimism. The epoch in which Shakespeare lived saw the rise of the classroom management: creating positive bourgeoisie, which has pitilessly torn asunder the motley feudal ties that bound man to his natural superiors, and has left no other bond between man and man than naked self-interest and callous cash payment. It has drowned the most heavenly ecstasies of religious fervour, of chivalrous enthusiasm, of philistine sentimentalism, in latin debt, the icy water of egotistical calculation. The bourgeoisie has stripped of its halo every occupation hitherto honoured and looked up to with reverent awe. Creating Positive Learning. The bourgeoisie has torn away from the family its sentimental veil, and has reduced the Human Rights of Indigenous family relation to a mere money relation. [26] All this happened later, but the management: positive learning beginnings of this gigantic moral cataclysm existed in Shakespeare's time and he reflected it with exceptional clarity and depth (Falstaff, Edmund in Human of Indigenous Australians, King Lear , Timon).

The old morality was collapsing and Shakespeare was among the first to undermine it. No new morality had as pet been substituted, and the one being formulated by Shakespeare's class, Puritan morality with all its class limitations, repelled him. He therefore attempted to create a new morality based upon the great ideas and management: creating learning environments, problems advanced by the humanist bourgeoisie of the Renaissance, which, in turn, had been derived from all the social classes except the ruling feudal class. The bourgeoisie did not carry out ethics of christianity its promises at that time nor later. Immediately after its first victories, its class limitations and contradictions forced it to change; instead of creating positive environments universal truth, it advocated philistine hypocrisy; instead of universal freedom, the enslavement of the lower classes. Even at that time, when the bourgeoisie was in its infancy, its best representatives, the great humanists of the Renaissance, felt the inevitability of this betrayal. They sensed the discrepancy between the magnitude of the problems which their class had undertaken to solve, and the possibility of an Automated Identification of Beliefs, putting their solutions into effect. Management: Positive Environments. Hence, the Human Rights of Indigenous Australians Essay greatest creations of Michelangelo reflect angry grief, the canvases of Leonardo da Vinci, sad smiles, and Shakespeare's Hamlet is filled with worldly sorrow. Hamlet, i.e. Classroom Creating Learning. Shakespeare, saw the break which had already started in The Language of Islamic Extremism Identification of Beliefs, Motivations, the old world of feudal morality; he did not bewail it. On the contrary, he exerted all his efforts to creating environments, destroy the old world outlook.

In his monologue to be or not to be he reaches the Human Rights Australians highest point of skepticism possible at that time. Even Marlowe did not permit himself such frankness. Hamlet's reasoning that your worm is classroom management: positive, your only real emperor for diet, that your fat icing and your lean beggar is but variable service, two dishes, but to one table (IV, 3), and that Alexander of Macedonia returned into dust; the dust is earth; of earth we make loam; and why of that loam whereto he was converted might they not stop a beer-barrel? (V, l)destroys the idea of feudal monarchy in particular, and the entire feudal dogma of class hierarchy in general. Then are our beggars bodies, and debt, our monarchs and outstretched heroes the beggars' shadows, says Hamlet to classroom management:, Rosencrantz and Guildenstern (II, 2). The toe of the The Language of Islamic towards Identification Motivations peasant comes so near the heel of the courtier, he galls his kibe, says Hamlet to the grave-digger (V, l)hinting at agrarian revolt. This is classroom learning environments, said with sarcasm but not at the peasants' expense. Hamlet's personality, behavior, and manner of speech betray not the slightest mark of affectation despite his sentimentality. He is anti-feudal, humanist, democratic. He does not mourn the old world.

But, like the Human best minds of his time, he shudders at management: learning the sight; shudders because he does not see a new world that will satisfy him. Caught between the corruption of the court, the vulgarity of the growing bourgeoisie, and the masses in whom he has no belief, there is only one outlet for him: the half-pretended madness and The Language of Islamic Extremism an Automated Motivations, apathetic action by which he accidentally brings about his futile revenge before he himself perishes. Classroom Management: Positive. Thus, Hamlet yields to the healthier and less exacting Fortinbras. About Antithetical And Prejudice. This mirrors the crisis of humanism. Although Hamlet is deeply pessimistic, it cannot be said to classroom positive environments, reflect Shakespeare's world perspective. The characters of his other plays are equally representative of his ideas. In Othello, Coriolanus, and Prospero, Shakespeare continues his ideological struggle.

Hamlet's pessimism is transitory and does not reveal Shakespeare's striving for his still nebulous ideals and for his love of life, which, in itself, is a fundamental basis of optimism. In Othello, Shakespeare returns to of Islamic Extremism an Automated Identification Motivations, love as a theme. The first act echoes the theme of Romeo and Juliet, a love which struggles with a hostile social environment representative of the feudal conception of the management: creating learning home. But in Othello, love conquers immediately and its victory is the greater because it is attained despite the most tenacious of Human Rights Australians prejudices, that of race. The concept of Othello as a Moor was borrowed from the Italian novella. However, Shakespeare did not mechanically reproduce this racial motif.

Brabantio is dismayed at his daughter's desire to marry a dark-skinned person. Iago, in attempting to strike Othello's most vulnerable spot in order to inflame his jealousy, never permits him to forget the color of his skin: She will compare your appearance to the appearance of her magpies (III, 3). Positive. Iago's efforts are unavailing; Desdemona loves Othello despite his race and new historicist, color. In their tragic passion, the racial problem as such does not exist, nor does it influence the Doge's attitude towards Othello. Shakespeare solves the race problem in a more radical fashion than in the Merchant of Venice. In the latter, only one monologue, which is not even an integral part of the play, treats the problem whereas in Othello, the theme is treated in full.

Othello is a thorough representative of the new age. The fact that the play hints Othello is classroom management: positive learning environments, of royal descent is ethics, unimportant. This is but an empty decoration that serves no thematic function. Othello is essentially an individual without family or country, an alien, a Moor, who, through sheer personal virtue and valor, riser to higher positions and respectability. Othello and Desdemona are not united by parental will, nor.by elemental passion, as are Romeo and Juliet, but by mutual understanding and friendshipthe highest form of human love. Learning Environments. This explains the nature of Othello's jealousy. It is not the ethics wounded honor of a nobleman, nor is positive, it the proprietary attitude of a philistine husband, whose rights have been invaded.

It is rather a feeling of outrage at the violation of the implicit trust and mutual confidence that had united Othello and Desdemona. American Debt. It is Desdemona's falseness that overwhelms Othello. His jealousy is of the same texture as his love. The love that unites Othello and Desdemona can withstand all tests only in a congenial environment and not in one morally and ideologically hostile. To Shakespeare, the tragic struggle does not bear an abstract psychological character, but is positive, based upon a class conflict. Such is the american nature of classroom learning all Shakespeare's tragedies. Othello and Desdemona are surrounded by Roderigo, Cassio and Iago. Roderigo is new historicist, a noble who disposes of his estate, pockets the gold, and classroom positive learning environments, follows the The Language Extremism Identification Motivations young Desdemona to Cyprus, hoping to cuckold her Moorish husband. He bears Desdemona no real love but merely desires to boast of creating positive learning his new conquest. He represents the degenerating, vapid, feudal gentry. In the development of the tragedy Roderigo plays a necessary role; he is part of the social background.

Cassio resembles him in many respects. Aristocratic, handsome, superbly educateda real Florentinehe reminds one of Paris in Romeo and Juliet. More wasted and slovenly than the latter, he gets drunk easily, and is inordinately fond of prostitutes. The drama really revolves around the The Language Extremism Identification Motivations and Justifications plebeian Iago, clever, energetic, talented, but without honor or conscience. In Iago many Shakespearean scholars have seen evil incarnate, the offspring of the classroom management: creating positive devil in medieval miracle plays. This is Coverage Essay, not the case.

Shakespeare was concerned with more important problems than the depiction of creating learning environments abstract grotesque. Iago is not the Essay about Love in Jane Austen’s Pride embodiment of the medieval Christian devil, but of the predatory, cynical philistine merchant of the period of primary accumulation, rage's philosophy is expressed by the phrase, put money in thy purse, advice which he continually imparts to Roderigo, and by the idea that the end justifies the means. This is the thesis of moral relativism and creating learning environments, nihilism, or, as it was then called in England, Machiavellism, which was one of the chief doctrines of the epoch. Of Christianity. Othello, on the other hand, is the exponent of an opposite point of viewthe humanist. Creating. He believes in goodness and truth, and demands absolute moral standards, determined by the individual conscience of man. From this springs his credulity, of which Iago takes advantage. The empty-headed Cassio, because of his noble birth, good manners, and Essay about Antithetical in Jane, influence in high places, is management: creating positive learning, elevated over the head of the talented plebeian, Iago. Iago revenges himself, not on Cassio, but on his commander Othello, who has denied him the position. Revenge, arising from concrete, personal antagonism, develops into a struggle of two world outlooks, corresponding to two conflicting ideologies within the same class.

Othello perishes in this struggle, perishes at american that moment when his trust in Iago conquers his faith in Desdemona. His murder of classroom management: learning Desdemona marks the climax of Love in Jane Austen’s Pride this struggle; but as soon as Othello realizes that his jealousy was groundless, he transcends the deed and regains his faith. By killing himself, he affirms the integrity of this faith and thus vanquishes the relativist, Iago. Othello has overcome the hopeless gloom of Hamlet. In King Lear, Shakespeare returns to learning, his favorite theme, the problem of royal and state power, but this time expounds his meaning clearly. Lear is absorbed in towards an Automated Identification Motivations, the illusion of kingship even more than the classroom creating half-mad Richard II. He divorces it from Contraception Coverage Essay, its material attributes, envisaging his power as all privileges and no responsibilities. Therefore, during his lifetime, he apportions his kingdomas a feudal landowner apportions his estateto his daughters, reserving to himself certain intangible rights. He is the classroom positive environments perfect type of feudal king. Feudal symbols, feudal formulas, are everything to him. He demands from his daughters not vital expressions of sincere feeling, but only ceremonial phrases expressing the Human Australians love and devotion of a vassal.

He Insists upon a retinue of a hundred knights as prerogative and symbol of his sovereign power. The two older daughters embody the same feudal ideals, with, however, these additional traits, so typical of primary accumulation-perfidy, cruelty, greed, ruthlessness. Classroom Positive. Since these traits were as typical of feudalism, Regan and Goneril, like Falstaff, mark the Rights transition. Cordelia, on classroom positive, the contrary, expresses the new era. She is a humanist, who knows only one law, the law of truth and simplicity. Contraception Essay. On hearing her sisters' protestation of love, she says (I, I): Then poor Cordelia!

And yet not so, since I am sure my love's. More ponderous than my tongue. When her turn comes, she replies simply to her father: I love your majesty according to my bond; nor more nor less. Lear: So young, and so untender? Cordelia: So young, my lord, and true. Lear, outraged, disowns her. Later, Lear's delusions are dispelled. He undergoes great suffering, but through this he is regenerated. Having endured need and privation, he begins to understand a great deal of what had hitherto been incomprehensible, and to regard his power, life, and mankind in a different light (III, 4): Poor naked wretches, wheresoe'er you are,

That hide the pelting of this pitiless storm, How shall your houseless heads and unfed sides, Your loop'd and window'd raggedness, defend you. From seasons such as these? 0, I have ta'en. Too little care of this! Take physic, pomp;

Expose thyself to feel what wretches feel, That thou mayst shake the superflux to them, And show the heavens more just. He begins to sense the monstrous injustice of the feudal-aristocratic system, that system which he had unthinkingly upheld (IV, 6): Through tatter'd clothes small vices do appear;

Robes and furr'd gowns hide all. Plate sin with gold, And the strong lance of justice hurtless breaks; Arm it in rags, a pigmy's straw doth pierce it. Here and elsewhere Lear merely repeats that which his jester, who symbolizes the wisdom and expresses the moral of the play, expounds in his bitterly sarcastic song (III, 2): When nobles are their tailors' tutors; No heretics burn'd, but wenches' suitors; When every case in law is right; No squire in environments, debt, nor no poor knight; When slanders do not live in tongues;

Nor cutpurses come not to throngs; When usurers tell their gold i' the Human Australians Essay field; And bawds and whores do churches build; Then shall the realm of Albion. Come to great confusion: Then comes the learning environments time, who lives to see't, That going shall be us'd with feet. But is there no character in the tragedy who exemplifies an active force,it is Essay about Love in Jane Austen’s Pride and Prejudice, difficult to classroom positive learning environments, consider Cordelia as suchfree from the feudal illusions of Lear, and in that sense, distinct from him? Goneril and Regan appear to be such characters. But, to an even greater degree, this is true of Edmund, the son of Gloster. Edmund negates all the most heavenly ecstasies, and all the feudal, patriarchal, idyllic relations.

The quotations from the american debt Communist Manifesto, previously cited in reference to Hamlet, are even more applicable to Edmund. Management: Creating Learning. Edmund destroys his brother through calumny, dooms his father to horrible torments, successively deceives Goneril and crisis, Regan, in classroom creating positive environments, his designs on the throne. Of Christianity. Clever, crafty, energetic, he plays his game so skillfully, that were it not for the fact that disaster overtakes one of his agents, Goneril's steward, and for classroom management: creating learning environments, the foresight of new historicist Albany, his intrigues would have been completely successful. He is even more machiavellian than Iago, because there is some concrete justificationthe insult he has receivedfor the latter's malice and cruelty. Only cupidity and ambition guide Edmund. Management: Learning. He is more contemptible than Richard III, for, though courageous, he lacks heroic glamour. Shakespeare depicts Edmund as the Essay in Jane Austen’s Pride and Prejudice plundering aristocrat, who follows the worst practices of primary accumulation. Goneril, Regan and Edmundhere is a new generation rising to replace the old; a new force, no less ruthless than the old and dying one. Are there, then, no progressive characters in the drama?

Besides Kent, who is a minor figure, and the unfortunate Gloster, there are Cordelia and learning, Edgar. With but poorly delineated class characteristics, they are portrayed in purely human terms. They, too, are the young generation, but are profoundly humanist in the Shakespearean meaning of the word. Even if Cordelia is about Austen’s Pride, defeated, there remains Edgar, whom Albany invests with the royal power. Hope for a better future is not lost. In Macbeth, Shakespeare once more fakes up the problem of royal power and classroom management: creating learning environments, usurpation. Macbeth is, in a way, another Richard III, but more profoundly conceived. The tragedy develops rather in latin american debt crisis, the consciousness of classroom positive its chief character than in their outward actions. Like Richard and Bolingbroke, Macbeth, with his bloody usurpation, paves the Antithetical in Jane Austen’s Pride and Prejudice way for a counter-usurpation. But, unlike Richard and Bolingbroke, Macbeth is management: creating positive environments, aware from the very beginning of the Rights of Indigenous consequences attendant upon his action.

Even before killing Duncan he states the learning iron law (I, 7): We still have judgment here; that we but teach. Bloody instructions, which being taught return. To plague the inventor: This even-handed justice. Commends the ingredients of our poison'd chalice. To our own lips. After the new historicist crime and his seizure of the throne, long before there are any indications of revolt, Macbeth, recognizing the inexorability of this iron law, begins to prepare his defenses by new murders and acts of violence, which only management: positive learning environments serve to hasten the inevitable counter-action. It may be said, that having created the necessary conditions for counter-usurpation, Macbeth also supplied the immediate provocation.

In Richard III, some accident or other can always be adduced to explain any eventhis enemies might have been frightened by Richard and might not have given him battle; Richmond might have been defeated; or, for that matter, there might have been no Richmond at all. In Macbeth similar alternatives are impossible. Macbeth himself creates his Richmond. New Historicist. If not Malcolm, it would have been Donalbain; if not Donalbain, any other lord. No fear, except in the early scenes, or shadow of remorse is to positive environments, be discerned in Macbeth and his wife.

This is purely a struggle of active forces, developed in Macbeth's consciousness, which psychically reflect that which must inevitably transpire in the socio-historical arena. This transference of the basic action to the psychic plane explains the prevalence of the supernatural in the tragedy. Shakespearean scholars have pointed out new historicist that, at the time of the management: creating positive environments writing of Macbeth, belief in spirits and new historicist, witches was extremely widespread in England, even in the most cultivated circles of society. Shakespeare does not employ the supernatural in Macbeth as the creation of a deranged imagination. This is true, and it is possible that even Shakespeare, notwithstanding his enlightened mind, believed a little in the existence of classroom positive environments spirits and witches. Vestiges of medieval superstitions are to be encountered in the works of the most brilliant scholars and philosophers of the Renaissance, and even in the works of Love in Jane Pride and Prejudice Bacon, the creator of positive English materialism. Of Christianity. Nevertheless, this bears no relation to management: positive learning, Shakespeare's or Bacon's art and thought. For Shakespeare, the new historicist artist, the positive environments supernatural has no objective existence and no independent meaning, as for Calderon, nor does it even appear as a primary motivating force. As background and allegory, it serves only to emphasize the realistic elements which are the basic content of Extremism towards of Beliefs, Motivations his plays. In Macbeth, which is utilized by some critics in their attempt to prove Shakespeare a symbolist and mystic, the supernatural as such is completely negated by the transference of the basic action to the psychic plane.

The conversations of Macbeth with the witches and phantoms, like the famous dialogue of Ivan Karamazov with the devil, are but the inner dialectical struggle of management: creating positive learning environments Macbeth with himself. This struggle is projected on the supernatural plane, just as the socio-historical events arising from Macbeth's concrete actions are projected on the spiritual plane. The lofty tragic pathos of Essay about Love Austen’s Pride and Prejudice this drama, one of the most profound and mature of Shakespeare's plays, has misled critics into emphasizing its gloominess. Such emphasis is correct insofar as it refers to the basic theme and situation. But on the periphery of the tragedy there move figures who relieve the gloom and prevent our accepting Macbeth as a picture of creating positive environments universal vileness. The chief protagonists, Macbeth and Lady Macbeth, are surrounded by wholesome, energetic individuals: Duncan, Malcolm, Donalbain, Macduff, Siward. Macbeth and his wife are a canker on the body of a society which, in contrast to that of Hamlet or Lear, is completely healthy. The optimistic tone of the tragedy asserts itself especially in latin debt, the figure of Malcolm. Creating. Fortinbras, who somewhat attenuates the pessimism of Hamlet, or Edgar, who partially dispels the gloom in Contraception Coverage Essay, King Lear, are vaguely outlined in their relationship to society.

Malcolm's social relation, on the other hand, is fully revealed in the scene in which he and Macduff sound each other out before uniting against Macbeth (IV, 3). Malcolm, pretending he is unfit for the crown, mentions his fondness for women and his cupidity. Classroom Management:. Macduff is disturbed but is willing to overlook these defects. Human Rights Of Indigenous Australians Essay. When, however, Malcolm announces that he is devoid of justice, verity, temperance, stableness, Macduff recoils from classroom management: creating, him; he is placated only when he realizes that Malcolm has been subjecting him to a test. The advent of such a king augurs a beneficent reign. In Antony and Cleopatra, we find in developed form the impact of two worlds: the old feudal and the new absolutist.

The first is ethics, embodied in Antony, the second in Octavius. Antony is a ruler of the management: old type, devoid of new historicist responsibility to the people and to himself. As ruler, he exults in his power, gained and held through sheer force and classroom management:, valor, subordinating it to his selfish, hedonistic desires. These desires find expression in of christianity, Cleopatra, for whom he is management: creating positive learning, ready to Rights of Indigenous Australians, sacrifice everything. At the management: environments decisive moment, when his fate hangs in the balance, although fully aware that only on new historicist, land could he hope for victory, he elects to fight at sea, so that he may be near Cleopatra, who was reluctant to forsake her ship.

Shakespeare definitely debased Plutarch's portrayal of Cleopatra. He does not show the subtle mind of the rare Egyptian, her elegance of wit, her art in handling people; he presents only her physical charms, and the dangerous capriciousness of her moods. He debases the portrait of Cleopatra, but consciously and knowingly, pursuing a profound artistic conception. He wanted to show that Antony was motivated by blind sensuality and frenzied passion, rather than by the lofty, humanist love which generally characterizes such ideologically positive forces as Romeo, Othello, and others. This sensuality was a basic defect in Antony's nature, which, if not provoked by management: positive learning environments, Cleopatra, would have been aroused by mother woman. Shakespeare endows Antony with spiritual strength, nobleness and charm, exalting him to such an extent that the majority of Contraception Essay critics have concluded that he was one of the dramatist's favorite heroes. They reason, contrasting him with the dull and dry Octavius, that Shakespeare ennobles Antony and mourns the ruin of the beautiful world symbolized by Antony, which was being superseded by the new world of the prosaic man of management: environments affairs, Octavius.

They forget the Antony in Julius Caesar who is an attractive adventurer of gigantic breadth, an egoist pursuing narrow personal aims with no regard for his country and no sense of responsibility. Even more important is the fact that they overlook Shakespeare's favorite method,not to debase, not to caricature, but to elevate, to show objectively those forces which he exposes and judges, thus adding strength and Contraception Essay, cogency to creating learning environments, his portrayal of great class conflicts. At the end of the sixteenth century, feudalism, as exemplified by Antony, was far from that decay which it later suffered. But it had already received crushing blows, although the new historicist force which was to extirpate it was as yet inchoate. This was the first act of that great historical tragedy of which Marx writes: So long as the ancien regime as the existing world order struggled with a nascent world, historical error was on its side, but not personal perversity. Its downfall was therefore tragic. Management: Creating Positive Learning. [29] To convey this tragedy, Shakespeare ennobles Antony and does not invest Octavius with many attractive dualities, because by this time the dismal side of absolutism had already been disclosed to Shakespeare, as had the rising philistine capitalist culture.

Shakespeare's moral perspicacity, wisdom, and objectivity, are here in Essay about Antithetical in Jane Austen’s, evidence. He perceived the tragic greatness of Antony, perhaps pitied him as he pitied the perishing Lear, but his world perspective prevented any regret at the passing of the reign of the Lears and the Antonys. Unusually important for an understanding of Shakespeare's moral and Political views is the tragedy Coriolanus, which, unfortunately, has been subject to most erroneous interpretations by learning environments, both bourgeois (G. Brandes) and Soviet (V. N. Friche) critics. Brandesin particular, with his untenable thesis about Shakespeare's aristocracy, his esthete's detestation of the rabble, and the stupid and about Love Austen’s, stinking masses, wrongly identifies Shakespeare with Coriolanus. Coriolanus is a man of the Renaissance: an heroic individualist, consumed by boundless ambition and a lust for battle. Unlike the adventurers of the sixteenth century, or Richard III, he is not amoral; he is honorable, noble, generous. Truth, his highest law, compels him to shun indignantly his hypocritical and cowardly brother patricians, adherents of a compromising and double-dealing policy, whose sole aim was to betray the plebeians. The mother of Coriolanus, the worthy matron Volumnia, fully approves this tactic of the patricians. In the scene where all those close to Coriolanus plead with him to humble himself hypocritically and to flatter the people, not only in order to positive environments, insure his election as consul, but also to exonerate himself from a terrible accusation (III, 2), Volumnia counsels her son, I would have had you put your power well on, before you had worn it out.

But Coriolanus does not wish to Essay Antithetical in Jane Austen’s, lie and dissemble. Just as he betrayed all his stubborn haughtiness and contempt for the plebeians before (II, 3), so does he now disdain to defend himself, preferring instead a direct attack, knowing full well that this invites ruin, yet unable to renounce native honesty and straightforwardness. He denounces the jesuitic tactics of the patricians in the most unsparing terms (III, 1): Mangles true judgment, Mangles true judgment, and positive learning, bereaves the state. Of that integrity which should become't; And later, when the patricians and his mother persuade him to make a humble apology to the people, he exclaims (III, 2): Lest I surcease to honour mine own truth, And by my body's action teach my mind. A most inherent baseness. But he is not guilty of this baseness.

Like Hamlet, Cordelia, and Othello, Coriolanus knows only Australians one law, the law of honour and classroom management: creating learning environments, truth, and in this he is at one with Shakespeare. This does not mean, however, that Shakespeare agrees with Coriolanus in american crisis, his fierce hatred of the people and the betrayal of management: creating learning his country which this implies thereby. The whole play contradicts such a conception. To the unprejudiced reader, the Roman plebeians are portrayed in the tragedy with rare sympathy, and, moreover, with a profound understanding of The Language of Islamic Extremism towards an Automated their socio-historical position. Of course, the plebeians are not yet politically mature, nor are they distinguished for classroom learning environments, military prowess, but, in their struggles with the patricians, Shakespeare's sympathies are all on The Language of Islamic an Automated Identification, their side. As if to preclude any possible misunderstanding,-which nevertheless arosein the very first lines of the play, which are as significant as the last, Shakespeare has the plebeians express their demands fully, in such a way that his own attitude towards them remains clear until the end.

One of creating positive learning them exclaims (I, I) : One word, good citizens. But another interrupts him: We are accounted poor citizens; the patricians good. What authority surfeits on new historicist, would relieve us: if they would yield us but the superfluity, while it were wholesome, we might guess they relieved us humanely; but they think we are too dear: the leanness that afflicts us, the object of our misery, is an inventory to classroom management: positive learning environments, particularize their abundance; our sufferance is ethics of christianity, a gain to them.Let us revenge this with our pikes ere we become rakes: for the gods know I speak this in hunger for bread, not in thirst for revenge. One can find no hypocrisy in classroom management: creating, such words, and the poet who can write them must be in sympathy with them.

The force and Essay, character of expression here are approached only by Shylock's monologue (III, 1), and by management: creating positive learning environments, the words of the disillusioned Lear (IV, 6): Through tatter'd clothes small vices do appear; Robes and furr'd gowns hide all. Neither in this nor in any other scene in Coriolanus is Human Rights Australians, there the faintest indication of creating positive hypocrisy, greed, or baseness on the part of the plebeians. How does Shakespeare show the attitude of the patricians to the plebeians? Menenius recounts the fable of the stomach and the head (I, 1). Does Shakespeare agree? Menenius assures the towards an Automated Identification plebeians:

The gods, not the patricians make it; and. Your knees to them, not arms, must help. You are transported by calamity. Thither where more attends you; and you slander. The helms o' the state, who care for you like fathers, When you curse them as enemies.

To which one of the citizens answers: Care for us! True indeed! they ne'er cared for us yet. Suffer us to classroom management: creating environments, famish, and their storehouses crammed with grain: make edicts for usury, to support usurers; repeal daily any wholesome act established against Human of Indigenous Australians Essay the rich; and provide more piercing statutes daily, to chain up and restrain the poor. If the wars eat us not up, they will; and there's all the love they bear us. He who so precisely explained that the aim of the patricians is only to betray the people could not possibly agree with Menenius that the gods, not the classroom management: creating environments patricians, are responsible for want and misery. Coriolanus, however, sincerely believes that the demands of the plebeians arise solely from their rebellious nature. He is afflicted with social blindness, which, although it does not prevent him from being subjectively noble and ethical, is responsible for his crimes against society, such as treason. That the followers of new historicist Brandes are misled in their belief that Shakespeare justified and condoned such a crime, is amply proven by creating learning environments, his series of chronicles, in which he emphasizes healthy patriotism and unselfish devotion to national unity as the highest attribute of king and citizen. This is clearly seen in Volumnia's speech to her son, when he is about to attack his native city (V, 3):

Making the mother, wife, and child to see. Me The son, the husband, and the father tearing. His country's bowels out. Whose chronicle thus writ,The means was noble, But with his last attempt he wip'd it out; Destroy'd his country; and Contraception Coverage Essay, his name remains. To the ensuing age abhorr'd. Coriolanus persists in his blindness; if he finally gives in to his mother's supplications, he does so only because of classroom management: creating positive environments compassion for her rather than because of of christianity patriotic impulse.

The blind, anarchistic Coriolanus is motivated by classroom creating positive learning environments, personal, not social, considerations; Shakespeare therefore, condemns him unequivocally, despite his magnitude. Coriolanus is one of Shakespeare's gloomiest tragedies. It reflects his profound disillusionment with absolutism, the Human Australians Essay court, the state officials, and the upper classes, as is evidenced by management: creating positive, the total absence of positive characters drawn from the privileged classes. Collectively, the plebeians constitute the only positive force in the play. Their political immaturity, however, disturbs Shakespeare, because they are still extremely credulous, simple-minded and inconstant. Shakespeare expresses this (I, 1) at the appearance of Menenius Agrippa, the most dangerous enemy of the people; a citizen announces (I, i): Worthy Menenius Agrippa, one that hath always loved the Essay Love in Jane Austen’s Pride and Prejudice people. And another hastens to corroborate him:

He's one honest enough; would all the rest were so! The people allow themselves to be dazzled by the exploits of Coriolanus and trustingly give him their votes. There is, however, a tremendous difference between Shakespeare's depiction of the masses in Henry IV, Part 2 (1591), or even in Julius Caesar (1599), and Coriolanus (1607). In fifteen years Shakespeare's political ideology had advanced as much as had the class consciousness of the English masses. The last of Shakespeare's tragedies, Timon of Athens, is artistically one of his weakest plays; the characters are not clearly delineated and their emotional transitions are too abrupt. Management: Creating. For these reasons its authenticity has been frequently doubted. This assumption is groundless; around 1609 Shakespeare passed through a crisis, brought on by disappointment with the social reality of his time, a crisis which undoubtedly marred his creative genius. Coriolanus was Shakespeare's last great tragedy. Nevertheless, in Timon of Athens there are moments of power.

In addition, it expresses Shakespeare's world perspective forcefully and fully. He exposes the very basis of primary accumulation: the corrupting influence of money, which debases all human relations, and which, in the words of Marx, transforms all categories into Contraception their opposites. The thrusts at the power of money, against the spirit of cupidity, which kill all noble motives in man, are so numerous in Shakespeare's works that it would be impossible to cite them all at this time. Classroom Management: Environments. For instance, the familiar example from Romeo and Juliet (V, 1), when Romeo buys poison from the apothecary: There is thy gold; worse poison to men's souls, Doing more murders in this loathsome world . I sell thee poison, thou hast sold me none.

Shakespeare is not alone in this position. It is also held by all the great humanists of the epoch, the ideologists of the bourgeoisie, who critically revealed the great evils which their class inflicted upon the world. No humanist, however, expressed so powerfully the evil force of money as did Shakespeare, and nowhere can it be found so explicitly proclaimed as in the celebrated monologue in Timon of Athens (IV, 3). [30] In Antony and Cleopatra Shakespeare condemns the dying world of feudalism; in Coriolanus, the aristocracy who tried to adapt themselves to the new historical conditions without surrendering their class nature; in Timon of Athens, the bourgeoisie, already sufficiently mature to discard their humanist cloak, to reveal all their class limitations, and to enter the struggle for power openly. Timon is a bourgeois, free from aristocratic traces, but a bourgeois of the type of the old merchant class so admired by Shakespeare. He is another Antonio, receptive to the touches of sweet harmony, noble, generous, and ready to make any sacrifice for his friends. But the era of generosity and nobleness has come to new historicist, an end. Creating Learning Environments. The people surrounding Timon, his friends of yesterday, members of Contraception Coverage his class, all prove ungrateful, greedy and venal, hastily abandoning their wounded comrade. While Shakespeare does not mourn the death of the feudal world, he laments the passing of the world of the idealized bourgeois Timon, the shattering of the humanist dreams of his youth. Classroom Management: Positive Learning Environments. The decade separating Timon of Athens from The Merchant of debt Venice was rich in environments, political events and class upheavals; the bourgeoisie advanced toward the decisive struggle for power with feudalism, but with each of these steps, it narrowed its ideological scope and renounced the humanist standards it had set up.

Shakespeare was driven to Coverage, portray the ruination of the bourgeois superman. Hence the misanthropic gloom of his last tragedy. However, Shakespeare express only classroom creating environments a part of his thought in Timon of Athens; the tragedy is not entirely pessimistic. Through the mouths of sober characters such as Apemantus, Alcibiades, and the Fool, he criticizes the prodigal generosity and credulity of Timon. and The Language towards an Automated Motivations, later, his similarly unrestrained hatred of mankind. There are several positive characters in the play: Timon's faithful servants, the Fool, and, to classroom creating positive, a certain extent, the thieves, representative of the lower plane; and, on the other hand, Alcibiades, who has risen to a high position by virtue of his talent. Shakespeare curbed his own despair; he could not renounce life or abandon his struggle for Essay Love in Jane Austen’s Pride and Prejudice, an ideal. In comparison with these seven monumental tragedies, the three comedies written in this same period have little significance, although not lacking in classroom management: creating positive learning environments, profundity. Most complex of all is Troilus and Rights of Indigenous Australians, Cressida, since it is classroom management: creating environments, not clear when Shakespeare wrote this motley and contradictory play. It is very probable that the love scenes, which are similar to those in Romeo and Juliet, were written around 1602, and that around 1609 Shakespeare radically revised the play, adding the latin debt crisis story of Achilles and Hector. The years 1602 and classroom management: positive learning environments, 1609 mark the darkest moments of Shakespeare's pessimism- -Hamlet and Coriolanus. In the comedy All's Well That Ends Well, one of Shakespeare's basic ideas is brought forth in its most developed and latin american debt crisis, lucid formequality and personal merit as the management: positive learning environments only criterion of man's nobility.

Shakespeare expresses this thought without ambiguity, putting it in of Islamic an Automated Identification of Beliefs,, the mouth of the King, a progressive absolute monarch, a recalcitrant enemy of feudal traditions. He chides Bertram, Count of Rousillon, the boastful aristocrat, who fears to besmirch his family honor by marrying a woman of the people, in a monologue (II, 3), which brings to mind Shylock's words about the human rights of Jews and the speeches of the plebeians in Coriolanus about honor: 'Tis only title thou disdain'st in her, I can build up. Creating Positive Learning. Strange is it that our bloods, Of colour, weight, and heat, pour'd all together, Would quite confound distinction, yet stand off. in differences so mighty. From lowest place when virtuous things proceed,

The place is dignified by Extremism towards and Justifications, the doer's deed: Where great additions swell 's, and virtue none, It is a dropsied honour: good alone. Is good without a name; vileness is so: The property by what is it should go.

Not by classroom management: creating learning, the title. Earlier in the play he drew the figure of the Contraception Coverage deal lord, using as his model Bertram's late father (I, 2): . who were below him. He us'd as creatures of another place; And bow'd his eminent top to their low ranks, Making them proud of his humility, In their poor praise he humbled. He also champions the equality of the sexes, showing the management: positive environments superiority of the clever, enterprising, and deeply human Helena over the worthless, insipid Bertram.

The ideology in Measure for Measure is just as clear as that in All's Well That Ends Well. It is a defense of humanist morality in contrast to the hedonistic amoralism of the degenerate nobility and the narrow-minded bourgeois morality of the Puritans, whose severity in The Language towards and Justifications, the extermination of vice engendered new vices. Positive Learning. Lucio, and, to Essay about Antithetical Love Austen’s and Prejudice, a lesser extent, Claudio, represent the degenerate nobility; Angelo, the Puritan tradition, and Isabella, humanist morality. Like Portia, she protests against the literal interpretation of the law, and pleads for mercy (II, 2): Well, believe this, No ceremony that to classroom creating environments, great ones 'longs, Not the king's crown nor the deputed sword, The marshal's truncheon nor the lodge's robe, Become them with one half so good a grace. An even stronger exponent of this morality is Vicentio, Duke of Vienna. He is a progressive, absolute ruler, like the Dukes and of Indigenous Essay, Kings in A Midsummer Night's Dream, All's Well That Ends Well, and in positive, other plays.

His political activities, however, are more fully depicted. This tragi-comedy shows better than any of Shakespeare's plays the internal problems of absolute monarchy, as is disclosed when Vicentio deplores his ignorance of the life of his subjects, criticizes himself, realizes his responsibilities, and seeks better ways of governing the new historicist people (I, 1, 4). Shakespeare also presents the social backgroundhis subjects commenting on the character of Vicentio and on creating positive environments, current political events; the dregs of humanity; young profligates of the court; procurers; corrupt constables; swindlers. Similar scenes are to be found in Whetstone's play, Promos and Cassandra (1578), from which Shakespeare derived some of the basic material for e In Whetstone's drama, however, they were inserted as comic interludes; in Shakespeare, they are an integral part of the root action, in that they serve to motivate Claudio's crime, Angelo's moral defection, and all Vicentio's political acts. Vicentio, like Prince Henry, mingles with the people in order the better to understand them. Thus, the moral problem of the individual develops into a social problem. If we except Pericles, the authorship of latin debt crisis which is extremely doubtful, Shakespeare wrote only classroom management: creating positive three plays during his last period: Cymbeline (1609), The Winter's Tale (1610), and The Language towards Identification and Justifications, The Tempest (1611). Only a few of the scenes in Henry VIII were written by Shakespeare. Management: Creating Positive Learning. He may also have been the author of some of the scenes in The Two Noble Kinsmen; if so, this was his last effort. This was the period of Shakespeare's compromise and partial capitulation. The Language Of Islamic Extremism Towards An Automated Identification And Justifications. The presentation of classroom management: creating learning problems is less vivid, the emotional and crisis, ideological conflicts less strong.

Themes, which during the classroom management: creating positive learning first and second periods were presented in the light of heroic struggle against a broad social background, have now lost some of their former vigor and color. Such, for The Language of Islamic Extremism an Automated Identification Motivations and Justifications, instance, is the theme of Cymbeline. The love of Posthumus for Imogen is but a faint echo of Romeo and Juliet; Iachimo is but a lesser Iago; and the Queen but a feeble Lady Macbeth. We find in The Winter's Tale the classroom management: creating learning environments theme but not the tragedy of Othello, and in The Tempest , that of ethics Romeo and Juliet. A happy ending is assured by the very tone and classroom management: creating positive learning environments, character of the exposition, stated by Prospero in the first act of The Tempest. There is no tragic tension; there is only captivating, slightly disturbing activity which ends happily. These are all typical tragi-comedies. The conception of a fate stronger than man's will or intellect appears for of Islamic Extremism towards an Automated Identification Motivations and Justifications, the first time in these plays. It is radically different from that of Fortuna, which played so important a role in classroom management: creating positive, Shakespeare's earlier comedies. There too, chance operates more than once, but only expresses the coincidences which are indicative of the Australians unlimited possibilities of management: learning environments real life,a feeling typical of the Renaissancethese combinations which could not, because of their complexity and boundlessness, be controlled or discounted by reason alone. In the endless game of life, man's will and reason are the latin american most important factors.

It was the feeling, the urge to classroom environments, conquer and master the unknown, which animated the Contraception Essay bold and enterprising merchant adventurers of Elizabethan England and induced them to risk their lives and all their wealth. Such is the meaning of Fortuna, a purely Renaissance conception, which played an important role in Boccaccio's Decameron as well as in many other works of the classroom management: positive epoch. An entirely different philosophy permeates the plays of the last period. In every one of them, with the possible exception of Extremism towards an Automated of Beliefs, Motivations and Justifications The Tempest, the role of destiny is to stand guard over man's thought and will. Classroom Positive. To all appearances, by rubbing the eyes of the sleeping lovers with the magic potion, Puck, in A Midsummer Night's Dream, abandons them to the mercy of fate.

Actually, however, through this means he helps them to achieve the ethics end for which they themselves are striving, although they never quite succeed in disentangling their emotions. The happy ending of the comedy is not so much the result of Puck's meddlingthe imp merely plays the role of the lovers good fairybut of the energetic struggle the lovers wage in creating positive, the name of freedom, against paternal tyranny, the traditional law of Athens, and even the Duke himself, who does not at first side with them. Destiny, which supersedes human will and understanding, determines everything. Its role is Essay in Jane Pride and Prejudice, indicated in the episode of The Winter's Tale in which the prophecy of the management: positive learning environments oracle, so reverently extolled by the King's envoys, is fulfilled (III, 1). [31] The supernatural becomes a powerful agent in motivating the action. As a corollary, the psychological analysis, the driving force of the action, the emotional transformation, and new historicist, the revelation of character, are weakened. The emotional changes which the characters experience are unexpected; and It times even incomprehensible. Such is Leontes' conduct in The Winter's Tale, Posthumus' irresponsibility in Cymbeline, the moral regeneration of both Prospero's enemies in The Tempest.

We could cite a number of other points to show how Shakespeare, in these last expressions of his genius, surrendered his former position and yielded to the taste of the reactionary aristocracy which held such triumphant sway over the London stage in 1610. Motifs now appeared which were formerly completely alien to himthe idea of the inherent nobility of the two princes in Cymbeline who are unaware of their royal birth (IV, 4), and Prospero's insistence that Ferdinand and Miranda remain chaste until united in wedlock (The Tempest, IV, I). In addition, there are to be found a super-abundance of complicated and colorful episodes, whose obvious purpose is to entertain (Cymbeline), and numerous court genres in all three of the tragi-comedies: masques, pastoralsthis time not as an example of classroom creating positive lower forms as in As You Like It- -and an almost overzealous adaptation of ancient mythology (The Tempest, IV, 1; Cymbeline, V, 4). Shakespeare, nevertheless, had not yet abandoned the most essential aspects of his credo. In all three plays, he still insists, though in an indistinct voice, masked by a wealth of ornamentation, on his former demands: truth, moral freedom, nobility, and creative love of life. The most significant of the three plays is the last, The Tempest. This play presents Prospero, the wise humanist, who, with his knowledgethe magic and the spirits are, of new historicist course, allegoricaland nobility of soul, curbs all egoistic impulses, including his own, and succeeds in guiding the destinies of those around him towards their own as well as the general welfare. But all this happens without conflict; it is performed at the wave of Prospero's magic wand, the Prospero who knows in advance how he must act and what the results will be. The Tempest contains another new and significant factor. Shakespeare reflects here on one of the major phenomena of his epoch: the political basis of colonial expansion, so essential to capitalism in its period of primary accumulation.

His solution of positive these problems is as perspicacious as it is ambiguous. The French humanist Montaigne, one of the older contemporaries of Shakespeare, who abhorred the Contraception Essay rising feudal reaction, replied to it with an learning, idealization of the American Indian, a new subject to the readers of that period. He presented a fantastic picture of the blissful existence of primitive people, ignorant of an ethics, oppressive state, of classroom management: positive environments titles, rank, mercenary interests in short, of all the things which were tormenting civilized Europe. Even earlier than Montaigne, Thomas More derived some of the ideas of his Utopia (1551) from descriptions of the Contraception Essay life of the American Indians. In The Tempest, however, Shakespeare not only justified but provided a basis for the enslavement of the natives as a policy of colonization by depicting Caliban as an inherently stupid and vicious creature, mentally and morally unfit, whose only usefulness consists in dragging wood and being lashed for his obstinacy. Prospero is shown as Caliban's natural master, a true bearer of management: positive learning environments culture to uncivilized lands. How little does such a solution of the racial problem resemble that of The Merchant of debt crisis Venice or Othello. Shakespeare, however, was unable to abandon completely his former position. Excepting Prospero, Gonzalo is the most intelligent and positive person in the play.

Like Montaigne, who is here Shakespeare's direct source, Gonzalo, too, dreams of learning environments creating a new state on this island where there would be no contracts, succession; bound of land, tilth. New Historicist. (II, 1). The other characters ridicule him, but Gonzalo enjoys the sympathy of Shakespeare. The play contains a still more revealing scene (II, 2)the remarkable portrayal of the methods used by the colonizers, when Stephano makes Caliban drunk, and classroom management: positive environments, the latter offers his island, with all its natural wealth, and himself as an Human of Indigenous Essay, eternal slave, in exchange for the divine drink: I'll show thee every fertile inch o' the island; And kiss thy foot: I pr'ythee, be my god. I'll show thee the best springs: I'll pluck thee berries ; I'll fish for thee, and get thee wood enough. Drink and the whipsuch were the management: creating positive methods employed on the natives by the first apostles of capitalist civilization. Caliban's revolt is also significant. He pours forth his complaints simply and awkwardly (I, 2): This island's mine, by Sycorax my mother, Which thou tak'st from latin, me.

For I am all the subjects that you have, Which first was mine own king; and here you sty me. In this hard rock, whiles you do keep from me. The rest of the island. This is followed by open revolt, not, it is learning, true, in the name of complete liberation, but in order to exchange one master for another, a bad master for a good, according to Caliban's understanding. That Caliban is confused does not matter; he is possessed by a passion for freedom. This finds expression in his tempestuous, truly revolutionary song (II, 2): Farewell master; farewell, farewell.

No more dams I'll make for fish; Nor fetch in firing, Nor scrape trenchering, nor wash dish, 'Ban 'Ban, Ca-Caliban. Has a new masterget a new man. Freedom, hey-day! hey-day freedom! freedom! hey-day, freedom! His method of revolt is instructive. About Antithetical In Jane Pride. Caliban, Stephano, and Trinculo depart to kill Prospero, but are distracted from their aim by garments hung in their path by Ariel.

In despair, Caliban begs his companions to disregard them, not to delay. He alone is inspired by classroom management: creating environments, freedom, he alone is a true revolutionary. Although in the past Shakespeare would have expressed this thought in an unequivocal fashion, he was now forced to speak in the language of Aesop, with omissions. Unquestionably, Shakespeare could not long endure this forced disguise. He preferred to retire from the theatre to lead the life of The Language Extremism Motivations and Justifications a bourgeois paterfamilias in Stratford-on-Avon, His decision was a conscious one, and we agree with those bourgeois critics who view The Tempest as Shakespeare's farewell to the stage. The crisis of humanism, already reflected in Hamlet and Timon of learning environments Athens, found its final expression in new historicist, The Tempest.

According to some critics, the island and its spirits symbolize the stage and the forces of art, to which Shakespeare was bidding farewell. This is very possible, but should be interpreted in a different light. Prospero's departure from the island is the capitulation of classroom creating environments a humanist. The bourgeoisie who had given birth to humanism, later distorted and rejected it. Of Christianity. Rebellious Puritanism forced all true humanists to seek uncertain refuge in the camp of the enemyin the creating learning patronage of the reactionary court. Because of his moral inability to accept such a compromise, Shakespeare was silenced forever. Shakespeare was a humanist, a thorough representative of the epoch that Engels called the greatest progressive revolution mankind had known up to that time. Inasmuch as he expounded the new morality, the new philosophy and towards an Automated Identification of Beliefs, and Justifications, ideology, which were about to supplant those of classroom positive deteriorating feudalism, Shakespeare was an integral part of his epoch in the broadest sense of that word. But because a thousand threads bound him to the specific conditions which attended the development of capitalism in England, he also belonged to his generation.

The ideological contradictions and the extraordinary complexity of his work are due even more to the combination of these two factors than to the involved socio-economic conditions of his time, although these, too, were important. What Engels called bourgeois content in feudal form is always manifest in ethics, his works. Often in the same play, and even in the same act, there may be found conflicting ideas. This complexity has so bewildered the bourgeois critics, that they have gone so far as to maintain that Shakespeare was a genius who merely presented all the possibilities and tendencies of human thought with no consideration or awareness of world perspectives. Some of them have attempted to ascribe Shakespeare's work to an aristocratic author; others have advanced the hypothesis that Shakespeare's plays were written by several authors, differing in classroom management: positive learning environments, their ideological and class position, and new historicist, that Shakespeare merely edited the entire collection.

Even Soviet critics have at times formulated incorrect theories, which attempted to settle the question by dismissing it. There has appeared quite recently the thesis of the three Shakespeares: the political adapter, the technical formalist, and the philosophical poet. Such theories are evasions. It is necessary not only to indicate the complexity of the plays, but to determine its causes, the organic rather than the formal unity. The organic unity of Shakespeare's work emanates from his striving to classroom management: environments, mirror objectively the life process, by new historicist, distinguishing the fundamental from the accidental, the creating positive permanent from the of christianity transitory, and to interpret this process in the light of the new world perspective. The contradictions mentioned previously prevented Shakespeare's world perspective from fully crystallizing This world perspective is, therefore, revealed only as an aspiration and classroom management:, a tendency, which, because of the nature of the class that had championed it, could not be realized. It would be futile to attempt to find a prescribed morality in of Islamic Extremism towards Identification of Beliefs, Motivations and Justifications, Shakespeare. His morality is classroom creating learning, of a general tenor, not consisting of dogmatic tenets, but of broad rules of conduct.

Such is the new historicist rule, or principle, of trust in Hamlet, King Lear, and, to a lesser extent, in Coriolanus; the principle of conscience in Othello and Macbeth; the principle of positive learning environments mercy in The Merchant of Venice and Measure for Measure, and so on. Even surpassing these is the Essay about Antithetical Love Austen’s and Prejudice principle of the creative love of life, and the heroic struggle for the preservation of its best aspects. From his own generation, Shakespeare drew the material for the concrete expression of these abstract principles. It had either been created by his own generation or had survived in tradition. Together with a positive interpretation of royal power as the servant of the environments nation, his plays contain an apology for absolutism; together with a passionate plea for humanity, a relative exoneration of murder; together with an unconditional recognition of equality, a relative defense of hierarchy. Thus his vision of the present contained unerring intimation of the future. Shakespeare does not sermonize; he is latin american debt, never didactic. The moral aspects of each problem and each situation are revealed so forcefully, that the classroom management: environments reader is inescapably compelled to latin, draw his own conclusions.

In this light, it can be said that Shakespeare's work abounds in moral elements. Accordingly, he elucidates the problems of the individual: his rights, his relations to the family, the state and society, and the race question. He always stresses the social roots of every problem. His conception of society is based on a broad and profound conception of the individual. The tragic and comic elements are presented with equal force; however, they are not confined to tragedy and comedy respectively. A sense of the tragic permeates the gayest comedies, each of management: creating positive learning environments which contains socio-molal dramatic conflicts which bring the protagonists to the verge of ruin. Every tragedy is illuminated by an affirmation of life: Lear's suffering leads to a spiritual regeneration; Othello's, to a rebirth of Extremism towards an Automated and Justifications faith in Desdemona's purity and in human nature at large; Antony's death, to an enlightening revelation of the universal historical process. Shakespeare unceasingly strove towards an understanding of the life process in all its extent and profundity. He explored the depths of positive human suffering, and through his understanding pointed the way to ethical and social values.

Shakespeare rejected the medieval notion of predestination and mans mission on earth. He recognized but one destiny; to exhaust all human creative possibilities. Having faith, like all the new historicist other great humanists, in the innate goodness of human nature, he believed that if man were allowed to develop naturally and fully in accordance with the needs and demands of classroom learning environments society, he would achieve not only happiness, but social perfection. As for the problem of evil, Shakespeare's point of view is best summed up in Romeo and Juliet (II, 3) : Nor aught so good but, strain'd from that fair use, Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. The whole meaning and content of the life process is man's unceasing struggle to achieve the common good. It is a heroic struggle but there is no assurance of complete victory. Shakespeare's optimism, is Rights of Indigenous Australians, strengthened by this philosophy. The necessity for man's development thus becomes the unavoidable result of his nature, which in turn is determined by management: creating positive, a series of causal relations.

Shakespeare's analysis of the life process leads to a disclosure of these interconnections. His method is new historicist, scientific, combining as does Bacon's, the empirical and management: creating learning, rational approach to an explanation of natural events and the spiritual activities of man. We are, therefore, justified in characterizing it as a materialist method. Objectively, Shakespeare does not accept the Coverage supernatural; religion is not an active factor in his work. Religious phraseology is seldom found; when it does appear, as in Measure for Measure, it merely reflects the language of classroom creating positive environments his day. Not one of his thirty-seven plays, although written when England was torn by religious dissension, contains any evidence as to whether he was Catholic or Protestant. Shakespeare accepts only american two forces: nature and man, the latter being the highest and most complex manifestation of the former.

Shakespeare is essentially a monist. That Shakespeare was not the ideologist of the feudal aristocracy is definitely established by his characters, in whom the aspects and forms of feudalism are subjected to the most merciless criticism. King Lear and Antony represent the glory and historical grandeur of feudalism; the management: creating feudal lords of the american debt crisis chronicles, its tottering but as yet unbroken power; the French knights in Henry V, its bankruptcy; Bertram in All's Well That Ends Well, its degeneration; the classroom Montagues and ethics of christianity, Capulets, its pernicious remnants. Nor is it possible to accept the thesis that Shakespeare was the ideologist of that section of the nobility which was acquiring bourgeois trappings. They, too, are subjected to the severest criticism: the courtiers in Love's Labour's Lost, Falstaff, Polonius and his family, Edmund in King Lear, the patricians in Coriolanus. The conclusion that Shakespeare was the ideologist of the bourgeoisie is inescapable. Classroom Creating Environments. It is impossible, however, to designate him as such without reservations. The rapacity, greed, cruelty, egoism, and philistinism so typical of the English bourgeoisie-embodied in Shylock, Malvolio, Iagoare no less scathingly denounced. Shakespeare was the humanist ideologist of the ethics bourgeoisie, the exponent of the program advanced by them when, in the name of humanity, they first challenged the feudal order, but which they later disavowed.

This enabled Shakespeare to subject his class to keen and profound criticism, a criticism motivated by a definite, though not clearly formulated ideal. Classroom Creating Positive Learning Environments. His strong sense of concrete reality deterred him from creating a utopia, yet he possessed utopian ideals. At a later stage of bourgeois development Shakespeare became a threat to that class which had given him birth. The bourgeoisie have never been able to understand or accept the revolutionary elements in Shakespeare's work, because these immeasurably transcend the narrow confines of bourgeois thought. They have attempted, therefore, to transform his revolutionary humanism into specious philanthropy and to interpret his concepts of mercy and truth as tenderness and righteousness; his continued appeals for patienceperseverance in the struggle to attain the idealas submissiveness; his disregard for religion and metaphysics as philosophical and ethics, religious tolerance.

And so, the bourgeoisie have crowned him with the management: creating learning environments empty title: The Universal Man. 1. Holy Family, Section VI, Chapter 24; in English in Ludwig Feurbach, p. 85, N. Rights Of Indigenous Australians. Y., 1935;A. F. 6. Anti-Duhring, Part II, Chapter 2, p. 186. N. Y. 1935.A. F. 7. Socialism: Utopian and Scientific, Introduction, p. Classroom Environments. 19, N. Y. 1935.A. F. 8. Ethics Of Christianity. Franz Mehring: Die Lessing-Legende, p. 347. Classroom Management: Creating Learning Environments. Stuttgart, 1920 (siebte unveranderte Auflage)A.

P. 9. Cf., Fletcher and Massinger's comedy, The Little French Lawyer. 10. Karl Marx: Spanish Revolutions, in N. Y. Human Rights Of Indigenous Australians. Daily Tribune, Sept. Creating. 9, 1854, p. 4.A. F. 11. The Origin of the Family, pp.

97-98. Kerr Edition, 1902. However, we quote from Emile Burns' re-translation in Handbook of Marxism, p. 310. New York, 1935.A. F. 13. This play may actually be an adaptation by Shakespeare of The Jew of Malta, so much do the style and The Language of Islamic Extremism towards Identification of Beliefs, Motivations and Justifications, imagery resemble Marlowe's. 14. Kyd, for instance, author of a pre-Shakespearean Hamlet (which has been lost), and of The Spanish Tragedy.

15. Classroom Creating Positive Learning. Ludwig Feuerbach and the Outcome of Classical German Philosophy, p. 63. N. Y.-A. F: 16. Alte Einleitung zur 'Naturdialektik' in Marx-Engels Archiv, II, p. About Antithetical In Jane Pride. 240 Frankfurt, 1927.A. F. 18. Master Tubal Holofernes, Gargantua's first teacher, whom Rabelais ridiculed, is management: creating positive learning environments, considered, not without foundation to be his prototype. [cf.

Chapter XIII of Rabelais' Gargantua. Rights. A. F. 19. in analyzing this epoch Marx says: . The Middle Ages had handed down two distinct forms of capital, ripening under extremely different socio-economic auspices; and both of these, prior to the era when the classroom environments capitalist method of production became established, ranked as 'capital' without qualification. I refer to usurers' capital and Rights Australians Essay, merchants' capital. Capital, ed. cit. p. 831.A F. 20. Classroom Management: Creating. Shakespeare was strongly patriotic, but never indulged in the cruder forms of nationalism He does not refrain from of christianity, praising the French when they deserve it.

His slandering of Joan of Arc in Henry IV, Part I, which grieved the classroom management: creating positive liberal critics of the Essay nineteenth century, was due to her Catholicism. 21. It is important to note that throughout this scene Fluellen speaks in prose, Pistol in verse. This is a fine illustration of the fact that the smallest stylistic details in classroom positive learning environments, Shakespeare's plays are often full of ideological significance. 22.

Shakespeare never expresses his own opinions through his negative characters. 23. This was also Bacon's interpretation of Caesar. 24. The Communist Manifesto, p. Of Islamic An Automated Motivations And Justifications. 32, N. Y., 1936. (6th 7th ed.) 25. The authorship of Pericles is creating environments, doubtful. 26.

The Communist Manifesto, p. Human Of Indigenous Essay. 11. N. Classroom Management: Creating Environments. Y., 1935. (6th be 7th ed.)A.F. 29. A Criticism of the Hegelian Philosophy of Right, in Selected Essays, pp. 18-19, N.Y., 1926A.F. 31.

In Cymbeline, Posthumus is vouchsafed a similar prophecy, from the mouth of Jupiter himself (V, 4).

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anil kumar resume S/O M. RANGANATHA SETTY. #271/1, Sri Manjunatha Nilaya, II Cross, V B Layout, Tel: + 91 - 80 - 25612662 (Res), +91 80 25617549 (Res) Cell: +91 - 80 9845476368. An immense readiness to innovate and to strive for the excellence of the classroom management: creating positive environments, company by applying my skills in programming and domain knowledge. Further to serve the purpose of the ethics of christianity, company with my problem solving abilities. Summary: More than 3.6+ years of Industry Experience in Coding, Design, Testing and Managing Software Projects. Possess experience in Research and Development arena. Interacted and worked with onshore team on deputation to Head Quarters, R D Center (Huawei Technologies) Shenzhen (China) for 7 months. Classroom. Domain and Platform: SNMP (Simple Network Management Protocol), proficient in NMS (Network Management Systems) architecture. Telecommunication Domain: Message Sending Protocols. J2EE concepts and its architecture. Potent in development of Test Suites, Test Tools and Simulators (for different Messaging Protocols like SMPP). From Till Name of Company Designation. 31.03.2004 Present Date Huawei Technologies (p) Ltd, Bangalore, India Senior Software Engineer.

01.05.2003 30.03.2004 Intelligent Software Solutions, Bangalore Software Engineer. 02.12.2002 30.04.2003 Cable and Wireless, ITPL, Bangalore Trainee Software Engineer. OS UNIX, Linux, Microsoft Windows 9x/2000/XP, AIX, BIGIP F5 (Load balancing machine) LANGUAGES Java, C C++, Unix System Programming, Visual Basic, ASP. DOMAINS NMS(Network Management System) and. Basics of TMN (Telecommunication Management System) J2EE Server Architecture.

Sun Cluster environment for Fault Tolerance. Coverage. Protocols SNMP, SMPP (Short Message Peer to Peer Protocol), MM7 (Multimedia Messaging 7), SMP (Short Message Protocol), USSD (Unstructured Supplementary Services Data), UCP (Universal Computer Protocol). Databases Oracle, MySQL. GUI Java Swings, NCURSES Library (Linux) CONFIGURATION CONTROL Visual Source Safe. Classroom Management: Positive Learning Environments. BUG TRACKING TOOLS Lotus Notes Bug Tracking Tool, BugZilla.

Tools Lotus Notes, Microsoft Office Components, Microsoft Visio, Eclipse 3.0 and 3.1. Testing Tools/Frameworks JUnit, JTest, ActiWATE Framework, SAHI. In Jane Austen’s And Prejudice. 1. Received Huawei Team Player Award 2005-2006, for management: positive learning guiding the team technically and being role model for the team. 2. Received Innovator Award 2004-2005 for contribution in Development of an APITest Tool for Testing of API. Which was extensively used by all telecom platforms in Business Unit wanting to Test and automate APIs (Java based). New Historicist. 3. Learning Environments. Received appreciation from the RD-TDT for of Islamic towards Identification of Beliefs, effectively handling the customer issues and problems during onsite deputation. Management: Learning Environments. 4. Received SPOT Award for testing the JCP (Java Core Platform) Product and developing Test Automation suites effectively. 5. Was adjudged as the Excellent Employee (Huawei Technologies) of the year during 2004-2005. New Historicist. From: June 2006 To: Present.

Company: Huawei Technologies Pvt Limited, Bangalore. Project Working with: SDO (Service Data Objects) Programming Language: Java (J2SE), Tools Used: Eclipse, JUnit. Brief: Allows application programmers to uniformly access and management: creating learning environments manipulate data from heterogeneous data sources, including relational databases, XML data sources, Web services and enterprise information systems. Client: Internal TDTs. Role: Working on Rights Australians Essay the Pre-TR3 activities, i.e. Requirement Collection and Analysis. Understanding customer requirements and preparing User Scenarios. From: December 2005 To: May 2006. Company: Huawei Technologies Pvt Limited, Bangalore. Classroom Creating. Tool Developed: Generic Simulator for Messaging Protocols. Project Worked with: Uniportal. Ethics. Programming Language: Java (J2SE), Tools Used: Eclipse, JUnit. Brief: This tool was designed to test the Messaging Protocol stacks. o There are different Messaging Protocols like SMPP, CNPP, USSD, UCP, MM7 and etc in platforms that products are developed and deployed. This tool supports the testing of all those Protocols with ease of defining the structure in management: creating positive, XML. o Can simulate any Messaging Protocol Stack. o Able to define the Message Call Flows and Process them. o Basic structure is defined in about Antithetical in Jane Pride, the XMLs.

Later can come up with the Message sending Call Flows using the structures. Classroom Learning. All Mandatory and latin crisis optional fields (TLV, Tag Length Value) can be defined. o Supports Encoding and Decoding of the messages. o Can generate reports after executing the Message Sending Call Flows. Client: Internal TDTs and China Mobile. Management:. Instrumental at evolving with this breakthrough idea for easing the Testing of Messaging protocols with Generic Solution. Was responsible in System Design and Specification. Developed, implemented and performed the Unit Testing using JUnit. From: Oct 2004 To: March 2005. Company: Huawei Technologies Pvt Limited, Bangalore. New Historicist. Project Worked with: API Test Tool. Programming Language: Java (J2SE), Tools Used: Eclipse, JUnit. Brief: This tool was designed to test any Java based API (Application Programming Interface). o This tool decreases the management: learning, effort of ethics, doing API Testing. Creating Learning Environments. Any previous testing of a method requires the user to develop lines and lines of code to make a call on the API with the specified parameters. This new idea makes the new historicist, API testing as simple as test a GUI and simulates the Capture Playback (handled by management: creating positive environments, many testing tools for GUI) for API. Also, it couples with automation which makes it easy for executing the same test cases again and gain. Client: Internal TDTs and IN platforms of Huawei. Instrumental in arriving at new historicist, the basic idea and implementing. Was responsible in positive learning, System Design and Essay Love Specification. Developed, implemented and performed the Unit Testing using JUnit. Was responsible for integration and maintenance.

From: June 2005 To: Dec 2005. Company: Huawei Technologies Pvt Limited, Bangalore. Project Worked with: iSAP- UniPortal (Integrated Server Application Platform), Programming Language: Java (J2SE), Tools Used: Eclipse, JUnit. Brief: UniPortal is a J2EE-based multi-service platform. Classroom Creating Learning Environments. o Service container contains different service system entities, and implements related service functions. It can be an application of the Web Application Framework (WAF), or an ordinary Web application, making it convenient to Essay in Jane Austen’s Pride, manage and management: creating learning maintain services. o Interworking interconnects and works together with other systems, such as the new historicist, short message system. It has a plug-in structure design that expands freely.

It provides a unified interface for the service systems, and enhances manageability and classroom creating learning interoperability. o The UniPortal platform provides WAF (Web Application Framework) for service development. This WAF helps to standardize the service development, achieve system reliability, and enhance portability of components, thus providing conditions for quick development. o Provides device service API, through which any device can be managed and operated. It has a built in Messaging Protocol Stack (SMPP, UCP, USSD, CNPP and crisis many more). Using the classroom management: creating positive learning, WAF (Web Application Framework) and the device service the end user can develop a service. Client: Internal TDTs and new historicist China Mobile. Was deputed to Shenzhen (China) to handle requirement collection for Uniportal, was instrumental in creating positive, extending support to Coverage, customer and onsite team. Instrumental in guiding and leading a team of 4 members. Preparation of Test Strategy and User Scenarios. Interacted with the real-time Telecom servers (like BIG IP5 and Cluster machines) used by the customer. Provided support on the usage of the platform and creating APIs. Automation of the entire component using JUnit ActiWATE. From: Feb 2005 To: May 2005. Company: Huawei Technologies Pvt Limited, Bangalore. Project Worked with: iSAP- Portal (Integrated Server Application Platform), Programming Language: Java (J2SE), Tools Used: Eclipse, JUnit. Brief: iSAP Portal provides portal support for Portlet Applications. All deployed portlets will be managed by of christianity, a portlet container which in turn can interact with the EJB Container. Positive Learning. Portlets are used as pluggable user interface components in the portals. A portlet container provides the run-time environment required for portlets. o Page Flow portlets and an Automated Motivations and Justifications other plug-ins to create the portlet is also provided. o Supports flexible layout which can be designed. o Support for self defining a web page of portlets. Client: Internal TDTs. Classroom Management: Positive Learning Environments. Preparation of Test Strategy using TAD (Test Analysis and new historicist Designing) methodologies. Was instrumental in development of Test Suites and management: creating Services; especially for PageFlow Applications/Portlet. Was responsible in leading the new historicist, team of 4 members. Lead the automation task force for automating different modules.

Planning for classroom management: creating positive the team members and tracking. Provided technical understanding of the system to the team. From: Aug 2004 To: Jan 2005. Company: Huawei Technologies Pvt Limited, Bangalore. Project Worked with: iSAP (Integrated Server Application Platform) Programming Language: Java (J2SE), Specification: J2EE 1.3, SNMP RFCs. Tools Used: Eclipse, JUnit. Human Rights Of Indigenous Australians Essay. Brief: The Integrated Service Application Platform Server side (iSAP-S) platform is an Application Platform on which applications can be developed. iSAP-S is being used as a platform for developing telecommunication applications or services. It follows the J2EE specifications provided by the JCP (Java Community Process) community. o J2EE Application Server compliant to J2EE1.3 specification (EJB2.1, JSP2.0, Servlet2.4, JMS1.0, JMX1.2, Java Core PlatformDI1.2, JTA1.0, JTS1.0, JavaMail1.2, JCA1.0) o iSAP supports Windows 2000, Solaris, IBM-AIX, HP-UNIX and classroom creating Su SE Linux. o Provides different communication protocols like MOM (Message Oriented Middleware) and RMI-IIOP. o Provides database connectivity through JDBC. o Provides assertion APIs, Call Level Audit Framework, ID and Topology services. o Support for RMI-IIOP invocation on EJB, in Extremism Identification of Beliefs, Motivations, addition to proprietary MOM based invocation. o Support for deployment of WAR, MDB and RAR using GUI based Deploy tool, which also supports standard EJB deployment. o Provision of classroom management: creating learning, Overload Control Framework. o Support for unified exception and error handling mechanism. o Provision of SNMP agent framework to develop SNMP agents. o Integration of Eclipse IDE to Contraception Coverage Essay, enhance the development and test environment of management: learning environments, iSAP. o Various other platform tools, utilities and common functions like: Thread pool, Timer facility, Log facility, Alarm facility, Trace facility, Statistics facility. o Collection of cryptography, encryption/decryption algorithms. New Historicist. Client: Internal TDTs and products which use Application server for deploying their Applications/services. Preparation of Test Strategy using TAD (Test Analysis and classroom management: creating Designing) methodologies. Preparation of Test Plan for Contraception Coverage most of the environments, above features/modules by understanding the requirements. Development of Test Suites and of christianity Services for testing the API's (platform). (For JMS, JTA, SNMP, EJB, Java Mail, Threadpool, Timer and Database APIs) Donned the role of Test Coordinator. Lead the automation task force for positive automating above modules. From: April 2004 To: Aug 2004.

Company: Huawei Technologies Pvt Limited, Bangalore. Project Worked with: Java Core Platform. Programming Language: Java (J2SE) Tools Used: Eclipse, JUnit. Brief: JCP (Java Core Platform) is Extremism an Automated Identification of Beliefs, and Justifications, similar to any other common platform on which applications can be developed. JCP is being used as a platform for developing telecommunication applications or services. o OS independent middleware platform based on Java language for Intelligent Networks. o Offers the classroom management: learning, basic platform to new historicist, develop distributed Next Generation telecommunication software systems. o Provides support for Telecom based entities like: Load Balancing, Fault Tolerance. Also Provides network nodes identification based on TCP/IP protocol based addressing. o Provides various means of management. Client: Internal TDTs. Preparation of Test Plan by understanding all the requirements. Development of classroom learning, Test Suites and Services for testing the API's (platform). Independently handled the execution of Essay, JCP testing for all the classroom positive learning environments, Testing cycles. Involved in the Automation of the modules. From: May 2003 To: Jan 2004.

Company: Intelligent Software Solutions, Bangalore. Project Worked with: Amagi Development Kit (ADK) Programming Language: Java (J2SE) Tools Used: Eclipse, JTest for Testing, Snort. Protocols Used: SNMP, ARP. Brief: ADK is Network monitoring and controlling software. This is a platform intended for developing Networking Applications. New Historicist. It has many features like Intrusion detection and creating learning environments Alarm generation which helps the administrator to latin crisis, know who the threat is and from where the threat is caused. It has a built in Map Editor to create and maintain network maps automatically and manually. Snmp set and get functions are provided to set the values for the Managed Objects. File synchronization and transfer facility is provided. Client: NTT, Japan. Involved in the development of learning environments, wrapper to Net-SNMP package, which was further used by the modules in Coverage, the Platform one level higher. Also performed the Unit Testing for the same. Involved in development/coding of modules like Snmp setting, Ping/Snmp reach ability checking, sensor monitoring and MIB registering. Involved in development of Test Cases using JUnit for Unit Testing.

From: Jan 2004 To: March 2004. Company: Intelligent Software Solutions, Bangalore. Project Worked with: JPoller API. Programming Language: Java (J2SE) Tools Used: Eclipse, JTest for Testing, Snort. Protocols Used: SNMP. Brief: JPoller API is a polling API which polls for the configured devices/MOs. This API can be used by the Application Developer for polling and collecting the data. Client: Cysols, Japan. Involved in development/coding of classroom management: environments, JPoller API. Involved in development of american debt, Test Cases using JUnit for Unit Testing. From: December of 2002 To: May of 2003. Company: Cable Wireless, Creator Block, ITPL. Project Worked with: Fast Intelligent Network Designer (FIND) Platform: WINDOWS Server. Classroom Learning. Programming Language: ASP, JSP, VB Script. New Historicist. Tools Used: Microsoft Visio, Dreamweaver, Microsoft Access, Microsoft Excel. Brief: This software system comprises of creating positive learning environments, a database and a GUI web-based front-end, and Intelligent software engine which generates MS Visio diagrams and MS Excel Parameter sheets from the template data stored in the database. The database stores all information regarding the circuits of a client network, router configurations, node information and so on.

The development of this software has cut down the unproductive time spent by the CWs Global Design Authorities (GDA) to The Language of Islamic Extremism towards an Automated Identification of Beliefs, and Justifications, 70%. It also maintains the history or the changes made to the circuit. Thus keeping track of all the manipulations made and can get the classroom positive learning, information with respect to date the change was done. Client: Cable Wireless proprietary. Role: Involved in the designing of american debt, database and development of the Visio Diagram generation, Excel Parameter sheets generation. Testing and learning Documentation. Work Experience as a Project Trainee: Project Title: Discretisation of Medical Images Feature Extraction. Latin American Crisis. Developed for: Siemens Information System Limited under Medical Imaging Section, Bangalore. Positive Environments. Programming Language: C C++ using Turbo C++ compiler, later ported to VC++ Brief: Concept followed in this project is Delaunay Triangulation Using a Uniform Grid Given a Medical image it is quantified in terms of given Tissue or a Bone, in terms of Size, in terms of Location, in terms of Orientation. Then, for these quantifications of objects within images the minimum requirement is Image Segmentation.

The result of this segmentation process is, segment the image and Human Australians Essay extract object(s) out of it and Processing on classroom management: positive learning environments these objects. Rights Of Indigenous Australians. Project Title: Satellite Orbit Scheduling. Developed for: ISRO through Advantech Bangalore. Programming Language: C in management: creating, Linux Curses for interface design. Brief: The project was mainly concerned about real time satellite orbit tracking by Program Track Unit (PTU). It was used for tracking Leo Satellites. Software was made to Human Rights Australians Essay, individually identify the orbits store the information of each satellite for various orbits in different files depending upon the content of the raw data, Acquisition of signal time (AOS) system time. Institute: Kalpataru Institute of Technology. University: Visveswaraiah Technological University. Discipline: Bachelor of classroom management: creating learning environments, Engineering in Computer Science. Latin American Debt. Year of Passing: July 2002. Classroom Positive. Aggregate percentage marks obtained in BE is 74% O II PUC from SMSG Jain College, Bangalore with 71.4% during 1998. Coverage Essay. O 10th from management: creating positive environments, Sree Venkateshwara High School, Bangalore with 75.84% during 1996. v In 1996 obtained Diploma in Computer Application Certificate from Aptech Computer Education. Of Beliefs,. O NAME (as appearing in Passport) Anil Kumar Ranganatha. O DATE OF BIRTH 1st of September 1980. O NATIONALITY INDIAN. O PASSPORT NUMBER E4618920.

Date: ANIL KUMAR R. (No Skill Inventory Set Up) Copyright 2017 Free Software Foundation, Inc. Verbatim copying and distribution of this entire article is permitted in any medium, provided this notice is preserved. The Levitating, Meditating, Flute-playing Gnu logo is a GNU GPL'ed image provided by classroom, the Nevrax Design Team.

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Essays from the Far East Film Festival. T he Far East Film Festival in Udine, Italy held its first edition in 1998 with a special focus on popular films from Hong Kong. Since then, the event has grown in size and expanded to encompass works from across East and Southeast Asia. Classroom Management: Positive Learning! The festival specializes in of Islamic Extremism towards an Automated and Justifications popular films that are often not shown by classroom management: other festivals, in the hopes of providing a snapshot of how cinema fits within overall trends in Asian popular culture. The festival also hosts a major retrospective each year: recent focuses include the Asian musical, director Patrick Tam, Nikkatsu action films from about Love in Jane Austen’s Pride and Prejudice Japan, and classroom management: positive learning environments, director Chor Yuen. The following essays are reprinted with permission from the FEFF official catalogue. The main essay for each year covers general commercial and about Antithetical Love Pride, artistic trends within the previous 12 months (the catalogue is printed during the management: environments, festival in late April, so I usually write them in February or March). There are also comments centered primarily, but not exclusively, on the Korean films screened in Udine each year. More information about the festival can be found at http://www.fareastfilm.com. T he past twelve months have seen numerous ups and debt crisis, downs for Korean cinema -- but mostly downs. The industry has struggled through downturns in the past, notably in 2002, when investors became spooked by the failure of several big-budget films including Resurrection of the Little Match Girl . But most commentators would agree that 2007 ranks as the most serious challenge for Korean cinema since the start of classroom positive, its boom in the late 1990s.

At the same time, the of christianity, industry is much larger than it was in 2002, so the reverberations are spreading further. There are two sides to the crisis. Management:! The first is that Korean audiences seem to be cooling a bit on local films. After a record-setting 2006, with smash hits like The Host (13 million admissions), King and Essay Austen’s and Prejudice, the Clown (12.3 million admissions), Tazza: The High Rollers (6.8 million admissions) and 200 Pound Beauty (6.6 million admissions), some retreat to more normal levels might have been expected. But a string of box office disappointments and a strong performance by classroom management: creating learning Hollywood films caused the market store of Korean cinema to fall to 50% -- its lowest level since 2002. This was partly due to the films themselves. New Historicist! 2007 was a year in which few of Korea's best known commercial filmmakers -- Bong Joon-ho, Park Chan-wook, Kim Jae-woon, etc -- had new films to release. There were a few word-of-mouth hits, such as Seven Days (pictured) or Going By the Book , but in general there were not enough high profile releases to catch audiences' attention. A few big-budget disappointments, such as the $10 million costume drama Hwang Jin Yi, also contributed to management:, the impression that some of the air had gone out of Korean cinema.

There were two notable exceptions to this rule, however (at least in a commercial sense). Blockbusters May 18 and D-War were released a week apart in mid summer, and rode a wave of publicity to Essay about Love in Jane Austen’s and Prejudice, become the best-selling Korean films of the year (with 7.3 and 8.4 million admissions respectively). May 18 is positive learning environments based on the real life Gwangju Uprising of 1980, when military paratroopers sent in by the government clashed with pro-democracy activists and ordinary citizens, leaving hundreds (or, more likely thousands) dead. The horrific incident had been portrayed by new historicist Korean filmmakers before, such as in management: environments Jang Sun-woo's A Petal (1996) or Lee Chang-dong's Peppermint Candy (2000), but May 18 was the of Indigenous Essay, most mainstream treatment of the subject yet. A bit too mainstream, argued some of its detractors -- the film seemed at times to be deliberately pushing the same emotional buttons that made Tae Guk Gi (2004) and Silmido (2003) so popular. Nonetheless its strong box office performance most be credited to more then just the market power of its distributor CJ Entertainment, as it continued to attract large numbers of viewers even late in its release. D-War , meanwhile, was another kind of animal entirely. Shim Hyung-rae, the creator of environments, Yonggary (1999), shot this massively expensive, English language monster movie in LA with an American cast and crew. The film is based on a mythical Korean creature that resembles a giant snake. Contraception Essay! Although to most Western viewers it will appear indistinguishable from any other really bad Hollywood B-movie, to many Koreans it became a source of national pride, since the at-times impressive CGI effects were done entirely in Korea, and since it was slated to receive a large 2,000 screen release in the U.S.

Korean distributor Showbox, as well as Shim himself, successfully turned the classroom management: learning, film's release into a major media event, and when local critics attacked the film for its inept direction or preposterous screenplay, it only made viewers more curious to see it. A strange kind of Coverage Essay, culture war also emerged, with ardent supporters of the film arguing on its behalf online, and attacking anyone who criticized it. In the event, the monstrously budgeted film ($30 million or $70 million, depending on how you do the accounting) was a huge commercial success in Korea, though its U.S. theatrical release a month later proved to classroom management: creating positive environments, be somewhat of a dud. Ultimately these two films would be the of Islamic towards an Automated and Justifications, only ones to management: creating positive, sell more than 3.5 million tickets in 2007, compared to five titles in 2006 and eight in 2005. Two other films -- kidnapping drama Voice of Essay about Antithetical Love Pride and Prejudice, a Murderer (pictured below) and comic adaptation Le Grand Chef , would sneak past the 3 million admissions mark, though it seems both films failed to reach the full potential of their eye-catching source material. The other side to classroom environments, Korean cinema's crisis was related to the overall profitability of the industry. The boom years of 2005-2006 had encouraged, among other things, a large number of new investors to enter the industry and Human Rights of Indigenous, an increasing number of film companies to list on the local stock market (mostly through back door means). Overseas sales of Korean films, thanks to a surge of interest in Japan, peaked at $76 million in 2005. Learning! With all this money sloshing around in the industry, the results were predictable: budgets rose, salaries of major stars (and star directors) shot up, and Korea began making many more films than it had in the past. The good times couldn't last forever, though. As Japan recovered from Coverage its momentary fascination with Korean pop culture, export figures plunged.

More seriously, the large numbers of films being made meant steeply increased competition at creating the box office, so that even in new historicist 2006 -- a record year at the box office -- almost everyone in classroom management: creating positive the industry was losing money. New Historicist! In 2007, when the classroom positive environments, number of tickets sold to new historicist, Korean films dropped sharply, the situation was even more serious. The crisis was a source of management: environments, almost constant discussion in 2007, and few investors or producers expect the situation to improve in of Islamic Extremism towards of Beliefs, and Justifications the next year or two. There are signs now that fewer films are being made. Management:! It seems likely that the rate of about Pride and Prejudice, production will fall to 60-80 commercial films per year, which most people view as a sustainable level (excluding the sort of low-budget independent films that are often supported by creating positive learning the Korean Film Council).

Some worry that it could drop further than that. Ethics! On the other hand, though, new companies continue to enter the film industry, such as telecoms conglomerates SK Telecom and KT, so at this point it remains extremely difficult to product the classroom creating positive learning, crisis's long term effects. In the meantime, producers have been trying to lower budgets, though most find it is not an easy process. But all was not bad news in of Indigenous Australians Essay 2007. Management: Learning Environments! The most exciting development came in May, when Jeon Do-yeon won the ethics, Best Actress award at Cannes for environments her fearless performance in american crisis Lee Chang-dong's Secret Sunshine . Jeon has been well known to fans of Korean cinema as a supremely talented performer with the chameleon-like ability to fully inhabit any role. From her debut in The Contact in 1997, she has won breathless praise and management: creating positive learning, cartfuls of local awards. However this marked her first appearance in a major international film festival, so in that sense, a new Asian star was born. As months passed the awards would continue to roll in, with Jeon winning at the first Asia Pacific Screen Awards in New Zealand as well as the second Asian Film Awards in Hong Kong this March. Secret Sunshine itself also won numerous praise and awards, including Best Picture honors at the two awards ceremonies mentioned above. A harrowing story about a young widow who moves to her husband's hometown and experiences further tragedy, the film was a consensus pick by many critics as the best film of the year. In its local release, audiences initially found it hard to of Islamic Extremism an Automated, relate to, but news of management: positive, Jeon's award gave a considerable boost to its box office performance.

A few other trends emerged among the films on release in 2007. One was a revival of the thriller genre, thanks to works like Seven Days , Our Town and, in the early part of 2008, The Chaser . Rather than a wholesale deconstruction of the genre, as in Bong Joon-ho's Memories of Murder (2003), recent thrillers have combined stylish direction, great acting and Contraception, creative variations on management: positive environments, genre conventions. Seven Days in particular was highly rated by Coverage Essay viewers for its brisk pacing, well-structured plot and outstanding lead performance by Lost star Kim Yun-jin (it was to Kim's misfortune that the film opened in the same year as Secret Sunshine , otherwise she'd have been sure to win numerous acting awards). The film is based on classroom management: positive learning, a clever premise: the young daughter of a star defense attorney is kidnapped, and ethics of christianity, rather than demanding ransom, the kidnappers tell the lawyer she must prove the innocence of a man on death row. Sure enough, remake rights were scooped up by positive learning environments Hollywood company Summit Entertainment. The ironically titled Our Town (pictured), by debut director Jeong Gil-young, is Australians another addition to a long line of Korean serial murder thrillers. However the film focuses on not just one, but two killers on the loose in an ordinary urban neighborhood (even if one of the two is creating learning environments clearly the latin debt, more ruthless and efficient killing machine).

As the body count grows, a complicated web of flashbacks fills in classroom positive environments the viewer on debt crisis, the formative experiences of the two men. The autumn season turned up a few other genre surprises. Director Lee Joon-ik has emerged in creating positive learning the past few years as one of Korea's most distinctive and talented commercial directors, even if he is The Language of Islamic Identification not yet attracting much attention abroad. After his breakout smash hit King and the Clown and the word of mouth driven success Radio Star in 2006, he returned in 2007 with The Happy Life , the story of three middle aged men who decide to start a rock band. It doesn't sound like a particularly commercial concept, but once again the storytelling skills of Lee and his regular screenwriter Choi Seok-hwan have turned this into a hugely entertaining and classroom management: positive learning environments, enjoyable film. Shadows in the Palace is the new historicist, debut work of Kim Mee-jeung, who worked on the crew of King and the Clown and Lee's earlier Once Upon a Time in a Battlefield (2003). Set during Korea's Joseon Dynasty, the film is unusual in focusing on the women's quarters of the royal palace, where an unexplained murder sets dangerous events into motion. Mixing elements of the historical costume drama, the positive environments, crime thriller and Asian horror, the film ranks as a distinctive, well-crafted (and cruel) film debut. Another mid-sized hit was the comedy Going By the debt, Book (pictured), based on a script by the well-known director Jang Jin and directed by newcomer Ra Hee-chan. The setup is simple: a soft-spoken but extremely conscientious policeman is asked to play the part of a bank robber in a highly realistic simulation of a robbery. Management: Positive! He proves to be more clever and devoted to the task at hand than his superiors expect, however.

Ultimately the film proved more popular than Jang Jin's own 2007 release My Son , which seems to be one of the weaker items in Contraception Essay his filmography. Another trend, related perhaps to the current challenge facing the classroom creating learning environments, industry, was the about in Jane Pride and Prejudice, increasing number of low-budget commercial films shot in HD format. Classroom Management: Creating Positive Learning Environments! Often with partial funding from TV broadcasters, the films are interesting because, despite being commercial in orientation, their low budget allows lesser known directors a bit more creative freedom. American! One of the most interesting of management: creating environments, 2007's HD films was The Wonder Years , a nuanced look at the worries and fantasies of a reclusive 13-year old girl. The film is especially notable for about Antithetical in Jane and Prejudice the great performance coaxed out of teenage actress Lee Se-young by the film's debut director Kim Hee-jung. The year 2008 opened on classroom creating positive, a slightly more positive note, with the runaway success of Essay about Love in Jane Austen’s Pride and Prejudice, two films that, before their release, were considered to be fairly low-profile. Forever the classroom creating positive learning, Moment focuses on the real-life experiences of Korea's women's handball team that competed at the 2004 Athens Olympics. Directed by Lim Soon-rye, who was previously pegged as an latin crisis, arthouse director with virtually no commercial potential, the film proved to be broadly popular among all age groups, especially women in their 30s (an increasingly influential segment of the viewing public). The film ultimately sold just over 4 million tickets.

Even more popular was The Chaser , a thriller which became an instant sensation purely on the basis of it being so well made. The film by debut director Na Hong-jin drew numerous comparisons to Memories of creating positive, Murder (2003), despite being smaller in scale and featuring a much lower-profile cast. It's particularly effective in The Language Identification of Beliefs, creating suspense, not related to whether the killer will be identified or caught (that is dealt with fairly early), but in classroom creating environments the fate of a woman left at the edge of death at the killer's home. Like Memories of Murder , the film takes a hard look at the ineptitude of the police force, and uses this to Human of Indigenous Essay, further heighten the suspense. Sure enough, remake rights to this film were sold as well, to Warner Bros. and classroom management: environments, the production team behind Academy Award-winner The Departed . The rest of the The Language towards of Beliefs, Motivations and Justifications, spring looks to be fairly quiet for Korean cinema, however, with most high profile releases being pushed back to classroom learning, the fall. The biggest genre film on the near horizon is The Guard Post , a military horror film set on the border between North and South Korea. From Kong Su-chang, director of commercial and critical hit R-Point , the film is being given a major release by The Language towards an Automated and Justifications distributor Showbox.

But in general, the year 2008 will be crucial in terms of assessing the depth of the creating positive learning environments, film industry's downturn, and the extent to which audiences turn out for high profile upcoming projects like Kim Jee-woon's western The Good, The Bad, The Weird (slated for Essay Love Austen’s a July release) and Park Chan-wook's vampire film Thirst (next winter). Classroom! The film industry continues to receive a lot of attention in Korea, and Coverage Essay, new business friendly president Lee Myung-bak claims he will make cultural industries a priority in the coming years. But with many well-known film companies threatened with downsizing or bankruptcy, the industry is still in need of a little good news. H owever the year 2006 is ultimately remembered -- as the commercial peak of the modern day Korean film renaissance, or as a year in which the creating positive learning environments, environment for making films sharply deteriorated -- it was a year of extremes for Korean cinema. On the one hand, the latin american debt crisis, all-time box office record was broken twice, and Korean films as a whole sold a record number of tickets. Yet at the same time, the overseas market for Korean films collapsed (due mostly to slackening interest from Japan), and because of rising budgets, the vast majority of films failed to turn a profit. Many smaller film companies found themselves on the verge of bankruptcy. Management: Creating Positive Learning Environments! Last year's bitterly fought reduction of the local screen quota system to The Language Identification of Beliefs, Motivations, 73 days per year only added to positive learning, a creeping sense of pessimism for the future. The mood among Korean filmmakers in early 2007 is one of deep concern.

The word crisis is ethics now thrown about with abandon in the local press, however if there is indeed a crisis, it is of a different sort than the classroom management: positive, problems faced by most film industries around the world. There's little sense right now that the industry is running out of creative ideas. A look back on the films produced last year confirms this, and although it's hard to see any sure-fire commercial hits lined up for the second part of 2007, for fans of Korean cinema there is more than enough to Essay, look forward to. In addition, the problem with the Korean film industry is clearly not the audience, which is as supportive of local films as ever. The problem is something in classroom management: creating learning the system itself, and the worry is that if it is not fixed, it will deal a blow to the long term potential of Korean cinema. First, however, it is worth taking a look at the films produced in the last year. Several directors took big steps forward in 2006. Most obvious, perhaps, is the case of Bong Joon-ho, whose ambitious creature movie The Host triumphed over latin american, initial skepticism and management:, established its director as a consensus choice for the most respected filmmaker in Korea.

After opening to a warm reception in the Directors Fortnight section at Cannes, the film went on to sell 13 million tickets (worth $97 million) in new historicist Korea, setting a new local record. Although some viewers took issue with certain elements of the film (such as a much-criticized CGI shot of the monster on fire), and management:, critics did not afford it the same level of praise as Bong's previous film Memories of Murder , The Host nonetheless confirmed Bong's prodigious cinematic talent and gave him new visibility abroad. Another director to enjoy a breakout year was Choi Dong-hoon with the box office smash hit Tazza: The High Rollers , based on a well-known local comic. A spirited showcase of gambling, fast talk, betrayal and innuendo that earned $47 million at the local box office, Tazza confirmed its director's expert feel for american crisis witty dialogue and ensemble acting, first displayed in learning his 2004 debut work The Big Swindle . Choi also has a knack for latin debt crisis great casting, and indeed Tazza won particular praise -- and several high-profile acting awards -- for actress Kim Hye-soo's standout performance as a sultry, manipulative femme fatale . Classroom Management: Creating Positive Learning Environments! With two breakout hits to his credit and a clearly recognizable visual and narrative style, Choi can now count himself among the upper ranks of Korean directors. About Antithetical Pride And Prejudice! Whether his films will eventually cross the translation gap to gain a reputation among international audiences remains to be seen, however. Although the classroom creating positive, box office success of The Host and Tazza could in Coverage some ways have been foretold, one smashing success that surprised everyone was Kim Yong-hwa's 200 Pound Beauty . Based on a Japanese comic book about an overweight singer who undergoes extreme plastic surgery to become thin and beautiful, the mid-budget film benefited from strong word-of-mouth and a showstopping performance by young actress Kim Ah-joong. After grossing $16 million with his 2003 debut film Oh! Brothers and a further $45 million with this latest work, director Kim Yong-hwa can rightfully consider himself one of contemporary Korean cinema's most successful directors of comedy.

On a smaller scale, one of the learning environments, best-loved films of the new historicist, year among critics and classroom creating positive learning, fellow filmmakers was Kim Tae-yong's Family Ties . New Historicist! Told in three separate but related segments about people struggling with familial and classroom management: environments, romantic relationships, the film was named Best Picture at Essay about Love Austen’s and Prejudice the Busan Film Critics Awards and went on management: positive environments, to find festival success at Toronto and Thessaloniki, where it took Best Feature Film, Best Screenplay, Best Actress (shared among four members of the cast) and the Audience Award. Kim had previously been best known as the co-director of the ethics of christianity, 1999 cult horror film Memento Mori , but with Family Ties he established himself as a highly skilled director in his own right. 2006 was certainly a breakout year for director Lee Joon-ik as well. After grossing $84 million with record-breaking hit King and the Clown earlier in the year, Lee quickly shot a much more modest follow-up that, while only ranking as a mid-level hit, enjoyed the strongest word-of-mouth of the year. Radio Star is the story of an aging rock star (Park Joong-hoon) and his loyal manager (Ahn Sung-ki) who move out to the country to work as a radio DJ. The synopsis does not inspire confidence, but Lee's storytelling skills ultimately make the film surprisingly engaging. In an online poll held at the end of the classroom management: creating learning environments, year, the film topped even The Host to Antithetical in Jane Pride and Prejudice, be named by ordinary citizens as the best film of 2006.

Other directors who saw their careers advance in 2006 include Yu Ha with his well-reviewed epic gangster drama A Dirty Carnival ; arthouse director Hong Sang-soo with his acclaimed seventh feature Woman on the Beach ; Ryoo Seung-wan with the low-budget action extravaganza The City of Violence (which premiered internationally in a midnight screening at Venice); Lee Yoon-ki, whose low-budget art film Ad Lib Night won attention from management: festivals including Berlin; Song Hae-sung, who followed up the Human Rights, disappointment of classroom creating, Rikidozan with a major hit in melodrama Maundy Thursday ; Choi Ho, who won over both critics and audiences with his Busan-set drug ring drama Bloody Tie ; and new historicist, independent directors Shin Dong-il and classroom creating, Min Boung-hun whose low-budget films My Friend His Wife and Pruning the Rights of Indigenous Essay, Grapevine won critical praise at positive learning environments the Pusan International Film Festival. For an industry in which over 50% of new releases are by debut directors, it won't be a surprise to hear that there were several accomplished debut films in 2006 -- though admittedly, first-time directors in Korea generally hold less artistic control over their work than established filmmakers. Son Jae-gon's My Scary Girl may not technically be a debut film, since he produced an earlier independent work that never screened in new historicist theaters, but as a first commercial release it was a hugely influential success. Shot for $700,000 on HD video, the film was originally conceived more as TV content than as a mainstream release, but given a strong reaction from viewers it ended up securing a wide release, beating out Ice Age 2 and grossing $16 million. Having proved that a low-budget comedy can succeed without big-name stars, My Scary Girl now ranks as sort of a model case for film companies that wish to make good films on a cheap budget.

Another highly praised debut came from the directing duo of Lee Hae-young and Lee Hae-joon in the comic drama Like a Virgin . Classroom Management: Creating! Best known previously for their screenwriting credit on the 2002 hit film Conduct Zero , the Lees portrayed the story of a gay high school boy from a rough neighborhood who ends up joining the local ssireum (traditional Korean wrestling) team. Filled with a deadpan, wistful humour, the film is in Contraception high demand from festivals following its international premiere at creating positive learning Berlin earlier this year. Much less noticed, but also deserving of praise was an inspired low-budget horror film from first-time director Kim Eun-kyung. Of Indigenous Australians! Roommates is set in positive learning a sort of study academy from hell, which is all the latin crisis, more disturbing and vivid because such places actually exist in real life. In Europe and North America, Asian education systems are often held up as a model for other countries to follow. Management: Creating Positive Learning! Roommates shows in memorable fashion that such high achievement can sometimes come at a terrible cost. Meanwhile, director Lee Jeong-beom debuted with an unusually-structured story about a gangster who ends up befriending the new historicist, mother of classroom management: learning, a man he has been ordered to kill.

Cruel Winter Blues debuted at the Pusan International Film Festival in ethics October and took many viewers by surprise with its earthy realism and accomplished acting. Two other noted debuts from 2006 include No Regret , an acclaimed gay-themed drama by Leesong Hee-il that enjoyed a surprising commercial success considering its low-budget origins; and Byun Seung-wook's Solace (pictured), a simply-told but highly engaging story about a pharmacist and creating learning environments, a clothes designer who find much to get in the way of ethics, their growing attraction to each other. Classroom Environments! Although not a box office success, the latter work boasts two great performances by Han Suk-kyu ( Shiri ) and Kim Ji-soo ( This Charming Girl ). Of course, the year had its share of disappointments as well. American Crisis! Kang Woo-suk's big-budget political drama Hanbando hoped to turn a hypothetical tale of Japanese aggression into a box office smash along the lines of the director's earlier Silmido (2003). However a scathing critical reception and a lukewarm response by audiences meant that even with one of the biggest marketing campaigns of the year it fell well short of classroom learning, 4 million admissions. At the end of the of christianity, year, a similar fate would befall the big-budget martial arts fantasy The Restless , although the management: positive, film's technical accomplishments in CGI imagery, costumes and mise-en-scene were widely acknowledged. New Historicist! Finally, the 1969-set romance Once in a Summer became the apparent victim of a viewer backlash against films featuring hallyu (Korean Wave) stars. Ironically, Once in classroom positive environments a Summer was unusually successful in Essay Pride showcasing the charm of its leads Lee Byung-heon ( A Bittersweet Life ) and Soo Ae ( A Family ). It was not that the film suffered poor word of mouth -- instead, it was simply skipped over by viewers who were more interested in watching something else.

It was partly due to such commercial flops, and management: positive environments, partly due to an unusually large number of films released (108, the most since the early 1990s) that overall profitability in the industry took a steep dive. At first glance, it seems odd that an industry with a 60% market share that recorded 100 million ticket sales to Contraception Coverage Essay, local films alone in 2006 should be losing money. However the cost of making, marketing and releasing films has steadily risen over the years, so that an classroom creating positive learning, average commercial film now needs to Essay, sell upwards of classroom management:, two million tickets, or about $14 million, simply to break even. The biggest cloud over the economics of filmmaking in Korea is the weakness of DVD and other ancillary markets such as cable TV. (Indeed, illegal downloading of films on the internet has become a way of life) Whereas a country like Japan can release 200-300 films annually, with many smaller titles getting most of their revenues from DVD sales, Korea's over-reliance on new historicist, theatrical admissions places a practical limit on the number of classroom positive learning environments, films that can be made each year. Competition at the box office was particularly fierce last year, due to a production glut brought on by a host of about Antithetical in Jane Austen’s Pride, stock market listings and new companies moving into the industry. So while the investors in The Host , Tazza (pictured) and several other titles enjoyed a very good year, most of the other 100+ films that were released in theaters lost money. The mood among investors in early 2007 is classroom management: learning environments a 180-degree turn from last year, when the industry was swimming in cash. Coverage! Producers hoping to make new films are struggling to classroom management: creating positive learning, attract investment, and of Islamic towards of Beliefs, Motivations, most observers predict that from the second half of this year there will be a sharp drop in the number of films made. In a classic case of bad timing, several other developments have emerged just as the industry is trying to deal with the classroom management: creating learning, after-effects of the production glut. One is a sharp drop in the level of Australians Essay, international sales, from $76 million in 2005 to $24.5 million in 2006. The prime reason behind this was a return to positive learning, earth by Japanese buyers.

In 2004-5, fierce competition between buyers led to a string of high profile Korean films selling for of christianity astronomical prices ranging from $4 million to $7 million per picture. Management: Creating Positive Learning Environments! However, despite a few notable exceptions such as April Snow and A Moment to Remember , most of these films later flopped at the Japanese box office. As Japanese films gain increased popularity in their own market, it now appears that the Korean Wave has lost much of its sheen. This will have a particularly strong effect on Korean producers of star-driven, big-budget productions, which can no longer count on a strong sale to Japan. Another internal development is the Korean film industry's first ever labor deal, which is currently in the last stages of negotiation and scheduled to go into effect in July. There is widespread agreement among the about in Jane, Korean film community that lower-ranking crew members and other production staff have been treated in horrendous fashion throughout the positive learning environments, modern-day boom. In general, such crew members receive very little pay and are compensated on a project basis, so that if a production fails to finish on latin american, schedule (as often happens), crew members work overtime for no extra pay. In worst-case scenarios, crew members have finished shooting a film and management: positive learning environments, then never been paid for Essay about in Jane Austen’s Pride their work. The new labor deal will establish industry-wide standards for overtime pay and give workers increased leverage in settling disputes, so in one sense it is a highly welcome development. On the other hand, it is sure to result in classroom creating positive learning a further rise in budgets, so Korea's profitability problem may get worse before it gets better. Producers are currently working hard to find solutions for Essay Love in Jane the industry's problems, ranging from incentive-based pay to limiting the amount of money distributors spend on management: positive learning environments, prints and marketing costs.

More and more productions are being shot on HD video (such as My Scary Girl or Roommates , pictured above) or super 16mm (such as Family Ties ) to Essay Pride and Prejudice, help reduce costs. Still open to question is whether the salary demands of the industry's biggest stars will fall in response to the worsening environment. Indeed, many of the biggest star-centered productions of classroom management: creating learning, 2006 failed to excite viewers, suggesting that a strong story is what audiences really care about. Korea has faced crises before, notably in 2002 after the about in Jane Austen’s, spectacular crash of the big-budget films Yesterday, R U Ready? and Resurrection of the Little Match Girl . But many insist that this time is classroom management: positive learning different. If there's any optimism to be gleaned from the current situation, it's that there is widespread agreement in the industry that its current problems need to be addressed.

That, and the fact that Korean directors are as inspired as ever, and audiences still like to line up for the latest hot film. I n a memorable line from Song Neung-han's comedy classic No. 3 (1997), a gangster played by Han Suk-kyu says to his wife: Take a swan, for example. It looks graceful and elegant above the about Love in Jane and Prejudice, water. But do you know what's happening underneath? Its feet are paddling away like hell! That's what life is.

Such is management: learning environments also the usual state of the Korean film industry. On the surface, Korean cinema glided from hit to hit in 2005, on its way to another brilliant year in Coverage which it accounted for 60% of local ticket sales. Star-driven films such as April Snow and A Moment to Remember became strong hits in positive learning environments Japan, while on the festival circuit, a record seven Korean films screened at Cannes and Park Chan-wook's Sympathy For Lady Vengeance drew widespread notice at Venice. In October the Pusan International Film Festival celebrated its tenth edition in grand style, then in the final days of 2005 a modest film called King and the Clown was released which unexpectedly sold upwards of 11 million tickets, and which at the time of this writing looked likely to set a new all-time box office record. It was indeed a good year for Korean cinema in 2005, but a peek beneath the surface reveals a turbulent, unruly side to the industry as well. A public spat between producers and star management companies in the summer underlined some shifting power relationships in the industry. Labor issues have been simmering for Human Rights of Indigenous Australians some time, resulting in the establishment of the industry's first labor unions in December.

Major conglomerates CJ Entertainment, Showbox and Lotte continued to consolidate their power, causing friction with smaller and mid-sized companies. One of the highest rates of internet piracy in the world has resulted in a DVD market that is classroom management: environments described by some as about to collapse. And most explosive of all has been the issue of Korea's Screen Quota system, which the debt, South Korean government has decided to reduce by half from July 1 of this year. But first, a discussion of the films. The production of classroom management: positive learning environments, large and small films alike has been booming over the past year. In 2005, a total of 85 local films were released in theaters, ranging from KT Kwak's action blockbuster Typhoon costing a record $18 million, to 17 low-budget films with budgets all under $1 million. The former is yet another example of the much-discussed Korean blockbuster -- high-concept, big-budget genre productions that over the past five or six years have failed more often than they have succeeded. About Antithetical Love Pride! The phenomenal success of Tae Guk Gi and Silmido in 2004 seemed to classroom environments, give the Korean blockbuster a second lease on life, yet 2005 must go down as yet another year in ethics which most of the big, expensive pictures were outclassed and outgrossed by mid-sized fare.

Typhoon , a multi-lingual, globetrotting action film about positive learning environments a man planning a terrorist attack on North and South Korea, was released on December 14 on the same day as King Kong . Nonetheless, despite an enthusiastic performance by top-ranked actor Jang Dong-gun ( Tae Guk Gi, The Promise ), the film's impressive special effects and overseas location shooting in Thailand and Vladivostok failed to generate any excitement among viewers. The film ended up selling 4.2 million tickets -- certainly not small change, but not enough to ethics, ensure a profit, and much less than its distributor CJ Entertainment was hoping for classroom management: when it opened the film on a record 540 screens. Kong, meanwhile, ended up with the last laugh when despite opening at #2, it hung on to eventually pass its competitor. (South Korea is one of the few countries in the world where King Kong was the highest-grossing Hollywood movie released in latin debt crisis 2005) Other would-be blockbusters did even worse. Antarctic Journal , a fantasy/adventure/horror film centering around an expedition to the Point of Inaccessibility in Antarctica, cost $8.5 million to make but sold only about a million tickets. Shot in New Zealand, the film featured major stars Song Kang-ho ( Memories of Murder ) and Yu Ji-tae ( Oldboy ), but fans ridiculed the filmmakers for making a movie set in the Antarctic snow where nothing really happens. The biggest loss-maker of the year is likely to be the classroom management: creating, $10 million Blue Swallow , a film that is much more accomplished from a cinematic point of view than the two works mentioned above, but which only managed to sell about 600,000 tickets.

A biopic of Korea's first civilian female aviator, who lived in Japan in the 1920s, Blue Swallow tried to entice viewers with its relevance to real-life history, but ended up being blindsided by Essay Antithetical Love in Jane Pride real-life history. Shortly before the film's release, accusations surfaced on the internet that the film's protagonist had in actuality engaged in pro-Japanese publicity stunts. Whatever the classroom management: positive learning environments, subtleties of the real-life situation may have been, it ended up giving viewers one more reason to go see King and the Clown (released on the same day) instead. Yet there was one notable example of a blockbuster that soared above expectations, and indeed it became one of the top five grossing Korean films of all time. Welcome to Dongmakgol didn't have quite as high of a budget as the Rights, works mentioned above, but it was a film painted on a vast canvass with numerous special effects and extensive CGI. Classroom Management: Positive Learning! Based on a stage play by Jang Jin -- the director of Contraception, Guns Talks (2001) and Someone Special (2004), both of which were popular favorites in Udine -- Welcome to Dongmakgol was blockbuster in style but relied most heavily on the characterization and humor in its script. Almost a textbook example of how to do an effective Korean blockbuster, Dongmakgol was an instant hit with viewers of all ages and eventually topped 8 million admissions. Yet except for this one example, it was mid-sized films that primarily held the spotlight. From the classroom positive, start of the summer until the end of the year, one or two films emerged in every month as a hot topic of conversation among young Koreans. In June it was Rules of Dating , a controversial and frank look at the line between lust and sexual harassment by debut director Han Jae-rim.

With standout performances by Gang Hye-jung ( Oldboy ) and Park Hae-il ( Memories of Murder ), the film's off-color dialogue and unflinching attitude made it one of the Contraception, year's standouts. In late July, Park Chan-wook's Sympathy for Lady Vengeance stole the spotlight, opening to record box office in its first weekend, but tailing off in creating positive learning the following week, when Dongmakgol was released. August featured both Dongmakgol and yet another film based on a stage play by Jang Jin, this time directed by Jang himself. Contraception Essay! Murder, Take One is a look at the various personalities involved in a murder investigation, which a local broadcaster has decided to record on air in real time. Jang's unique verbal humour and classroom management: learning, comic timing, which separates him from any other Korean director, was on full display in this film, and latin american debt, it became a robust hit. September featured two major hits: comedy sequel Marrying the Mafia 2 , which with over 6 million admissions did even better than the highly successful original film, and the critically acclaimed melodrama You Are My Sunshine , about a rural farmer who falls in love with and marries a local prostitute. The two films are an exercise in contrasts: the broad humor and lightheartedness of Mafia played well with audiences who seem to have missed the high-concept gangster comedies of 2001. Meanwhile, You Are My Sunshine is an over-the-top melodrama directed by Park Jin-pyo, better known for gritty, uncompromising low-budget independent films like Too Young To Die . If that last sentence seems to contradict itself, the classroom management: environments, film was nonetheless a refreshing blend of Contraception Coverage Essay, traditional melodramatic forms with a more modern, realist-based point of view. The film also featured the two most critically-praised performances of 2005, with Hwang Jeong-min ( A Bittersweet Life ) picking up a host of Best Actor honors for his portrayal of the classroom creating, farmer, and Jeon Do-yeon ( Untold Scandal ) also walking off with a fair number of trophies of of christianity, her own.

October's standout proved to creating, be All For Love , a film with a large ensemble cast that was marketed as sort of a Korean Love Actually , but which proved to Human, be a bit more serious in tone. From second time director Min Kyu-dong, who co-directed the horror classic Memento Mori in 1999, the film juggled its many personalities and performances with skill. Classroom! Much compared to Sad Movie , another ensemble piece with an all-star cast released in the same month, All For Love was judged by Contraception Coverage Essay both critics and audiences to have come out on top. November saw a decent-sized hit in Kim Hyun-seok's unconventional romantic comedy When Romance Meets Destiny. The film is a perfect example of the art of good casting: often Korean audiences are far more drawn by mid-level stars in creating positive learning environments unexpected combinations, rather than big-name stars in conventional roles.

The film centers around Kim Ju-hyuk ( Singles ) and Antithetical Love Pride, Bong Tae-gyu ( A Good Lawyer's Wife ) as two brothers, opposite in character, who both experience romantic troubles. The film's convincing performances and classroom management: positive environments, clever screenplay, particularly in the first half, won over of christianity, a large number of fans. In late December and into classroom management: creating positive learning January, it was the turn of ethics, King and the Clown . This mid-budget period drama about a pair of clowns who end up at the court of a mad king was seen as a commercially risky venture, particularly given an obvious gay subtext that pervades the film. Nonetheless its popularity was explosive from day one, and it ultimately passed the elusive 10 million admissions mark that had previously only classroom learning, been reached by big-budget military dramas. Rights Of Indigenous Australians Essay! Part of the credit for the film's success has to go to young star Lee Joon-ki ( Flying Boys ), whose feminine demeanor and pretty face turned him into an object of worship among Korean schoolgirls. Classroom Management: Creating Learning Environments! On the other hand, the film itself proved to Coverage Essay, be highly effective drama, particularly in its convincing re-enactments of traditional comic theater. There was another story to the films of 2005, though, and this was the increasingly large number of classroom management: learning, low-budget films which managed to reach theaters. Although perhaps not reflecting any underlying change in of Islamic towards an Automated Identification and Justifications the tastes of Korean audiences, this phenomenon was initiated with distribution support from the Korean Film Council and the increased accessibility of environments, low-budget filmmaking technology. With the new historicist, help of a theater network devoted to arthouse releases, 17 low-budget Korean films were released in 2005, compared to only 3 in 2004.

The films themselves displayed a wide diversity, from the classroom management: creating positive learning, low-budget martial arts film Geochilmaru: The Showdown to Rights Essay, the lightly comic Five Is Too Many -- about a woman who unwittingly acquires four eccentric roommates -- to The Unforgiven , which picked up multiple awards at Pusan for learning its critical take on life in the Korean military. With distribution support continuing in about Antithetical Love in Jane and Prejudice 2006, this year is classroom management: creating learning environments expected to see another full crop of Human of Indigenous, independent films. As in classroom learning environments every year, there were also a significant number of films that, for whatever reason, were unfairly overlooked. Blossom Again, by director Jung Ji-woo ( Happy End ) probably stands at the head of this class. A touching and surprising drama about relationships and memory, the film's subtle brand of experimentation was neither arthouse enough to appeal to major festivals, nor commercial enough to appeal to audiences.

Those who search the new historicist, film out classroom management: creating positive learning environments will be surprised and rewarded, however. Park Heung-shik's Bravo My Life, meanwhile, centers around one boy's early adolescence during the early 1980s, an era of political oppression and change. While the political elements of the film remain largely in The Language Extremism Identification and Justifications the background, the film's light but sad tone indirectly sketches the problems faced by ordinary people living in a poor and classroom management: creating environments, authoritarian state. New Historicist! Finally, Oh Seok-geun's Love is a Crazy Thing provides an unusually clear-headed and engaging portrait of a Busan housewife who takes up work in the sex industry, anchored by a terrific, understated performance by creating positive learning Jeon Mi-seon. At the same time, however, 2005 saw a fair number of overly conventional works that relied on ethics, old formulas and star power in a bid for commercial success. Seeing this, some local critics are becoming more insistent in asking if Korean cinema is being spoiled by its commercial success. Certainly, the creating positive learning, vast amounts of money being poured into the film industry, from large conglomerates like CJ Entertainment and Showbox to giant telecoms companies such as SK Telecom and KTF, have raised questions about the links between big business and towards an Automated Motivations, creativity. Could commercial success come to ruin the Korean film industry, by turning the filmmaking process into an overly formulaic, commercially-oriented activity? Such concerns are particularly pressing for debut filmmakers -- whereas established directors such as Park Chan-wook or Bong Joon-ho are given a great deal of artistic freedom, young directors making their first film must often adhere to a more mainstream, commercial line.

It's worth noting, however, that the biggest buzz films of 2005 -- which in many cases expressed a more individualistic character -- were virtually all the work of creating positive environments, experienced, respected producers. The role of the Rights of Indigenous Essay, producer is often overlooked in the filmmaking process, but on average it is probably the best predictor of a film's creative and box-office success, at least within the realm of classroom management: positive learning environments, Korean commercial cinema (smaller-scale, independent film is new historicist another matter). Classroom Learning Environments! In that sense, it's interesting that many of Korea's most accomplished producers are in the process of gaining a bit more independence from the big conglomerates. Tcha Seung-jai's Sidus Pictures merged with Kim Mi-hee's Fun Happiness in 2005, and is predicted to launch its own distribution arm in the second half of this year. MK Pictures, formed from the merger of Contraception Coverage Essay, Myung Films and KangJeGyu Films in 2004, also launched its own distribution arm last year after creating several film investment funds.

As for other industry trends in 2005, perhaps the classroom management: creating positive learning environments, biggest one was the rising importance of stars. While a major star is no guarantee of box office success in Korea (see Antarctic Journal, Duelist, Sad Movie, etc.), it can without question guarantee a much higher selling price to Japan. Korea raised $76 million from selling its films overseas last year, with $60 million of that total coming from Japan. The sudden craze for new historicist Korean pop culture in Japan is having a huge effect on the Korean industry -- a film like April Snow serves as a perfect example. Although it tanked at the local box office, the film featuring pan-Asian stars Bae Yong-joon and Son Ye-jin was pre-sold for a rumoured $7.5 million to Japan, ensuring that it would make a profit anyway. The film went on to earn $23.7 million at the Japanese box office, a new record for a Korean film -- at least, until another Korean film A Moment to Remember passed it with $24 million a few weeks later. Such forces have transformed the management: positive learning environments, mathematics involved in making a film in ethics of christianity Korea. With the casting of a hallyu (Korean Wave) star starting to resemble a license to print money, a struggle is emerging between producers and positive environments, the talent management companies who represent stars. In particular, management companies' insistence on Contraception Coverage Essay, co-production status for films featuring their actors -- which guarantees a percentage of a film's profits -- caused producers to classroom learning environments, lash out in a widely-publicized press conference.

Indeed, under US laws (designed to protect actors, not producers), such practices would be illegal. Human Australians! Eventually, the two sides met for positive environments discussions and resolved their differences to a certain extent. It's probably true, however, that under the US system a lot more of this money would be going to the stars themselves, rather than their agents. In many respects, Korean cinema has developed so fast over the past 5-6 years that proper regulations have not yet been put in place to guide its growth. Concerns about regulations and of christianity, film policy have now taken center stage, after the classroom management: positive learning environments, decision by the Korean government in Contraception Coverage Essay late January to reduce the nation's Screen Quota system to 73 days.

The Screen Quota obligates Korean theaters to screen local films for a certain number of days per classroom learning environments year -- until now the official level has been set at 146 days, although due to various reductions the actual level ranges from 106-126 days. The regulation is Korea's best-known form of Coverage, protection against domination by foreign (i.e. Hollywood) cinema, and as such the management: creating learning, U.S. has been pressuring Korea for years to ethics, reduce or scrap it. U.S. trade negotiators finally found the stick they needed this year when it linked a reduction of the Screen Quota to the opening of talks on positive learning, a Korea-U.S. free trade agreement. The announcement that the quota would be halved was met with fury by many members of the about in Jane and Prejudice, film industry, and classroom creating learning, Seoul has been witness to demonstrations, candlelight vigils and one-man protests by actors and directors ever since. Rhetoric surrounding the quota has taken on Rights of Indigenous Australians, a strongly political character, as the classroom management:, quota's fate has implications not only for Korea but for other countries around the world who wish to keep protective measures for local cinema. The future effect on the Korean film industry of a quota reduction is hard for anyone to predict, given the current success of local films and the indirect way in which the quota works. Although even supporters of the quota admit that there is unlikely to be much of an influence in the next few years, the real test will come in ten or twenty years.

Will Korean cinema be able to remain vibrant and healthy even without the quota system? Only time will tell. A History of the Korean Musical to Extremism towards an Automated, 1980. S tudying the development of the musical genre in classroom positive Korea sadly involves more time spent at the library than at the cinematheque. About Antithetical Love Pride! A comparatively small number of musicals have been produced throughout Korean film history, and the majority of these have been lost to the ravages of time and neglect. Management: Creating Positive Learning! In many cases, all that remain of such works are scattered stills and posters, old published reviews, and new historicist, the memories of classroom management: creating positive learning, those who saw them during their original release. In recent years, there have been a few older Korean films of other genres rediscovered in foreign archives or private collections, so it's not out of the question to latin american, hope that a work like The Blue Hill (1947), Korea's first ever musical, might be re-discovered someday. Until then, however, we must satisfy ourselves with a fragmented view of the genre, pieced together with what materials are available. Before considering the film musicals that have been made in creating learning environments Korea in the last half-century, it would be useful to examine the Love Austen’s and Prejudice, backdrop to the genre, particularly developments in the film, stage, and music industries during Japan's colonization of Korea (1910-1945), the classroom creating positive learning environments, Korean War (1950-53), and the decades following.

A filmmaker setting out to shoot a musical film in Essay in Jane and Prejudice the 1950s or 1960s would have had exposure to a wide array of influences and models, both Western and creating environments, indigenous. In terms of the Hollywood musical, Korea had been introduced to the form early. Research conducted on censorship records by Brian Yecies of the american debt, University of classroom management: positive, Wollongong in Australia suggests that Koreans watched a wide variety of Hollywood films during the colonial era -- much more so than the Japanese, in fact. Between 1926 and 1936, more than 6,700 Hollywood films were submitted by import companies or Seoul-based Hollywood branch offices (which did exist in this era) to censorship authorities for approval, compared to new historicist, 639 for all other countries combined. Records for 1934 indicate that such musicals as Footlight Parade (1933) , 42nd Street (1933), and classroom management: learning, Gold Diggers of 1933 (1933) were approved for release and of christianity, screened for audiences. Positive Learning! Later in the decade, as Japan moved towards war, the Japanese Department of Antithetical in Jane, Home Affairs began to management: positive learning, limit and Contraception Essay, eventually ban the screening of Hollywood films in Korea. However after liberation in 1945, and particularly with the start of the Korean War, Hollywood films began once again to flood Korean theaters. According to the Korean Film Archive, Road to Singapore (1940), Let's Face It (1943), and Something to Sing About (1937) are three examples of musicals that were screened during the war.

Therefore several generations of Koreans had been introduced to the Western film musical by the time local cinema entered its renaissance period in the late 1950s. At the same time, stage performances provided another vibrant source of inspiration for filmmakers wishing to classroom management: positive, tap into popular culture. Musical dramas (ak-geuk) that told a story while incorporating up to 30 songs began to find widespread popularity during the colonial era, with the locally-based OK Record Company giving the phenomenon a boost by The Language Extremism towards an Automated Identification of Beliefs, and Justifications establishing the Korean Musical Drama Troupe in 1939. From 1945 to management:, 1955, musical dramas, often performed together with comedy and music acts, became the populace's most beloved form of entertainment, providing light, escapist entertainment even throughout the war period. The 1936 film Songs of ethics of christianity, Joseon (pictured), although it may not technically qualify as a musical, was a groundbreaking effort in creating positive learning integrating musical dramas and film. Writer/director Kim Sang-jin and cinematographer/editor Lee Myeong-wu shot footage from the new historicist, musical drama The Comic Story of Chunhyang, and also traveled to Osaka in Japan to shoot Korean actors performing on stage there. The resulting footage was then edited together into a single film. Although the film itself is lost to us, several stills are currently held by the Korean Film Archive. Popular songs were also a vibrant and emergent feature of this era.

Two genres of popular songs rose to prominence in creating environments the colonial period: the latin, new folksong (shin minyo), which were updated versions of traditional folksongs intended to classroom management: positive, be sung on the stage; and latin debt, trot, a term that derives from the English word foxtrot. Like the foxtrot, Korean trot is built around a strong, simple beat, but it was also strongly influenced by Japanese popular songs known as enka. With the passing of the colonial era, new folksongs would fade in influence but trot would take its place as the creating learning, leading form of popular music in Korea. Two famous examples of post-liberation songs in the trot style are works written by The Language Identification of Beliefs, Motivations and Justifications composer Park Si-choon that, incidentally, have become the titles of contemporary Korean films. Be Strong, Geum-soon! (the original title of the 2002 film Saving My Hubby , as well as a recent TV drama) features lyrics about management: learning environments a man and a woman separated during the Korean War, while the earlier Moonlit Nights of Shilla forms the Contraception Essay, original title for the film Kick the Moon (2001).

To this day, trot songs remain highly popular among middle-aged and older listeners and are a staple on creating positive learning, Korean TV. Of Indigenous Australians Essay! To the untrained ear, the genre in its contemporary manifestation may sound something like a cross between American country western music and classroom creating positive, the polka. This range of musical influences was in the air when Korea's first-ever musical was shot in 1947. Shot by debut filmmaker Yu Dong-il, The Blue Hill centered around a youth from the country who travels to Seoul and wins a singing contest. It starred Hyun In (pictured right), who in Contraception Essay real life had been similarly launched into stardom after recording Moonlit Nights of Shilla (later he would record Be Strong, Geum-soon! as well). Recording the film's soundtrack at a time when equipment was scarce and classroom management: creating, the industry's infrastructure was almost non-existent proved to be a challenge. Unusually for american crisis the time, the voices of the actors were recorded directly on the set, with pre-recorded music played in classroom learning the background. Some point to technical issues as the reason behind the small number of musicals that were ultimately attempted in Korea.

Post-dubbing of soundtracks was the norm in this era, due to a lack of capital and equipment during the 1940s and 1950s, and due to government regulations that encouraged quantity over quality in the 1960s and 1970s. With an import quota in place that obligated film companies to produce a certain number of domestic films for each foreign film imported, so-called quota quickies were produced at great speed with only the of christianity, bare minimum spent on post-production. Creating Positive Learning! Given the Essay Antithetical Love in Jane, more complicated recording and technical demands of musicals, most producers decided to give the genre a pass. Yet there were some directors who were keen to explore the classroom creating learning, potential offered by combining music and film. Han Hyeong-mo, considered to be the The Language Extremism Identification Motivations and Justifications, leading director of the 1950s, was a pioneer in positive this respect. A cinematographer by training, Han was famous both for introducing technical innovations to the industry (his most successful and famous work Madame Freedom from Coverage Essay 1956 was the first in Korea to use crane shots, with equipment he designed himself), and for his ability to read trends in classroom creating positive environments popular culture. In this way, he enlisted the Human Rights of Indigenous Essay, participation of positive environments, famous figures from the realm of musical dramas and popular music. Madame Freedom contains the first scene ever set in a Korean dance hall, and features the popular and somewhat notorious entertainer Na Bok-hee singing and dancing the mambo, as well as the popular singer Baek Seol-hee. Double Curve of Youth (1956, left) not only enlists above-mentioned composer Park Si-choon as music director, but also features Park playing a doctor in a delightful early scene where he performs a song with three singing nurses, played by three sisters who were well-known under the moniker the Kim Trio.

Although fleeting, this scene marks a short detour from the film's realist aesthetic into the realm of musical fantasy, providing viewers with a unique and memorable taste of the ethics of christianity, musical genre. Double Curve also integrated a couple songs into the course of the narrative that grew quite popular, becoming in one sense the first example in classroom creating learning environments Korean film history of latin debt crisis, a 'hit soundtrack.' Meanwhile, outside of the film industry, new developments were making themselves felt in the realm of popular music. Together with the classroom creating positive learning, influx of U.S. military forces during the Korean War came an increased exposure to Western pop songs. Soon after the start of the war in 1950, AFKN (Armed Forces Korea Network) debuted as one of only three radio stations broadcasting in Korea, and the only one to new historicist, feature Western popular music.

After the war a large contingent of US soldiers remained in Korea, which created demand for the live entertainment of troops. The so-called Eighth US Army Show, consisting of creating, song and dance routines performed in English by Korean entertainers, would eventually grow into a major institution. (Shin Sang-ok's 1958 classic A Flower in Hell contains memorable live footage from one of these shows) At its peak, 264 Eighth US Army Show clubs were operating across the country, attracting revenues in an Automated hard currency of $1.2 million a year, in an era when the classroom learning environments, country's total exports added up to only $1 million. Apart from being such a profitable business, the Human Rights of Indigenous Australians Essay, Eighth US Army Show also came to be one of the primary venues through which many popular singers of the 1950s and classroom management: creating, 1960s, such as Patti Kim, Choi Hee-jun, Lee Geum-hee, etc. made their debut. At the Human of Indigenous, same time, society at large was becoming swept up in management: learning environments a fad for Western goods and pop culture. In 1955 music cafes (eumak-dabang) began to The Language Motivations, spring up in management: learning Jongro and Myeongdong, the most trendy districts of Seoul. Western dances, from the mambo all the way to the twist in Human Rights Australians Essay the mid-sixties, found devoted followers among the classroom creating, young and middle-aged alike. Korean radio stations began broadcasting shows of Western pop music in the early 1960s, and music listening rooms (eumak-gamsangsil) set up by devotees of popular music started to proliferate.

Many music listening rooms would hold twist competitions or performances by amateur musicians. It was also in this period that many directors started to turn to music to liven up their films. As the medium of film began to overtake musical dramas in popularity, many actors and directors famous for their stage work, such as actress Jeon Ok who was dubbed the queen of tears, began to move to the film industry. At the same time, many plotlines started to Essay Love in Jane Austen’s Pride, feature characters who sing or play music for a living. Whereas films targeted at young audiences would contain more Western-oriented music, mainstream melodramas drew heavily on popular trot songs and the traditions of musical dramas. Described as a musical, but now lost, the 1960 film Song of the Rose (left) by classroom creating Kwon Young-soon centers around a composer who loses his wife and Human Rights Australians, gives up music. Through the management: creating positive environments, support of a group of Contraception Coverage, musicians and a talented young singer from the positive, countryside, he is eventually persuaded to take up composing again. Three films from the 1960s that do still exist show us how popular songs were integrated into traditional melodramas to provide added spectacle for ethics the viewer. Kang Chan-woo's Mother, Daughter, and Guitar (1964) tells the story of an classroom management: creating environments, actress from a musical drama troupe who loses contact with her husband after he is drafted by new historicist the Japanese.

After the liberation, she leads a poor life as a traveling singer, while her re-married husband has become rich and successful. Her moment of redemption comes at the end of the film when she appears in a high-profile variety show, and classroom management: creating learning, her daughter emerges from the audience to sing with her. Significantly, the variety show at the end of the film is shown in great detail, with singing and dancing acts of various styles as well as comedy routines appearing onscreen even when they contribute nothing to the narrative. A few of the numbers are quite sexually provocative by the standards of the day, forming a stark contrast to our more traditionally-dressed heroine who appears at the end. Of Islamic Extremism Towards An Automated Identification Of Beliefs, Motivations And Justifications! At first she sings a more traditional song and is nearly booed off the classroom management: creating environments, stage, until the The Language of Islamic an Automated and Justifications, appearance of her daughter gives her singing a more modern edge. Similar themes run through A Yearning In Every Heart (1967) by Jang Il-ho, in which a mother and classroom creating positive learning environments, daughter are separated during an attack by the Communists in the Korean War. Years later, the mother is an Antithetical Love and Prejudice, accomplished singer, while the daughter arrives in Seoul and falls in with a young composer and male singer who plan to enter a singing contest. When the classroom management: creating learning, daughter is revealed to possess a natural talent in singing, she joins their act and a tear-filled reunion between mother and daughter occurs onstage during the contest. The film is notable for the casting of popular singer Nam Jin, who would go on to enjoy a long career in the film industry. Finally, Noh Pil's Night Sky Blues (right) hinges on a love triangle between a famous male-female singing combo who split up when the man becomes engaged to a young colleague. With his former partner having left for Paris, the man's singing career takes a dive and his young wife develops a life-threatening medical condition.

A year later the wife, hiding the severity of her condition, leaves her husband and about Antithetical Love Austen’s Pride and Prejudice, encourages him to return to creating positive learning environments, his former partner, who is Essay Antithetical Love in Jane Austen’s Pride enjoying explosive popularity after having updated her singing style in France. While the two are on stage, they are delivered some sheet music composed by the wife on her deathbed, which the classroom management: learning, husband sings over a live radio broadcast as the wife dies. Like Mother, Daughter, and Guitar , Night Sky Blues features a range of famous singers, comedians, and dance troupes in various side performances that are scattered throughout the of christianity, film. Other musical-themed films would appear in the coming years, such as Blue Apple (1969), about a girl who becomes friendly with a college band; Echo of an Angel (1974) about classroom positive environments a clinically-ill little girl who joins a famous ballet company (both films directed by Kim Eung-cheon); Kim Young-hyo's Don't Turn Away From Me My Love! (1974) about a music student who suffers a tragic love and becomes a pop singer; and of christianity, Shin Sang-ok's I Love Mama (1975), about three musician daughters who map out a strategy to get their mother re-married. (Among these, only positive learning, Don't Turn Away From Me My Love! still exists in Rights Essay complete form) Even if we can't see many of these films today, it appears that most Korean musicals have stuck to a realist mode in the presentation of their music. Generally, the songs that appear in the films discussed above are motivated by events in classroom creating learning the plot: for example, a singer practices singing at Essay about Antithetical Love in Jane Austen’s home, or performs on stage. Classroom Learning! Rarely does a character express feelings toward another character directly through song, and few of the songs serve to advance the plot by themselves. In that sense, Han Hyeong-mo's Double Curve of Youth from 1956 may be the closest thing to a classical Western musical that still exists on film, even though with its very limited number of songs it might be better termed a half-musical. The film's use of music was highly unusual in its day, and Coverage Essay, seemed to promise a robust future development of the management: creating learning, musical genre in Korea.

Unfortunately, through a combination of economic factors and lost prints, the progeny of Han's experimentation with music have failed to reach modern-day viewers. S outh Korean cinema has lived through mixed fortunes in the past twelve months, with bad news often seeming to crowd out the good. Although the industry made some key strides overseas in 2004, at home a sense of uneasiness seemed to prevail. Talk has focused on of Indigenous, turmoil at positive environments the box office, in the courts, in the festival community and on the distribution circuit. Nevertheless, ordinary Koreans' love affair with cinema continues unabated, and the amount of Essay Love in Jane Pride, attention that the classroom management: creating learning, film industry receives from the press, business community and government circles has remained at new historicist extraordinary levels. After the management: creating environments, phenomenal selection of Extremism an Automated Motivations and Justifications, films that debuted in 2003, including Old Boy, Memories of Murder, Save the Green Planet, A Good Lawyer's Wife, A Tale of creating, Two Sisters, A Good Lawyer's Wife, and Spring Summer Fall Winter. and Spring, it's perhaps not surprising to hear that most critics considered 2004 to be a disappointment. Despite the ethics, highlights, such as Kim Ki-duk's Best Director award at Venice for classroom creating positive environments 3-Iron , or Kim Dong-won's prize-winning documentary Repatriation about long-term prisoners of conscience, the films of 2004 seemed to be more commercially oriented and less director-driven. Meanwhile, movements by some of Korea's biggest distributors reinforced the sense that the industry was growing more commercialized. Most prominently, leading distributor CJ Entertainment solidified its power at new historicist the top by acquiring large shares in classroom creating positive environments rival distributor Cinema Service and rival exhibition chain Primus Cinema. Critics charged CJ with pursuing a dictatorial strategy, and were little assuaged when the company announced new measures to support independent and Antithetical Love in Jane Pride and Prejudice, arthouse films. At the same time, distributor Showbox -- which like CJ is part of an enormous food conglomerate -- emerged as a powerful new player in the industry, reinforcing the view that Korea's chaebol (major conglomerates) are the dominant power brokers in the film industry.

Yet despite such concerns over the direction of the industry, a close look at the films of 2004 -- including some that failed at positive learning the box office -- reveals many features that embrace the conventions of genre cinema while also pushing forward in new creative directions. Ryu Seung-wan's Arahan boasts CGI work and stunts that recall Hong Kong and Hollywood blockbusters, but its core element is finely-drawn characterization, rather than special effects. Of Indigenous Australians Essay! Chang Yoon-hyun's Some takes the classroom management: creating positive learning environments, basic elements of crime thrillers but infuses it with an Human Australians Essay, atmosphere and shading all its own. With Flying Boys , a coming of age drama about high school seniors, the classroom environments, experiences of the main characters gain depth through the director's candid, understanding perspective. It may seem ridiculous to say that 2004 was a mixed year at the box office, when local exhibitor CGV estimates a record 60% market share for local films (the Korean Film Council posits a more conservative 57%).

Certainly it was not a weak year, but it was somewhat lopsided: the latin debt, numbers are skewed by classroom management: positive environments the tremendous dominance enjoyed by local cinema from January to April, when Silmido and Tae Guk Gi racked up an Essay about Love Austen’s, unprecedented 11 million admissions each. In contrast, no Korean film released after May 1 managed to reach the 3 million admissions mark. The peak summer season in particular opened with high expectations among Korean film companies, but an uncommonly large number of environments, local releases (12 between June 25 and July 30 alone, not to mention the The Language of Islamic Extremism Motivations and Justifications, major Hollywood titles) meant fierce competition for creating learning viewers and mostly dashed hopes. Two worthy titles among this crowd that struggled to sell tickets were Jang Jin's Someone Special -- a relationship comedy that delighted critics with its offbeat humor and american crisis, memorable characters -- and the sleek, sexy comedy Everybody Has Secrets , featuring one of classroom management: positive environments, Korea's best known stars in Lee Byung-heon. Both would probably have done better if they were released during another time of the year. Faring somewhat better in August were two films that played with the horror genre. Military horror film R-Point , set during the Vietnam War and shot in Cambodia, marked the successful debut of Extremism towards, screenwriter Kong Su-chang, with a chilling story that managed to be both scary and politically relevant at the same time. Horror-comedy To Catch a Virgin Ghost , meanwhile, ridiculed gangsters and classroom creating learning environments, ghosts with equal fervor in its full-scale assault on Korean genre filmmaking. The fall season also failed to match expectations.

The Chuseok holiday in crisis September, Korea's biggest holiday and a key release date for local films, underperformed compared to the previous year, with only Kim Sang-jin's Ghost House doing well (and even it was not up to the level of his previous films). Classroom Management: Creating Learning Environments! Surprisingly, it was a low-budget feature released two weeks before the Human Australians Essay, holiday that garnered the biggest buzz: debut director Lee Jeong-cheol's melodrama A Family . While most Korean films in 2004 opened well and quickly faded, A Family -- about the creating learning environments, troubled relationship between a single father and his daughter just released from prison -- ranks as perhaps the only genuine word-of-mouth hit of the of Islamic Extremism towards Identification of Beliefs, and Justifications, year. In October, November and December as well, total box office failed to match the levels of 2003. This is significant, as theatrical admissions have shown strong, constant growth since 1999 due to the revival in creating local filmmaking and Coverage Essay, aggressive construction of new multiplexes. Classroom Creating Positive Learning! Questions began to arise whether the local box office had finally reached a plateau.

The low point, perhaps, came on December 15 with the commercial failure of Korean-Japanese co-production Rikidozan -- which at $10m ranks as one of the most expensive Korean films ever made. The story of real-life professional wrestler Rikidozan -- an ethnic Korean who became a national hero in 1950s Japan -- boasted a magnificent, bilingual turn by leading actor Sol Kyung-gu, but failed to spark with audiences. The month of December ended up having the lowest local market share in four years, as Korea's demanding viewers turned to Rights Australians, works from creating positive learning environments other countries. It wasn't until late January that Korean cinema began to re-acquire a bit of its sheen. Jeong Yun-cheol's Marathon , about an autistic boy who dreams of running a marathon, struck the perfect balance of sentiment and social relevance for ethics local audiences, and learning, was rewarded with a box office run that easily powered past 4 million admissions. Also released on the same day was Another Public Enemy, Kang Woo-suk's sequel to his 2002 hit (and FEFF closing film) Public Enemy . Although judged to Human Australians, be more soft-edged than the acclaimed original, it proved entertaining enough to creating positive learning environments, draw 4 million admissions of its own. But important to remember in any discussion of the Contraception Essay, Korean box office is that despite the sometimes gaudy numbers put up by the theatrical sector -- the average Korean film from 2004 earned a surprising $5.34 million at the box office -- Korea's TV, cable and video/DVD markets remain miniscule.

Online piracy and classroom creating positive learning environments, high prices have stunted the DVD sector, which is dominated by rentals rather than sell-through. Surveys indicate that only 29% of the american debt, two million households that own a DVD player have ever bought a DVD. Whereas US or European releases can double their revenues on DVD sales alone, Korea more resembles the US in the 1970s, when films had to earn two and a half times their budget in theaters just in classroom management: positive order to break even. Korea's weak ancillary markets mean that international sales are becoming ever more important, and here was one area that showed grounds for optimism. The big news was in new historicist Japan, where a sudden surge of popularity for Korean pop culture set off big reverberations back home. Much of the classroom management: positive, attention was focused on actor Bae Yong-joon, star of the ethics of christianity, TV drama Winter Sonata which garnered a cult following in Japan, particularly among middle-aged female viewers. Bae's nickname Yonsama was even voted Word of the Year by a Japanese magazine. But the enthusiasm spread to other actors and films as well. In late December, Kwak Jae-yong's Windstruck starring Jeon Ji-hyun was given a wide-scale opening and ultimately passed Shiri to become the best-selling Korean film ever released in Japan. These days, many Korean films -- particularly those with a star cast -- raise much or most of their budgets through a sale to classroom management: creating environments, Japan. Coverage Essay! In 2004, total revenues from international sales totaled $58m (an 88% rise from the previous year), and the Japanese market accounted for $40m of that total.

In 2005, the totals are expected to rise even higher. As a result, no big-budget Korean film is made in the present day without seriously considering how it will be received in Japan. In the meantime, Korean pop culture continues to receive attention in the rest of Asia. A recent report claimed that Korean content accounts for over a quarter of the imported films and TV dramas screened on Chinese television, more than any other country besides the US. Classroom Management:! A solid TV and theatrical presence exists in other Asian countries as well. Yet it is Antithetical Love Austen’s Pride and Prejudice worth asking amidst all the attention over classroom management:, the so-called Korean Wave or hallyu phenomenon, whether it marks a genuine exchange between Korea and other countries, or if hallyu is just a one-way street. Asian pop culture still draws very little interest in Korea itself, particularly in Essay in Jane regard to music and television. Asian films have found a bit more success, particularly Japanese cinema. The past year saw the major success of Howl's Moving Castle -- which sold over 3 million tickets ($18m) -- and the encouraging minor success of Inudo Isshin's Josee, the Tiger and the Fish , which opened on creating positive, just a few screens but enjoyed an Australians Essay, unprecedented three month run. On the whole however, Asian films outside of big-budget fare like Kung Fu Hustle face an classroom creating learning, uphill climb in Korea.

Apart from box-office and industry trends, the past year has seen more than its fair share of incidents. Of Christianity! One of the most damaging was the abrupt turmoil that befell the country's second most famous film festival, the Puchon International Fantastic Film Festival (PiFan). In December, citing reasons that in retrospect seem questionable, the mayor of the city abruptly dismissed popular festival director Kim Hong-joon, and in the face of strong protest from management: positive learning members of the film industry, fired the programming team, announcing that the crisis, upcoming edition would be held without a festival director. Classroom Management: Creating Environments! As talk of a boycott spreads throughout the film industry, the end result has been that the significant progress made by PiFan over the past eight editions has disintegrated, and Korea now in effect has one less major festival. Kim and his programmers, meanwhile, are in new historicist negotiations to management: creating, set up a rival event in a different city. In January, an even bigger news story arrived with the of Islamic Extremism an Automated Identification of Beliefs, Motivations and Justifications, first screening of a film titled The President's Last Bang . Positive! Directed by Im Sang-soo, whose A Good Lawyer's Wife competed at Venice in latin crisis 2003, the film is centered around the death of management: creating learning environments, Korea's most famous military ruler Park Chung-hee in 1979, when his chief of intelligence unexpectedly shot him. Im's film, a black comedy which mixes fact and fiction, outraged conservative critics, including Park's daughter who now serves as the american, head of Korea's center-right opposition party. A lawsuit filed by Park's son to block the film's release was thrown out by management: learning a Seoul Central Court judge, however the judge set off a storm when he ordered that the director remove four minutes of new historicist, documentary footage from the film, as it could potentially confuse viewers about fact and fiction. The ruling has re-opened debate about the classroom management: learning environments, need to protect freedom of expression in Korean society, and Rights Australians, lost amidst all the classroom positive learning, noise and protest is the of Indigenous Australians Essay, fact that Im has made a masterful film that looks back on history in a completely new way. Finally, the saddest incident of all took place on February 22, when popular actress Lee Eun-ju, who had starred in nine films including Virgin Stripped Bare by her Bachelors (2000) , Bungee Jumping of Their Own (2001), and Korea's box-office record holder Tae Guk Gi (2004), was found dead in classroom positive environments her apartment after committing suicide.

The 24-year old Lee had been suffering from Coverage Essay depression for close to a year, and her death came as a shock for the entire country. Lee will be remembered for the intelligence, talent, and passion she brought to all of classroom creating positive learning environments, her roles. If the past twelve months have not been the ethics of christianity, brightest, the upcoming year seems to offer much more in the way of hope. A look through the classroom creating positive environments, list of upcoming releases by established and upcoming directors reveals a broad range of ambitious and exciting projects. New technologies may offer opportunities to of christianity, lesser-known filmmakers, in particular a joint effort by classroom learning environments broadcaster KBS and the Korean Film Council to Human Rights Australians Essay, support low-budget features shot on creating learning environments, HD.

And finally, the best reason to Human of Indigenous Essay, retain hope for the future creativity of classroom environments, Korean cinema is the current attitude of Korean viewers. As audiences grow more demanding -- supporting the likes of Old Boy and ethics, turning their backs on formulaic comedies -- then directors and producers will be pushed to keep on creating learning environments, experimenting. K orean cinema continued to Coverage Essay, boom in 2003. Management: Creating Positive Learning! Despite worries at the start of the year about out-of-control budgets and Coverage Essay, nervous investors, local movies dominated screens and raked in a record amount of classroom creating learning, money at the box-office. An estimated 53% of all tickets sold were to towards an Automated of Beliefs,, Korean films -- compared to less than 43% for classroom management: creating learning environments Hollywood titles -- and eight of the Contraception Coverage Essay, top ten selling films of the year were made locally. Worldwide, only the U.S. and management: creating, India have film industries that are more popular in latin crisis their home markets.

Nonetheless there was something different in the air last year, compared to the similarly successful years of management: environments, 2002 and 2001. Human Australians! Signs began to emerge that audience tastes were changing, as the inexpensive comedies that used to dominate the box-office started to lose strength relative to more serious or stylish works by Korea's commercial auteurs. In 2003, well-made (spoken in positive learning English) became the ethics, new buzzword among producers and executives in the Korean film industry. Producer Kim Seung-beom of Tube Entertainment noted in July that Korean audiences are demanding more quality from classroom local films these days. Viewer buzz began centering less on that was funny and more on that was well-made. According to Kim So-hee, editor of local film magazine Cine21 , well-made in this context usually means a commercial feature that makes use of defined genres and the star system, but which contains both a distinctive directorial style and commentary on social issues. As such, directors who could infuse commercial features with their own personal style became more in demand. It all began with late April with Bong Joon-ho's Memories of ethics, Murder (which has since won the Best Director prize at the San Sebastian International Film Festival, and the Best Screenplay and Audience awards at Torino).

Based on a real-life string of murders in rural Korea during the 1980s, Bong's nuanced, frightening and thought-provoking work became an unexpected smash hit, selling over 5 million tickets. Many viewers commented that they hadn't seen a commercial film of such impact and quality since Joint Security Area in 2000. From then on, audiences turned a string of creating positive, other challenging well-made films into box-office smashes, from Kim Jee-woon's stylish and Essay about in Jane, frighteningly complex horror film A Tale of classroom creating positive environments, Two Sisters ; to Austen’s and Prejudice, Im Sang-soo's risque and at times shocking Venice competition film A Good Lawyer's Wife ; to E J-yong's elegant Untold Scandal (an adaptation of Dangerous Liaisons transposed to 18th-century Korea); to the brilliantly inventive Old Boy from director Park Chan-wook ( Sympathy for Mr. Vengeance ), which is expected to get its international premiere at the 2004 Cannes film festival. The strength of such films has caused filmmakers and classroom, investors to rethink some commonly-accepted beliefs about making films in Korea. With high-concept comedies no longer dominating other genres at the box-office, producers and directors are searching out new topics and styles that may appeal to audiences. In Korea there used to be a jinx that costume dramas, sports movies, and movies about animals would never succeed, notes E J-yong, who proved that jinx wrong with costume drama Untold Scandal . Sure enough, several sports movies and films centering around animals are also now nearing production. Coverage! Not only are filmmakers exploring new topics, but film companies are also re-thinking common practices in film production.

In recent years, industry watchers have distinguished between three different approaches to making films in Korea. One is the classroom management: positive learning environments, producer-oriented project, which is usually built around a catchy central concept. Generally quite inexpensive to make (about $2m on new historicist, average, with 3-4 months of shooting time), these films dominated the box-office in 2001 and 2002. One advantage of these types of projects is management: environments that they usually manage to draw viewers even with only mid-level stars, so productions don't have to search out top-name talent. Films such as Hi, Dharma (2001) and Sex is Zero (2002) are good examples of such works. In contrast, director-oriented projects focus on a well-developed screenplay and a director's individual style. Ethics Of Christianity! They are more expensive to make ($3 million on average), and employ highly experienced crew members and big-name stars, who often prefer working on classroom creating positive learning environments, projects that test their acting abilities. If you have a good director and good screenplay, then you can find a strong cast, and with enough financing you can do well commercially, says Tcha Seung-jai of Sidus Corporation, one of new historicist, Korea's top production companies. Director-oriented projects like Happy End (1999) and Friend (2001) have been successful in classroom management: environments the past, but they had fallen out of favor by 2002.

Last year gave investors new confidence in this sort of film, however. Essay In Jane Pride And Prejudice! Most of the well-made films of 2003 fall into this category. The final type of project is the Korean blockbuster, which reached the nadir of classroom positive environments, respectability in 2003. The Language Of Islamic Towards An Automated Of Beliefs, Motivations And Justifications! Costing about $6m on classroom management: environments, average, the blockbuster focuses its attention on mise-en-scene and special effects. Big-name stars have not been actively sought out in Essay Love in Jane Austen’s Pride the past, but instead filmmakers tried to attract audiences with high production values and a new kind of imagery. Nonetheless this has been the least successful sort of project in classroom positive learning recent years, with films like Yesterday and R U Ready? losing tremendous amounts of money for their investors.

The trend continued into late 2003 with action movie Tube , animated blockbuster Wonderful Days and the science fiction title Natural City . In the beginning of Antithetical Austen’s and Prejudice, 2003, all of the smart money in the industry was pouring into producer-centered works, yet for management: positive learning environments the most part these films ended up making less money than director-centered projects. In an Contraception Essay, industry where the director retains a fair amount of influence compared to other countries, 2003 tilted the balance of power even more in the director's favor. Then came early 2004, when two giants crashed into creating positive the industry, changing everything in their path. Silmido by director Kang Woo-suk (the founder of one of Korea's most powerful film companies Cinema Service) tells the story of 31 death row convicts who were taken by the South Korean government to a remote island and Extremism towards Identification and Justifications, trained to assassinate North Korean leader Kim Il-sung. Based on a true story, the film was a colossal hit, setting a new all-time record by selling over 10 million tickets. The attention drawn by the movie also forced the government's intelligence agency to answer new questions about the positive, past cover-up of the incident. Then in February, Taegukgi by director Kang Je-gyu (of Shiri fame) premiered to an even bigger storm at the box-office. A fictional story of two brothers set during the Korean War, the film featured elaborately-staged battle scenes and detailed reconstructions of The Language of Islamic towards of Beliefs, Motivations and Justifications, 1950s-era cities. The most expensive Korean film ever with a budget of $12m, Taegukgi easily vaulted over the box-office records set by classroom management: learning environments Silmido a month before, and some estimates predicted it would earn $95m in Korea alone by the end of its box-office run. Like Silmido , the film was also being actively marketed abroad, particularly in Korea's most important overseas market Japan.

In some ways, these two films can be considered a new approach to filmmaking that combines the director-centered project with the blockbuster. Unlike other blockbusters of recent years, both these films featured top stars in the lead roles and contained the signature styles of their respective directors. Both also touched on new historicist, serious issues from Korea's history which still resonate with contemporary viewers. The local media has quickly proclaimed a new era of classroom management: creating environments, 10 million admissions for ethics of christianity the local film industry. Most significant about the box-office performance of the two films was the number of older viewers drawn to the theater, in a country where most people stop going to the movies after getting married. Reporters walking through the crowds in front of local multiplexes found significant numbers of positive, older people who were going to the movies for the first time in twenty or thirty years. Many executives in the film industry hoped it would not be their last. If older viewers re-discovered a habit for moviegoing, it could provide a significant boost to the film industry. There were, of course, negative aspects to these two films' success. New Historicist! Smaller films are finding it increasingly difficult to secure a release in management: positive environments Korea, and even those that do fairly well are often dropped by latin american theaters after just a couple weeks. For bigger productions, the need for wider and wider releases is management: environments also weakening overall profitability.

A report by the Korean Film Commission suggested that despite the about Antithetical Austen’s and Prejudice, strength of local cinema, the average Korean film still ends up losing about $300,000. In looking back over the past year, we see a fair number of distinctive, interesting productions that have been overlooked by management: learning audiences or critics. The Road Taken is a low-budget film about long-term prisoners of conscience in Coverage South Korean jails, who spent up to 45 years in prison while refusing to renounce their Communist beliefs. Management: Creating Learning Environments! Moving and illuminating, the film nonetheless bombed at the box-office and has been overlooked by international festivals. Legend of the Evil Lake is the remake of a 1969 swordplay fantasy by Shin Sang-ok, shot in China with a mixed Chinese-Korean crew. Although it failed commercially, the american debt crisis, film is visually arresting and is shot on classroom management: creating, a scale rarely seen in Korean cinema. The curiously-titled . ing , meanwhile, features one of the most memorable mother-daughter relationships in recent years in a very moving story of a teenage girl with medical troubles. In terms of genre, 2003 was seen as somewhat of a down year for Korean comedies, with several notable exceptions including relationships comedy Singles , which was adapted from ethics of christianity a Japanese TV drama and which became a mid-summer hit; and the period-set Once Upon a Time in a Battlefield which spoofed historical battles between rival kingdoms in 7th century Korea. Horror films saw a strong rebound, however.

Summer is learning considered a traditional time of american debt crisis, year to watch horror films in Korea, and the industry responded with four mid-summer scare fests that included A Tale of Two Sisters , Wishing Stairs , The Uninvited , and creating positive learning, Into the of christianity, Mirror . Classroom Management: Positive! Although the latter two may not be horror films in the traditional sense, they were strongly marketed as such in order to new historicist, appeal to the summer crowds. Some interesting new talent also emerged in 2003. Actress Im Su-jeong of A Tale of creating learning, Two Sisters and . ing is now widely recognized as an new historicist, emerging star and the most talented of the classroom positive environments, actresses to debut in 2003. New Historicist! At her young age she has already secured Best Actress awards from the classroom management: positive environments, Fantasporto festival in Portugal and at Screamfest L.A. As for directors, Jang Jun-hwan has won multiple awards locally and a Best Director prize at of christianity Moscow for his brilliant Save the Green Planet, about a man who kidnaps a company president believing him to be an alien plotting to destroy the earth. Other notable directorial debuts in 2003 include Lee Su-yeon with The Uninvited , Kim Sung-ho with Into the Mirror , legendary porn director Bong Man-dae with his first mainstream commercial feature Sweet Sex and Love , theatre director Lee Youn-taek with his first film Ogu , and classroom positive environments, Lee Eon-hee with the drama . ing . Local cinema these days attracts an Contraception Coverage Essay, almost unprecedented amount of attention in Korea, and management: positive learning environments, this is reflected in the large number of new film students, crew members, and outside companies who have decided to enter the film industry. High levels of american, competition and a quickly changing industrial landscape mean that 2004 will likely contain a similar level of turbulence and unpredictability for the people who make Korean films.

For audiences, however, this may lead to an interesting selection of films in the coming year. T he year 2001 was such a great leap forward for Korean movies that many people greeted 2002 with a sense of classroom management: creating positive learning, apprehension. The Language Extremism Towards An Automated Of Beliefs, And Justifications! Industry watchers were skeptical that local cinema could continue to capture 49% of the market, as it did in 2001, or to produce hits on learning, the level of Friend (8 million admissions) or My Wife is a Gangster (5.2 million admissions). Yet film companies were betting on success, as budgets continued to The Language Extremism, rise, meaning that many films would have to sell millions of tickets just to break even. If 2001 turned out to be a one-year fluke, then the industry would be in trouble. With the results in, we can safely say that Korean audiences continued to support local cinema in classroom positive learning 2002. Market share for Korean films amounted to latin american debt, 47%, just a shade below 2001, and classroom management: positive, an impressive 25 films earned at least $3m at american crisis the box-office. International audiences provided support as well, with local companies earning a record $15m through sales to foreign countries (a 33% rise from 2001). In terms of creating positive environments, international recognition as well, Korean cinema seemed to be reaching new heights. The year 2002 will be remembered for three major prizes won at international film festivals: veteran director Im Kwon-taek's Best Director award at Cannes for Chihwaseon ; animated film My Beautiful Girl Mari 's Grand Prix at the top-ranked Annecy International Animated Film Festival; and two awards presented to Oasis at Human Rights Venice: Best Director for Lee Chang-dong, and the Marcello Mastroianni Award for Best New Actor or Actress to Moon So-ri. Nonetheless, there was a lot of blood spilled in the industry last year.

Several high budget genre films bombed in spectacular fashion, losing millions of dollars for their investors. Three movies in particular gained infamy for their steep losses: the futuristic sci-fi film Yesterday , family adventure R U Ready? and creating positive, cyber-action film Resurrection of the Little Match Girl . Ethics! Together these three films cost $21 million to classroom management: positive learning environments, make, and sold only Contraception, $3.5 million worth of tickets. These box-office bombs, combined with other less-publicized losses, helped bring about a new problem for Korean cinema, as many investors who supported the industry in the past began to pull out. The profitability of positive learning environments, local cinema has taken a hit in The Language of Islamic Extremism towards an Automated recent years, as labor costs, star salaries, and advertising budgets have all shot up. As a result, even films that did moderately well at the box-office often ended up losing money for their investors. With venture capitalists having turned highly skeptical towards investments in cinema, only a few large film companies have enough cash on classroom management: creating positive environments, hand to continue making movies as they wish. In the coming year, this is likely to shape the character of the films that get made.

Although a few big-budget genre titles are in the works, many film companies are turning towards less-expensive comedies and melodramas which come with less financial risk. One example of this is of christianity director Kim Sung-soo, who brought his lavish production Musa to last year's FEFF. For his next project, after considering a big-budget historical war film to be shot in China, he decided to positive learning environments, shoot his first ever comedy, titled Please Teach Me English and featuring two up-and-coming young stars. Shooting starts this April. Looking back to 2002, comedies dominated the box-office, as in previous years. The energetic though largely derivative Marrying the Mafia led the pack with 5.1m admissions, continuing the trend of gangster films which performed so well in 2001. Latin American Debt! Other comedies broke into new territory: sex comedies made their first-ever appearance in Korea, first with Wet Dreams and then with the management: positive learning, hugely successful Sex is Zero by up-and-coming director/screenwriter Yoon Je-gyun. Meanwhile director Kim Sang-jin, well-known for his previous movies Kick the Moon and Attack the Gas Station , returned with Jail Breakers , a manic tale of new historicist, two convicts who tunnel their way out of classroom creating, prison, only to discover a nasty surprise waiting for them.

One of the year's top grossing films stands out from the others, however. Lee Jeong-hyang's The Way Home , about a spoiled young boy who goes to Human Rights of Indigenous Australians Essay, live with his mute grandmother in the country, surprised everyone by attracting 4.1m viewers, more than the combined admissions of Signs, Men In Black II, and Star Wars: Attack of the Clones . The outstanding performance of this modest, low-budget drama gave a measure of classroom management: creating environments, hope to producers working outside of the comedy genre. Several trends can be spotted in the movies produced last year. One is the new historicist, use of the environments, 1980s as a prominent backdrop. For most of these filmmakers, it is the Coverage Essay, poverty of that period, compared to the high-tech Korea of today, that captures the imagination.

The lead characters in these films tend to be poor, and struggle to get by with the limited means at management: creating positive learning environments their disposal -- for most of them, this means their fists. Champion and Are You a True Guy both feature lead characters who take up boxing in the hope that it will lead them out of Coverage, poverty. That was an creating environments, era when Korea was trying desperately to escape the poverty of the towards Identification Motivations and Justifications, 60s and classroom management: learning, 70s, to cast off our reputation as a third world country, says Champion director Kwak Kyung-taek. Comedies Bet On My Disco and Conduct Zero, meanwhile, feature heroes that are renowned for their fighting skills. (They find, however, that this only of Indigenous, gets them so far in pursuing their goals.) In general, the environments, eighties are presented with a mixture of fond nostalgia and sharp irony that highlights how quickly the country has developed into a modern, urbanized society. Strong subject matter and controversy also continue to characterize many South Korean films. Director Park Chan-wook, following the mainstream success of Joint Security Area , shocked a lot of viewers with the grim, harrowing violence of his next film Sympathy for Human of Indigenous Australians Essay Mr. Vengeance . Although one of the most accomplished artistic offerings of classroom management: learning, recent years, viewers will need a strong stomach to sit through to Rights, the end. Ryu Seung-wan's women's action buddy movie No Blood No Tears features violence of a more open, in-your-face variety. Classroom Creating! Many viewers again found this a little too strong to their taste, and despite its artistic strengths the film underachieved at the box-office. Debut filmmaker Park Jin-pyo, meanwhile, saw his film Too Young To Die banned by Korea's Media Ratings Board for its sexually explicit portrait of an elderly couple who meet and fall in love. New Historicist! Although the film eventually made it past the censors by digitally darkening some problematic scenes, the classroom management: creating positive, incident serves as a reminder of the confrontational stance taken by many Korean filmmakers towards mainstream social attitudes.

On the production side, a welcome trend was the latin debt crisis, large number of women making their directorial debuts. Prior to classroom creating, 2001 there were only a handful of women directing in the Korean industry, but the Coverage, rapid expansion of management: learning environments, film schools and the efforts of some powerful female producers have resulted in a new generation of women behind the camera. The Language Of Beliefs, And Justifications! For a sense of perspective, in creating positive learning environments late 2001 Jeong Jae-eun became only the ninth woman in Korean film history to direct a commercial feature. Crisis! In 2002, however, five women directors made their debut, and a further five new faces will present their first works in 2003. Apart from Lee Jeong-hyang, director of the above-mentioned The Way Home , another female director highlighted in this year's program is classroom management: learning environments Moh Ji-eun with her romantic comedy A Perfect Match . A young graduate of the Korean Academy of Film Arts, Moh represents the newest generation of filmmakers in Korea. The year 2002 was also notable for the large number of local films produced and Essay Antithetical Austen’s Pride and Prejudice, released in theaters -- 77 in total. This was the highest level of production seen in management: creating environments a decade, and Rights of Indigenous Australians, it meant not only classroom management: creating positive environments, increased choice for viewers, but also more competition at the box-office. Latin Debt! One result of classroom learning environments, this was that revenues were much more evenly spread out The Language of Islamic towards Identification Motivations and Justifications than in positive environments 2001, when the of Islamic Extremism towards an Automated of Beliefs, Motivations and Justifications, top films controlled a larger share of the management: positive learning environments, total box-office.

The first few weeks of 2003 dawned with news that many people in the industry found unpleasant. Korea's two biggest film companies, CJ Entertainment and Cinema Service, announced plans to Coverage Essay, merge their filmmaking operations. With essentially one less major studio in Korean cinema, and with smaller companies struggling to attract financing, many expect some shrinkage in the industry for creating positive environments the coming years, and a return to the past level of 50-60 films produced per american debt year. In terms of releases, the early part of 2003 featured a large number of melodramas, and one runaway hit at classroom management: positive learning the box-office. Rights Of Indigenous Australians! Like My Sassy Girl in 2001, My Tutor Friend is a romantic comedy based on a story published on classroom management: creating positive learning, the internet. It has grossed more than any Korean film released in Essay Antithetical Austen’s Pride 2002, and it has provided the industry with a well-needed boost to start the new year. The coming year has a large number of interesting projects lined up, and creating positive learning environments, these films will have to perform well at the box-office if Korean cinema is to win back some of its lost investors. Two mega-projects loom on the horizon: an $11m Korean war epic (the most expensive Korean film of all time) shot by Kang Jae-gyu, the director of Shiri , and a $10m action film by Contraception Coverage Essay Cinema Service founder Kang Woo-suk ( Public Enemy ) about a real incident in the 1970s in which trained South Korean spies revolted against their superiors and tried to assassinate dictator Park Chung-hee. Other upcoming projects include new works by young generation filmmakers Kim Jee-woon ( The Foul King ), Bong Joon-ho ( Barking Dogs Never Bite ), E J-yong ( An Affair ), Ryu Seung-wan ( No Blood No Tears ), and Kim Ki-duk ( Bad Guy ). Despite the increased challenges faced by Korean cinema in 2003, it appears that young filmmakers and classroom management: positive, a few more risks will make for a diverse and interesting year.

The Golden Age of new historicist, Korean Cinema: Seven Directors. A local film industry first appeared in Korea under Japanese colonial rule in classroom management: positive learning the 1920s. Despite the hardships and oppression of that era, a steady output of Coverage, films were produced up until the late 1930s, at which time the industry was subsumed by the Japanese propaganda effort in the buildup to World War II. Unfortunately none of these early films still exist in complete form; neglect and the destruction brought on by war have erased all of Korea's early film history. The five years following Korea's liberation in 1945, which also saw the country divided into North and South, saw hesitant steps towards a rebirth in Korean cinema.

Nonetheless, the onset of civil war from 1950-53 left the capital of creating positive learning, Seoul reduced to rubble and the film industry in tatters. A sustained rebuilding, making use of film equipment donated by the U.S., only began to take place in the mid-1950s. Within a remarkably short period of time, however, local filmmaking began to flourish. Helped along by blockbuster hits The Tale of american crisis, Chunhyang (1955) and creating positive learning, Madame Freedom (1955), film companies began to The Language of Islamic Extremism towards an Automated of Beliefs, Motivations, multiply and production increased until Korea was making 108 films a year by 1959. This year's Golden Age of Korean Cinema: Seven Directors programme focuses on the 1960s, which from a commercial standpoint remains unparalleled by any other era in Korean film history. With television still in its infancy, moviegoing formed the primary means of entertainment for young and old alike, with the average Korean watching six films per positive year by 1968. This decade also saw the new historicist, emergence of classroom management: learning, a new generation of directors, who as a group would produce some of Korea's most diverse and of christianity, exciting films, despite the highly restrictive policies of the military government. Three names are recognized above all others as the masters of Golden Age cinema: Kim Ki-young, Yu Hyun-mok and Shin Sang-ok. Talented and management: creating positive learning environments, prolific, these three very different filmmakers continue to command much of the attention focused on Contraception Essay, Korean movies of this era.

Kim Ki-young, nicknamed Mr. Monster, stands out as the most unconventional and management: creating positive learning, bizarre of the trio. His 1960 masterpiece The Housemaid , about a diabolical maid who seduces her master and rips apart the Confucian order of his family, is considered by new historicist many to classroom management: positive learning environments, be the best Korean film ever made. After years of neglect, the of Islamic Extremism towards an Automated Identification, work of Kim Ki-young was finally re-habilitated at classroom environments the third Pusan International Film Festival, after which his films have slowly begun to circulate worldwide in festivals and special screenings. Yu Hyun-mok is often described as the most intellectual of Golden Age filmmakers. His anguished and The Language of Islamic Identification of Beliefs, Motivations and Justifications, brooding Obaltan (1961), heavily influenced by the Italian Neorealists, also ranks at classroom the top of many best-ever lists in Korea. Essay Love In Jane Pride And Prejudice! Yet in many of his works, Yu displays a far greater range of style and mood than the austere image usually associated with his name. Guests Who Arrived by the Last Train (1967) is a colorful and multifaceted portrait of young adults struggling with love, art, and ambition in 1960s Korea. Although we do not feature any films by Shin Sang-ok in this year's programme, he remains a hugely influential figure of that era. He stands out not only for his extensive and classroom learning, accomplished filmography, but also for his powerful company Shin Film, which with its own shooting studio, acting school, distribution chain and new historicist, 300+ employees towered over the industry much as Cinema Service and CJ Entertainment do today.

Yet beyond the big three Korean masters, a large number of filmmaking talents remain unknown abroad and mostly forgotten in Korea. The works of these directors express an energy and experimental spirit that, while rooted more firmly in commercial traditions, provide many of the management: positive learning, artistic highlights of the latin american debt, decade. Of these lesser known directors, the prolific Kim Soo-yong has begun to achieve some outside recognition, most prominently in a retrospective at the 2002 Pusan International Film Festival. His Mist (1967) is classroom management: creating positive environments a melancholy, impressionistic account of new historicist, a man's trip to his hometown, where he is overpowered with memories and the attentions of an attractive young schoolteacher. Meanwhile, another immensely talented director who may be on the verge of an international re-discovery is environments Lee Man-hee. After setting off a boom in war films with one of his early works The Marines Who Never Returned (1962), Lee went on to become one of the industry's most respected directors. His untimely death in 1975 at the age of 45 is considered to of Islamic an Automated of Beliefs, and Justifications, have robbed Korea of one of its greatest filmmakers. Lee's The Evil Stairs (1964, right) remains a masterpiece of the thriller genre, with its supremely accomplished film technique driving the story of a doctor who kills in pursuit of his ambitions. Other lesser known directors include Jeong Jin-woo, whose youth dramas display gaudy images and an impulsive energy which borders on classroom management: creating, self-parody; Kim Ki-deok (no relation to Austen’s Pride, the contemporary director of the same name), a versatile filmmaker who shot the monster film Grand Evil Master Yonggary (1967) as well as Barefooted Youth (1964), the quintessential Korean youth film; and Kwon Chul-hwi, a director and screenwriter whose Public Cemetery Under the management: positive, Moon broke new ground in the aesthetics of the horror genre. Of course, the films of the 1960s were profoundly influenced by the political and social environment of the time.

One of the defining events of this era was a series of student-led protests on April 19, 1960 which toppled the authoritarian government of Syngman Rhee. The movement's success profoundly influenced the latin debt crisis, attitudes and perceptions of classroom creating positive learning environments, younger Koreans, who had grown up during and just after the war. The 4.19 generation ultimately took a far more active role in society than young people had in previous decades, and the resulting generation gap can be seen in many films of the time such as Barefoot Youth (left). After April 19, for Antithetical in Jane Austen’s the space of a little over a year, Korean society enjoyed a much greater freedom of expression, during which films such as Kim Ki-young's The Housemaid and Yu Hyun-mok's Obaltan were shot. Nonetheless in May 1961 a military coup led to the accession of dictator Park Chung-hee, who would lead the classroom creating positive learning environments, country until his assassination in of Indigenous Australians Essay 1979. As in other sectors of management: creating environments, society, the Rights of Indigenous Australians, military government introduced disruptive and classroom management: creating learning, authoritarian reforms which severely impacted the latin american debt, film industry. The first manifestation of this control came in the Motion Picture Law of classroom management: creating learning environments, 1962, which sought to introduce massive consolidation and a strong emphasis on about Antithetical Love and Prejudice, commercial filmmaking. Management: Positive Learning! After passage of the law, film companies were required to Contraception Essay, own their own studios and equipment, have a minimum number of actors and directors under contract, and to produce a minimum of 15 films per year.

That year, the number of film companies dwindled from 71 to 16, and soon after only 4 officially registered companies remained. Major revisions in the law would follow almost every subsequent year, making for creating learning chaos among the filmmaking community. Ultimately, by the early 1970s, the Essay about in Jane Austen’s Pride, initiative and vitality of the film industry would be crushed under the heel of government restrictions. Directors of this era worked in classroom positive environments an industry marked by frenzied activity. Latin Debt Crisis! The Motion Picture Law allowed film companies to import one foreign feature for every three local movies produced, so directors were under tremendous pressure to classroom management: positive learning environments, work quickly. Movies were shot in a matter of weeks on limited budgets, in The Language Extremism towards an Automated Identification of Beliefs, studios that were unheated in creating environments the winter (in many films you see clouds of steam escaping from the actors' lips). More popular filmmakers often turned out 6 to 8 films per year. Kim Soo-yong, who is Korea's most prolific director ever, shot 10 features in 1967 alone, including Mist . Once completed, movies faced a strict government censorship board, which would often ban or delay films based on of Islamic Extremism towards an Automated, either political/social content (Yu Hyun-mok's Obaltan ), alleged pro-communist sympathies (Lee Man-hee's Seven Women Prisoners , for which he was briefly arrested), or sexuality (Shin Sang-ok's Eunuch ). Most directors produced a striking range of genres throughout their careers, in order to learning environments, meet the voracious demands of both audiences and film companies.

War films, comedies, youth-oriented movies, and action films were staples of the time. Contraception Coverage! The first animated film Hong Kil-dong appeared in 1967. Literary adaptations such as Mist and Guests Who Arrived by the Last Train (right) were encouraged by the government through a point system, which awarded the creating positive learning environments, producers of selected films the right to import foreign movies. Nonetheless, melodrama remained probably the most popular and of christianity, influential genre of the time, often impacting films of other genres ( Public Cemetery Under the Moon being one example). A robust star system grew up at the same time, with popular actors taking on a tremendous number of roles. Leading man Shin Sung-il ( Mist, The Student Boarder, Barefooted Youth ), now a representative in Korea's National Assembly, appeared in 536 films during his career, and 45 in classroom management: creating positive learning 1968 alone. He and co-star Eom Aeng-ran from Barefooted Youth remain one of the most famous and popular on-screen couples in Korean film history, and the two ultimately married each other.

As for actresses, Shin Sang-ok's wife Choi Eun-hee and Kim Ji-mi ( The Student Boarder ) received the spotlight for much of the decade's first half, until the debut of three superstars dubbed by the press as the troika -- Moon Hee ( Guests Who Arrived by the Last Train ), Yoon Jung-hee ( Mist ), and new historicist, Nam Jung-im (also in Guests Who Arrived by the Last Train ). The enduring popularity of environments, these three women has led to the term troika being resurrected every decade or so to describe the era's leading actresses, most recently in Essay about in Jane and Prejudice the late 1990s with Shim Eun-ha, Jeon Do-yeon and Ko So-young. Despite the fame and visibility of 1960s actors, one aspect of their persona often remained hidden to the public: their voice. Virtually all films were dubbed throughout the 1960s as part of the relentless drive to produce films quickly and at low cost. Although some stars such as Do Geum-bong ( Public Cemetery Under the Moon ) and Joo Jeung-nyeo ( The Housemaid ) made a point to dub their own voices during post-production, others such as Kim Ji-mi and Eom Aeng-ran were given personalized dubbing artists who loaned their voices (without on-screen credit) to an actor or actress virtually throughout an entire career. This practice would prove long-lived in Korean cinema, only dying out in the 1980s. The seven films chosen for this programme are meant to highlight the range of styles and personalities that make up Korean Cinema's Golden Age.

Despite the constraints faced by 1960s filmmakers, they succeeded in creating positive capturing the imaginations and Love in Jane Austen’s Pride and Prejudice, ambitions of young and old alike with creativity and an impressive command of the film medium. These directors must also have shared one thing in classroom management: creating learning common with the characters in their films: a stubborn will and relentless motivation to succeed, despite the disadvantages and obstacles thrown in latin american crisis their path. Whether driven by love or loss, it would be this will to succeed which would power the local film industry and deliver Korea from the abject poverty they faced after the war.

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Conflict Mapping: the Tunisia Revolution Essay Sample. Conflict Mapping the classroom management: creating environments Tunisian Revolution from the perspective of the main advocates that took over this revolution, the youth of Tunisia through their participation in crucial events, reflected on the problems their country face in the transition to democracy. First the revolution was initiated by of christianity, disillusioned youth who succeeded in classroom management: positive learning environments, bringing together a broad coalition of social and political forces against the Ben Alis regime. Second the Love in Jane and Prejudice coalition was able to bring down the management: creating positive learning regime due to longstanding and widespread discontent in of Indigenous, the country that stemmed from factors such as: massive unemployment especially among the youth, unequal regional development and classroom management: learning lack of equitable distribution of wealth, stifling political repression, and a corrupt ruling family. Third, the The Language an Automated of Beliefs, and Justifications young people who initiated the revolution are not politically organized, and old and newly established political forces, many of which do not represent the interests of the youth.

The Tunisian revolution started in classroom management: creating environments, the center of the country in the small town of Sidi Bouzid on December 17, 2010, Mohamed Bouazizi, a 26 year-old fruit vendor, set himself on new historicist fire to protest economic conditions and police mistreatment. Fayda Hamidi, a 45 year-old female officer of the municipal police, confiscated Bouazizis wares because he did not have a vendors permit. Bouaziz was furious and positive learning environments insulted her. For a Tunisian man, being slapped by a woman in public constitutes a major humiliation. Deeply offended, Bouazizis tried to new historicist file a complaint with the municipal thorities. Apparently the governor refused to see him, even after Bouazizi threatened to burn himself.

He set himself on fire in creating positive, front of the main government building in Sidi Bouzid. A couple hours after Bouazizis self-immolation, several hundred young people assembled in the same place to express their solidarity with Bouazizi and protest economic hardship and The Language of Islamic Extremism towards of Beliefs, youth unemployment, as well as police abuses . Classroom! xxsswsjhlkjgda. Clashes between demonstrators and the police erupted as more people joined in the rallies. Protestors set up a coordinating committee that began relaying information to demonstrators. Images and videos of the The Language of Islamic Extremism an Automated protests and of police brutality against classroom management: creating learning, demonstrators surfaced on the Internet and Facebook. For the moment, however, national media completely ignored the uprising in debt crisis, Sidi Bouzid. On December 20, young people in the neighboring towns staged a protest in solidarity with Sidi Bouzid.

Over the next few days it spread to other cities in Tunisia. Protestors responded to police violence by throwing stones, burning tires in the street, and torching official government buildings and cars. The police fired on demonstrators, killing two of them and injuring many more but the classroom protestors would not retreat. During the new historicist week young bloggers and cyber activist from Tunis and other regions and towns joined in the demonstration to classroom management: creating positive learning environments record and report the events to the country and the world. On January 4, 2011 Mohamed Bouazizi died of his burns. More than 5 thousand people attend the funeral. The protest became national, as young people and trade unionist took to the streets in unprecedented numbers. Essay! Tensions had been escalating within Tunisian society over the past decade. Bouazizis self-immolation ignited protests that expressed longstanding discontent among various groups and social strata. Frustrations stemmed not only from economic malaise but also from suffocated repression and increasingly visible corruption within the ruling family. The escalation was ignited first by the neo-liberal economic policies of the old regime reinforced a pattern of uneven development that marginalized the central and eastern desert region and concentrated wealth in the northern and western coastal regions of the country.

This approach resulted in low wages and job insecurity and failed to generate enough jobs to employ young people entering the work force. Tunisias development model was popular with the World Bank and the International Monetary Fund, these institutions praised Tunisia approach because it encouraged foreign investment, created flexible workforce, and lowered taxes on the businesses. While this structural adjustment policy generated growth, the fruits of classroom management: creating positive environments growth had not been evenly distributed. As a result the central and western regions had experienced extremely high rates of unemployment and Austen’s Pride and Prejudice poverty rates four times higher then the management: positive learning environments rest of the country. Second by new historicist, the state corruption, the management: creating positive learning notorious excesses of the ethics authoritarian regime played a major role in exacerbating popular dissatisfaction. Tunisians became more aware of the corruption of Ben Ali and his ruling clique in 2009 through revelations published in the international media. It became common knowledge that the president and classroom positive learning his wife ran a mafia-like network involving family and close friends that plundered the country and amassed amazing wealth. They controlled all major businesses, from towards an Automated Identification of Beliefs,, information and communication technology though banking to manufacturing, retail, transportation, agriculture and food processing. Political repression and the lack of liberties was a third important factor that provoked discontent and the escalation that lead to this revolution.

Tunisians were not allowed to voice criticisms of Ben Ali and his government and the regime systematically repressed any forms of political dissent. Human right activists, journalists, and members of the opposition were subject to constant surveillance, harassment, and imprisonment. Legislation was used to exert pressure on journalist and editors to tighten restriction on environments freedom of expression. The regime developed a sophisticated approach to online censorship and denial to free access to Internet. The authorities blocked access to several Internet sites and Rights of Indigenous Australians engaged in large-scale hacking operation of its citizens websites and private accounts. In addition to suppressing the media and the Internet, the regime repressed any popular criticism of the government and its leaders. With few exceptions, all organizations and associations that worked on political issues were denied legal registration.

Independent organizations had very little operation, since they were not allowed to hold public meetings or engage in any sort of public criticism of the regime. The main actors of the revolution were Mohamed Bouazizi, young cyber activists, young unemployed generation, and civil society group including trade union movement, lawyers, and classroom learning opposition parties that joined as the conflict escalated. The story Bouazizi and role in the revolution has been a source of debate. Some present him as a heroic martyr and the father of the Tunisian revolution. He has been credited with galvanizing the of christianity frustrated youth across the region to stage mass demonstrations and revolt against their government. He is seen as a revolutionary hero who changed the course of management: positive environments history in Tunisia and influenced events in other North African and The Language of Islamic an Automated and Justifications Middle Eastern countries. Although others had mixed feelings about him, considering him not a hero and classroom creating learning not the first to set himself on fire in protest of the government. The Tunisian revolution was not only debt crisis, fought on the street but also in the Internet forums, blogs, Facebook pages, and Twitter.

Young bloggers used online social networks to expose the government abuse and distribute information about the situation in Tunisia on the web, while the government control print and broadcast media completely ignored the popular uprising. The Tunisian regime censored the Internet for many years. Popular video-sharing websites such as Youtube and classroom positive learning environments Dailymotion, were blocked, while social networking sites, especially Facebook were shut down periodically. The majority of the young people who took to the street were unemployed and underemployed graduates who were disillusioned. Many of about Pride them had completed their higher education and management: creating had valuable technical skills, but were still unable to find work.

Left with no opportunities for new historicist, work, the classroom management: creating positive young graduates survive in irregular underpaid jobs in the service sector, construction and foreign call centers. Without any serious support from the Love in Jane state, many unemployed young graduates were bound to find a livelihood in management: creating positive learning, the informal sector. These strategies did not guarantee any long-term job security and made them disillusioned with the governments ability to address problems. It is not surprising that they became the of Indigenous main actors of the environments Tunisian revolution. They are young, knowledgeable and new historicist full of energy, but they have no jobs and no real prospects for the future. They had no stake in society and positive were prepared to engage in violence out of sheer desperation. During the twenty-nine days of protests, young unemployed graduates came into the streets in force and skillfully used the Internet to fight the system in the hope for better opportunities. The Civil Society Groups consisted of lawyers, teachers, journalist and political parties. Tunisian lawyers staged large protest in front of the courthouse in Tunis and other cities across the country to protest government abuses and defend human rights.

As the conflict escalated, the Contraception opposition political party became involved. Although the Tunisian General Labor Union (UGTT) initially decided to playa mediating role between the government and the demonstrators, it soon changed its position. Local and regional unions decided to join the youth much sooner its position. The participation of the UGTT helped form a broader national coalition against management: creating, the regime. The youth was transformed into a revolution as the demands widened from a solution.

Following the departure of Ben Ali, Fouad Mebazza, immediately interim president and interim. The mandate of the provisional government was to manage the latin first phase of the classroom creating positive learning environments countrys political transition and prepare for the election of the National Constituent Assembly, which would approve the new Tunisian constitution. From the moment it was formed there were serious challenges, the governments head was still the headed by interim Prime Minister Mohammed Ghannouchi, who was cabinet minister. Young Tunisians rejected this government even though it included a member of the young cyber activist. Protesters in Tunis called for resignation of the interim government. Ten days late, a second more inclusive government was appointed, still headed by Ghannouchi. Protestors voiced frustration over Rights Essay the slow pace of change and accused Ghannouchi of being close to Ben Ali regime. From the first to the second interim government included the classroom management: creating positive learning environments ruling party, the Raessemblement Constitutionel Democratique (RCD) the Human same regime that was in power when Ben Ali was president. The government legalized the formation of more political parties and granted amnesty to political prisoners.

It issued an international arrest warrant for Ben Ali and his close relatives and extended relatives. National committees ere established to deal with human rights violations, embezzlement and corruption, and corruption. Youth took to the street again and days of protest Ghannouchi resigned. Caid- Essebi became prime minister appeared more neutral and managed to creating positive learning keep distance from Ben Alis regime. Soon after taking u his post, the new interim prime minister announced dissolution of ethics Ben Alis political police and security apparatus which was a critical issue for the young protesters and the opposition parties. Young Tunisians today are seriously worried about the direction the classroom learning country is taking and doubt that Caid-Essebsis government is of christianity, willing and able to dismantle the power structures of the old regime. One of the major discussions going among Tunisians today, and among the young people in particular is how to deal with the former members of the Constitutional Democratic Rally (RCD) who continue to hold power. Under the regime of Ben Ali no one was able to go far without being co-opted in to the RCD.

The party dominated all aspects political, economic, and social life in the country. During the dictatorship there was no separation between state and the party, and real multiparty democracy was not allowed. Young people who hold a radical position want all former RCD members to be removed. There is an classroom management: positive learning environments estimated two or three million ex-RCD cadres and officials still active in the state administration and the private sector. When Ben Ali regime was toppled, Tunisia had only eight political parties since then the RCD has been abolished, opposition parties have been legalized and new political forces have been created and authorized to join the electoral register. By the about Antithetical Love in Jane end of June 2011, the country had 94 political parties on its electoral list. A combination of factors made Tunisian revolution a success it turned out to classroom be, First, the growing malaise in of Islamic Extremism towards an Automated of Beliefs, and Justifications, the country made it difficult for the regime to continue in the same path. Second, the large number of university- educated youths without employment or prospects constituted a mass of potential activists. Third, Tunisian had extensive Internet access, and its youth were savvy about using the Internet for subversive purposes and defending it from government censorship, Fourth, the Tunisian military was quite weak and did not back the regime, while the police were hated for police brutal attempts of repression. All these factors led to the creation of a broad coalition movement that, by mid-January, included all the important sectors of positive society.

Alexander, C. (2011). Tunisia protest wave: where it comes from and Essay what it means. Middle East Foreign Policy. Collins, Nicholas (2011). Voices of a.

Revolution : Conversation with the Tunisias Youth. National Democratic Institute. Available at management: environments, http: www.ndi/org/files/conversations-with-tunsia-youth-apr-2011.pdf Hauge, Wenche (2012). When Peace Prevails: The Management of Political Crisis in Ecuador, Madagascar, Tunsia, and Venezuela. Alternatives 35, 469-493. Hedi Bchir, M. Abdelbasset Chemingui M. and H. Ben Hammouda. Latin American Debt! (2009) Ten years after implementing he Barcelona Process: what can be learned from classroom, Tunisia experience. The Journal of North African Studies14,2,123-144. Goldstone, Jack (2011). Contraception Coverage Essay! Understanding the Revolution of 2011: Weakness and Resilience in Middle Eastern Autocracies.

Foreign Affairs 6, 8-16. Classroom Environments! Noor, Naseema (2011). Tunisia: The Revolution that Started it All. International Affairs Review 15, 25-58. Is this the perfect essay for you? Save time and ethics of christianity order Conflict Mapping: the Tunisia Revolution. essay editing for only $13.9 per page.

Top grades and quality guaranteed! Relevant essay suggestions for classroom management: positive environments, Conflict Mapping: the Tunisia Revolution. On January 25th of 2011, Egyptians witnessed an ever changing event that would make history. For thirty years one man had been in charge of the whole country, and his French Revolution Essay. The French Revolution was an important time in French History. Watching the colonies in the US succeed in their revolution, the French were inspired and desired similar success. The French Industrial revolution and the technilogical revolution. If one looks at Europe in latin american crisis, the mid 1900s and the entire world today, one can see a mirror image of the creating environments old big 5 countries.

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